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Dzemma SkulmeThreads. Paper, watercolor, 100x72 cm
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Threads. Paper, watercolor, 100x72 cm
Dzemma Skulme worked in oil, acrylic and water-colors. She developed the theme of the caryatid, wherein she endeavored to reveal the ethical and spiritual strength of a woman. She also turned to a rifleman theme, Latvian ethnography and the principles of folk art.
In her paintings of the second half of 1960s her worldview became more dramatic and she has raised the expressiveness of her work by using large brush or even palette knife for color application.
In the middle of 1950s she also became recognized for her book and magazine illustrations.
During 1960s artist turns to author technique - combination of acrylic and oil color thus creating interesting textures. Her painting during this time has become more conceptual. She has worked as assistant decorator in Daile Theatre and Latvia Puppet Theatre (1945-1947).[5]
The Latvian art historian Laima Slava is accentuating the line as the discovery of 1960s in Dzemma Skulme's creative work: “At first it is smooth and constructive and defines the shape of a character, then it becomes lighter and more transparent.”
- Creator:Dzemma Skulme (1925 - 2019, Latvian)
- Dimensions:Height: 39.38 in (100 cm)Width: 28.35 in (72 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Riga, LV
- Reference Number:1stDibs: LU1437210707862
Dzemma Lia Skulme (born 1925 20 IX - 2019 9 XI) Skulme graduated from the Academy of Arts of Latvia, Department of Monumental Painting with diploma work “Song Festival” under the guidance O. Skulme. She graduated from the Leningrad Painting, Sculpture and Architecture institute of I. Repins, she obtained the degree of an Art Scientist Candidate for the painting “Our celebration” (1956.) Between 1945 and 1947 she worked as a decorator’s assistant at Daile Theater and the Dolls’ Theater. Since 1949, she takes part at exhibitions. Solo exhibitions: Riga (1968, 1985, 1992, 1994, 1995), Moscow (1969, 1984), Geneva (Switzerland), Milan (Italy, 1971), Vilnius (1976), Kale ( France with O. Abols), Fredrikstadt (Norway, 1994, 1995), Cesis (1996), Kiev (Ukraine 1997), Family of Skulmes exhibition in West Berlin (1981), Pitsburg (USA, 1986), Bergamo (Italy, 1987), Riga (1998 – 1999). Group exhibitions: New York (1989), Munich (with M. Skulme and V. Pelse), Bonn, Pitsburg (USA, Women Between Times: New Nations; New Art, 1993). Skulme was a Member of the Latvian Artists’ Union since 1956, the Chairman of the Artists’ Union (1982 – 1992). Since 1993, the artist was the director of Creative Foundation. She has been a very important person in the Soviet Latvian cultural life. The artist's works are in the collection of the Latvian State Art Museum, Zimmerly Art Museum (USA), Tretyakov Gallery (Russia). Her works are also in many private collections in Latvia and abroad.
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