Edmund Ward

Fresh Coat of Paint, Monhegan

"At the Door" by C. Colombe is a charming late 19th century European realistic oil of a domestic interior scene capturing the Victorian sense of humor. Signed lower right. The pain...

With a rich, luminous palette and the subtle effects of natural light, in "Studying Her Lessons" the artist meticulously captures every fine detail of the sitters and their surroundi...

William Frederick Witherington was born in London in 1785. In 1805, he began his studies at the Royal Academy Schools. He first exhibited at the British Institution in 1808, and at the Royal Academy in 1811, where he continued to exhibit almost every year. He also exhibited for several years at the Birmingham Society of Arts. He travelled around England painting views of rural life in Devon, Kent, Wales and the Lake District. During the 18th and 19th centuries the hop gardens of Kent, Sussex and Surrey provided artists with a rich source of subject matter. The picking season was the English equivalent of the French and Italian grape...

Samuel S. Carr was born in England in 1837. He studied at the Royal School of Design in Chester before immigrating to the United States around 1862, where he settled in Brooklyn, New York. He began exhibiting genre paintings in the 1870s. He was known for his paintings of children, seashore life and pastoral subjects. Carr was a member of the Brooklyn Art...

Charles Hunt, Jr. was born in Kensington, London, in 1829 and was part of a dynasty of painters. He was the son of the genre painter Charles Hunt (1803-1877) and father to four sons ...

Marine painter Warren W. Sheppard was born in Greenwich, New Jersey, to a ship captain father who instilled in his son a love and respect for the sea. He studied privately with Mauritz F. H. De Haas and took courses in drawing at Cooper Union in New York City. He traveled along the Mediterranean coast in 1879, sketching the ports of Naples, Gibraltar, Genoa and Messina. Sheppard’s foreign tours continued between 1888 and 1893, with stays in Paris and Venice, where he captured the architecture and busy canals of the Floating City. This fondness for travel also translated to his home country. He sailed along the East Coast from New Jersey to Maine in search of subjects and was an expert navigator, eventually writing the book Practical Navigation. Yacht design became a second career for Sheppard and he participated in a number of sailing competitions himself, most notably winning the New York-to-Bermuda race twice while skipper of the Tamerlane. Sheppard exhibited at the Denver Exposition, Chicago Exposition...

During my travels across North America to various comic cons, I heard a common question from fans, “When are you going to paint The Flash?” It never failed; ...

ROGELIO DE EGUSQUIZA Y BARRENA LADY IN YELLOW signed "R. Egusquiza" (lower right) oil on panel 28-5/8 X 20-3/4 inches (72.5 X 52.7 cm.) framed: 32-5/8 X 24-3/4 inches (82.5 X 62.5 cm.) Rogelio de Egusquiza y Barrena (1845 – 10 February 1915) was a Spanish painter, known for his friendship with the German composer Richard Wagner, whose works he helped make familiar in Spain He was born in El Astillero, into a well-to-do family. He studied in Madrid and with Léon Bonnat at the École des Beaux-Arts in Paris. In 1868, after travelling and participating several times in the National Exhibition of Fine Arts, he returned to Paris and settled there. At first, he painted historical scenes, but later turned to genre scenes and portraits in the Academic style. Following the death of Marià Fortuny, he moved to Rome at the invitation of the Madrazos, Raimundo and Ricardo, taking Fortuny's place at their studio through 1875 and attending classes at the Spanish Academy in Rome. He heard Wagner's music for the first time in 1876, after returning to Paris. Three years later, he travelled to Munich to hear a performance of The Ring of the Nibelungen. His enthusiasm for what he heard led him to go to Bayreuth, where he introduced himself to Wagner and became his friend. In the following years, he and Wagner got together again several times; in Venice (1880), Berlín (1881) and Bayreuth (1882); where he was a guest at the premiere of Parsifal. After his first meeting with Wagner, he decided to devote his career to doing works on Wagnerian themes; mostly portraits of the characters rather than specific scenes. During his visits to Germany, he also created portraits of Arthur Schopenhauer (posthumous) and King Ludwig II...

JOSÉ MONGRELL Spanish, 1870 - 1937 VALENCIAN FLOWER PICKERS signed “J. Mongrell” lower left oil on canvas 29-1/4 x 45 inches (74 x 114 cm.) framed: 42-3/...

This evocative oil painting by Girbent depicts a woman in a hotel room, visible in the viewers line of sight and also reflected in the mirror. His interior sings with detail while m...

This oil on canvas painting exemplifies the skill inherent in all of Girbent's work. The work, "Painting (After Rubens), is in fact a painting in the sty...

"Dr. Lecter" is a portrait based on Anthony Hopkin's iconic portrayal of the character in Silence of the Lambs. Dr. Hannibal Lecter, though an absolute monster, had a charming side ...