Tully Filmus

Judaica Pastel Drawing "The Violinist" Jewish Klezmer Musician WPA Artist

Emilio Cruz (1938-2004) Bonnie and Clyde Pastel on paper Hand signed lower right Dimensions Framed H 15-7/8" W 18-1/2", Sight H 13-1/2" W 16-1/8" Emilio Antonio Cruz (1938 – 2004) was a Cuban American artist who lived most of his life in New York City. His work is held in several major museums in the United States. Emilio Antonio Cruz was an American Artist of Cuban descent. He was born in the Bronx on March 15, 1938. He studied at the Art Students League of New York with Edwin Dickinson, George Grosz and Frank J. Reilly and at The New School in New York City, and finally at the Seong Moy School of Painting and Graphic Arts in Provincetown, Massachusetts. As a young artist in the 1960s, Cruz was connected with other artists who were applying abstract expressionism concepts to figurative art such as Lester Johnson, Red Grooms, Mimi Gross, Bob Thompson and Jan Muller. He combined human and animal figures with imagery from archaeology and natural history to create disturbing, dreamlike paintings. Cruz received a John Hay Whitney Fellowship and awards from the Joan Mitchell Foundation and from the National Endowment for the Arts. In the late 1968, Emilio and wife Patricia Cruz moved to St. Louis to work with Julius Hemphill and the Black Artists Group. He served as director for the visual arts program, which also included painters Oliver Jackson and Manuel Hughes. In addition to artistic contributions, the couple participated in city-wide civil rights protests and rent strikes. Cruz moved to Chicago and taught at the School of the Art Institute of Chicago during the 1970s, where he exhibited widely and was represented by the Walter Kelly Gallery. He wrote two plays, Homeostasis: Once More the Scorpion and The Absence Held Fast to Its Presence. These were first performed at the Open Eye Theater in New York in 1981, and later were included in the World Theater Festival in Nancy and Paris, France, and in Italy. In 1982 he returned to New York where he began to exhibit again. In the late 1980s he resumed teaching at the Pratt Institute and at New York University. Harry Rand, Curator of 20th Century Painting and Sculpture at the Smithsonian American Art Museum, described Emilio Cruz as one of the important pioneers of American Modernism of the 1960s for his fusion of Abstract Expressionist art with figuration. Geno Rodriguez, Curator and Executive Director of The Alternative Museum, wrote in 1985, "Emilio Cruz, is a brilliant and impassioned artist whose current paintings are monumental, imbued with intelligence, fury and an apt sense of irony. They reflect the turbulent world within which we live." Geoffrey Jacques wrote in 1990, "Emilio Cruz paints humanity’s essence. Mythology and archeology are the foremost concerns of the painter Emilio Cruz. Dinosaurs, skeletal humans and fossil-like images are used in his work as metaphoric signposts in a consideration of the basic questions of existence." Art historian and curator Paul Staiti wrote in 1997, "Emilio Cruz's Homo sapiens series is a strange and haunting genealogy of the modern soul... What is at stake here more than biopolitical culture, is the remystification of the body and mapping of consciousness ... For all the trauma, explicit and implicit, Cruz's style is masterful, classical, even beautiful." Exhibitions Cruz held his first solo exhibition at the Zabriskie Gallery in New York in 1963. Afterwards his work was included in many group and solo exhibitions, including the Anita Shapolsky Gallery in 1986 and 1991, museum exhibitions at the Studio Museum in Harlem in 1987, the Pennsylvania Academy of the Fine Arts in 1997. In 1994, Cruz's work was shown as part of the American contingent at the IV Bienal Internacional de Pintura en Cuenca, Ecuador. Other American artists exhibiting at this show were Donald Locke...

Jacques Zucker was born in 1900 in Radom, Poland. He was a notably famous Jewish American artist mostly known for his expressionist figure paintings. In his young years he traveled t...

Paper measures 21 X 33 inches Born and raised in Mississippi, Alex O'Neal graduated from Rhode Island School of Design and School of the Art Institute of Chicago. In the Eighties, his formal education overlapped regular visits with Mississippi self-taught artists, including Mary T. Smith, Luster Willis, and Son Ford Thomas. He later immersed himself in art brut collections and European art brut in Switzerland, Germany, and France. His work is also inspired by African-American self-taught outsider art. O'Neal's drawings and paintings have been shown at The Drawing Center, New York; BRIC, Brooklyn; P.S.122, New York; Johnson Museum of Art, Ithaca, NY; Woodruff Arts Center, Atlanta; Tennessee Arts Commission, Nashville; Mississippi Museum of Art, Jackson, MS; Centre d’Art des Pénitents Noirs, Aubagne, France; Contemporary Arts Center, New Orleans; Chicago Cultural Center; Ecomuseu, Valls d'Aneu, Spain; Amory Arts Center, West Palm Beach; Huntsville Museum of Art, AL; Rockefeller Art Center, SUNY Fredonia; ART LA; Field Projects, New York; LOG at Lump Gallery, Raleigh, NC; and Linda Warren Projects, Chicago. His work is in volumes 16, 38, and 104 of New American Paintings. His paintings and drawings idiosyncratically depict circumstances that associate Americans, i.e. dysfunction, nature worship, cults, homegrown terrorism, Hollywood, reverence for Native America. There is formal influence from stylization found in Romanesque fresco, early American portrait painting...

Dean was born in 1934 of Jewish parents in a Berlin, Germany, that was falling prey to the Nazis. The family immigrated to New York City in 1938, and Dean was raised in the refugee community in Inwood. Dean's first show (ironically, in retrospect) was given him by the USIA in Brazil. In 1959, he returned to New York to work six months on, six months off in soil engineering and made art in the interims. He tried, and failed, to get into a Tenth Street Gallery. Studying painting at night with Andre Girard at City College pushed him over the edge, and in 1969 he committed himself to painting full time. Artists who impressed him in the '60s were Robert Beauchamp, Lester Johnson, Jan Muller...

MICHAEL HAFFTKA "The Wave" Hand signed lower right "Hafftka" Oil and pastel on paper, 30.5" x 22.25". Framed 39" x 31.5". Michael Hafftka (born 1953) is an American figurative expressionist painter and musician, composer, living in New York City. Hafftka was born in Manhattan, New York (1953) to Eva and Simon Hafftka, European refugees and Holocaust survivors. He was raised in the Bronx and attended public schools. His work is represented in the permanent collections of a number of museums, including: The Metropolitan Museum of Art, New York Museum of Modern Art, Brooklyn Museum of Art, San Francisco Museum of Modern Art, Carnegie Museum of Art, New York Public Library, McNay Art Museum, Housatonic Museum of Art, Arizona State University Art Museum, National Gallery of Art, and Yeshiva University Museum. He was included in the show Jewish Themes/Contemporary American Artists II, The Jewish Museum, New York, Hannelore Baron...

Extremely rare work of art from the early Bezalel School of Boris Schatz in Ottoman Palestine. it depicts an Orientalist Arab Sheik in traditional Headwear. YITSKHOK LIKHTENSHTEYN ...

A bucolic scene at harvesting time Gerald Gardiner (1902-1959) Harvesting time Signed and dated 1944 Oil on paper 10½ x 15¾ inches Landscape painter ...

Countryside Barn at Dusk - Oil Pastel On Paper Oil pastel drawing depicting a small wooden barn atop a country hillside by Oakland, California artist Grace Anna Pfister (American, 1...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. The artist used a homemade mixture of oil paste...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. The artist used a...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. The artist used a...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. It depicts two houses with slate roof on the po...