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Emilio Boggio
The Kiss of an Angel - 19th Century Symbolist Oil, Figures in Landscape - Boggio

1895

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  • Heading Home - Sunset - Symbolist Figure in Landscape Oil by Edmond Aman-Jean
    By Edmond Aman-Jean
    Located in Marlow, Buckinghamshire
    Signed symbolist figure in landscape oil on original canvas circa 1890 by French painter Edmond Francois Aman-Jean. The work depicts a lone woman carrying a load on a rural path. In ...
    Category

    1890s Symbolist Figurative Paintings

    Materials

    Canvas, Oil

  • Fete Champetre - Symbolist Figurative Oil Painting by Ker Xavier Roussel
    By Ker Xavier Roussel
    Located in Marlow, Buckinghamshire
    Signed symbolist oil on panel circa 1910 by French Les Nabis painter Ker-Xavier Roussel. This beautiful painting depicts nudes and figures dressed in robes in a wooded landscape. Signature: Signed lower left Dimensions: Framed: 31"x40" Unframed: 23"x32" Provenance: JPL Fine Arts - London c. 1985 Ker-Xavier Roussel met Édouard Vuillard at the Lycée Condorcet, which they both attended. Together they visited Eugène Ulysse Napoléon Maillard's studio, where Roussel became acquainted with Charles Cottet, going on to study at the Académie Julian under Bouguereau and Jules Lefebvre. There, he became interested in the Synthetism promoted by Sérusier, following Sérusier's heeding of the line Gauguin had adopted in Pont-Aven. He joined the Nabis group. He and his friends form a link between the Impressionists - he knew Cézanne, Degas, Renoir and Monet - and the Fauves and Cubists. In his earliest paintings, Roussel adopted a dark palette for Realist still-lifes. Later, his work bore the influence of Gauguin, Sérusier, the Nabis and Cézanne, in Intimist scenes painted in flat tints not yet clearly delineated. Their dull, saturated tones are reminiscent of Cézanne. In about 1900 he started painting mythological scenes full of nymphs and fauns and set in his home region of Île-de-France. After a bicycle trip in Provence with Maurice Denis, during which he met Cézanne, he lightened his palette, much taken by the cloudless skies below which he would now set the mythological and idyllic compositions which link him to Poussin and Corot. This wondrous, unreal world found its way into large-scale works, including the stage curtain of the Champs-Élysées theatre in 1913, a large Pax Nutrix for the Palais des Nations in Geneva and Dance for the Palais de Chaillot in 1937. He is best remembered for: Silenius' Triumph, Polyphemus, Diana, The Abduction of the Daughters of Leucippus. The nymphs and fauns of a mythology quite his own appear in clearings and woods from the outskirts of Paris, but the sun they rejoice in is Mediterranean. To capture the vibration of bright colours under a permanent sun, he later turned to pastels. He was more a Symbolist than a Nabi and signed himself K.-X. Roussel. He also produced lithographs. He took part in exhibitions from 1891 with the Groupe des Vingt at le Barc de Bouteville's gallery in Brussels. Then he exhibited in Revue Blanche Painters ( Les Peintres de la revue blanche) in Paris; with the Nabis at Café Volponi in Paris; before World War I with Free Aesthetics in Brussels; from 1901 at the Salon des Indépendants and the Salon d'Automne; in the 1930s in Revue Blanche Painters ( Les Peintres de la Revue blanche) hosted in Paris by designer Bolette Natanson, the daughter of the Revue Blanche's owner. He took part in The Masters of Contemporary Art ( Les Maîtres de l'art contemporain) at the Musée du Petit Palais in Paris, and at the 1938 Venice Biennale and 1939 New York World Fair. He featured posthumously in Toulouse-Lautrec and the Nabis ( Toulouse-Lautrec et les Nabis) at Bern Kunsthalle; From the Revue Blanche ( Autour de la revue blanche) in the Galerie Maeght, Paris, and in Tokyo and Brussels. He had one-man shows in Paris before his death in 1944. Retrospectives were mounted in the 1960s in London and Bremen. Museum and Gallery Holdings: Geneva (Petit Palais): Haystacks on the Seaside Paris (BNF): Training the Dog; Landscapes (engraving); Nymph and Faun (c. 1895, etching) Paris (Louvre): Poject for a Screen (drawing) Paris (MNAM-CCI): The Road (c. 1905); The Cyclops (1908); Venus and Cupid on the Seafront (1908); The Abduction of Leucippus' Daughters (1911); Pastorale (1920); Diana at Rest (1923); Portrait of Vuillard (1934) Paris (Mus. d'Orsay): The Gate (pastel); Woman in Profile with Green Hat; In Bed; Félix Valloton...
    Category

    Early 20th Century Symbolist Figurative Paintings

    Materials

    Oil, Panel

  • La Muse Du Lac - Symbolist Figure in Landscape Oil Painting by Alphonse Osbert
    Located in Marlow, Buckinghamshire
    Signed and dated symbolist figure in landscape oil on board by French painter Alphonse Osbert. The piece depicts a blonde woman in a full length purple...
    Category

    Early 20th Century Symbolist Figurative Paintings

    Materials

    Oil, Board

  • Sur la Plage - Post Impressionist Oil, Figures on Beach Seascape - Lucien Adrion
    By Lucien Adrion
    Located in Marlow, Buckinghamshire
    Wonderful signed figures in landscape oil on canvas circa 1940 by French post impressionist painter Lucien Adrion. The painting depicts families enjoying a sunny summer's day at the ...
    Category

    1940s Post-Impressionist Figurative Paintings

    Materials

    Canvas, Oil

  • Belandre au soleil couchant - Impressionist Oil, Landscape by Henri Duhem
    By Henri Duhem
    Located in Marlow, Buckinghamshire
    Signed, titled and dated impressionist landscape oil on canvas by French painter Henri Duhem. The work depicts a barge moored on the side of the river with two men on the path on the riverbank. The sun is setting creating the most beautiful shades of pink and yellow in the sky which is reflecting in the water below. Signature: Signed lower right and titled and dated 1933 verso Dimensions: Unframed: 15"x18" This painting is not currently framed but a suitable frame can be sourced if required Provenance: Exhibited at the Salon des Tuileries - 1933 Private French collection Descendant of an old Flemish family, Henri Duhem was born in Douai on April 7, 1860. He worked as a lawyer at the Bar of the Court of Douai from 1883, he practiced at the same time his passion for drawing and watercolor. In 1887, he enrolled in Henri Harpignies' drawing course in Paris and, at the same time, befriended the painter Émile Breton...
    Category

    1930s Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • Vieux palais sur la canal - Venice - Cubist Landscape Oil by Camille Hilaire
    By Camille Hilaire
    Located in Marlow, Buckinghamshire
    Signed and titled cubist oil on canvas circa 1980 by French painter Camille Hilaire. This wonderful and colourful piece depicts a gondola on the Grand Canal, Venice with old palace behind. Signature: Signed lower right and titled verso Dimensions: Framed size: 21"x24" (53.3cm x 61.0cm) Size: 15"x18" (38.1cm x 45.7cm) Provenance: Private French collection Camille Hilaire was a pupil at the École des Beaux-Arts in Paris. He also worked in the free academies, including that of André Lhote, whose teaching had a major influence on his work. He executed numerous mural decorations...
    Category

    1980s Cubist Landscape Paintings

    Materials

    Canvas, Oil

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