Esther Oyeyemi

A World in Her Hand - Contemporary Figurative Childhood Painting

2024

Infinity Cartoon, Original Contemporary Surrealist Figurative Portrait Painting 44" x 32" x 1.5" (HxWxD) Oil, Acrylic, Flashe, Thread, and Print on Canvas This mixed media portrait by artist Sarah Jacobs...

Budding Bonds 16.0 x 20.0 x 1.5, 2.0 lbs Acrylic on canvas Hand signed by artist Artist's Commentary: "Budding bond In this heartfelt artwork, I portrayed two little girls kneel...

A World in Her Hand 48.0 x 48.0 x 1.5, 3.0 lbs Acrylic on canvas Hand signed by artist Artist's Commentary: "'Supplication' is a series of artworks that delve into the complex i...

Artist Commentary: This piece is part of a series called The Four Elements, and the idea was to portrait human emotions and aesthetics related to one of the four elements in this case Water.. And is called love because is a mother with her son. Keywords: Figurative, expressionist, green, smile, happy Artist Biography: Fine Artist, muralist, illustrator and art teacher. I was born in Santo Domingo, Dominican Republic in 1972. I studied Fine Arts and Illustration at Altos De Chavón School Of Design (1992) and also got a bachelor degree in Fine Arts and Illustration at Parsons School Of Design (1994), NY. I’ve participated in several collective art shows and also five solo shows at Santo Domingo, Barcelona and Miami (Art Basel 2017); I’ve been working with others fellow artists doing urban art at the streets of several cities an small communities in the Dominican Republic since 2012, where I’ve done about 35 murals, I participated as international guest artist at the Art festival “Voz de Vida” at the city of Pasto, Colombia, I was a resident artist at Graniti Murales at Sicily, Italy, and painted with “transitando” at Madrid, Spain. In august 2018 I was invited to participate at Beyond Walls Lynn, in Boston, MA, and in 2020 I painted at Savannah, Georgia invited by The Stables Art...

Artist Commentary: This piece is part of a series I've been working on about my recent trip visiting family in the Philippines. The paintings all contain layered elements of plants, ...

Artist Commentary This painting was on display during the East Austin Studio tour. It is #2 of my "Vexation" painting series. The first painting was just vines, this (the second) one...

Archaic Hercules Skinning a Rabbit, 2019 Acrylic on canvas 53.14 H x 55.11 W in. 135 H x 140 W cm In classical mythology, Hercules is famous for his strength and his numerous far-ra...

Luis Miguel Valdes (Cuba, 1949) 'La soledad de las columnas', 2018 oil on canvas 55.2 x 181.2 in. (140 x 460 cm.) ID: VAL-334

Gyre acrylic, spray paint on canvas 80" x 96" 2022 Part of the New Minority Series Dennis Jones was first introduced to the use of a bidet while being extremely ill in Hurghada, Egypt. He has played the game of ‘Jenga’ with prostitutes in Phuket, Thailand. Once he hiked down to the bottom of the Grand Canyon from the North Rim and back in twelve hours. Jones has also visited fifty US National Parks. The work of Dennis Jones is growth oriented. There is diversity among his oeuvre and much risk in such an approach. Eschewing a ‘signature style’ that he considers to be boring, creatively limiting and market driven, he prefers to consider how method and expression intermingle and form a conceptual basis. A cursory glance may consider his prodigious output to lack focus, but a deeper reading reveals that he remains true to himself and allows his work to take him where it needs to go. There has always been the presence of a figure in his work, either implied, or directly visible. One can trace several years of development from his interest in figurative and cartoon-like imagery in, Toyland (2006), through his foray into text based work (2007-13) and a later influence of abstraction (2012-18). Following this trajectory brings one to his current body of work that combines figuration, cartoons and abstraction. He is a visual artist, educator, and architect. Each of the ‘hats’ he wears directly influence his work. He states that ‘a fascination with an integration of material, process and expression, truth of emotion and visually communicating thought are what sustain and drive him as an artist. Jones has participated in over seventy solo and group shows that include local, national and international venues. His creative output includes paintings, sculptures, drawings, installations, videos, photos, books, teaching and residential architecture. Jones’ work was selected to be included in the New American Paintings 2019 Midwest Competition Publication, juried by Staci Boris, Associate Director of Exhibitions, School of the Art Institute of Chicago. Currently, his focus is on a growing body of paintings, in mixed media, on canvas that combine abstraction, figuration and cartoon imagery. Jones had a one person exhibition at the University of Michigan in September through December of 2018. A review of the show can be read on the page titled, Candyland Review. Earlier the same year, He curated an exhibition titled, SIX, that opened in January of 2018, at The Janice Charach Gallery; a five thousand square foot space, located in West Bloomfield, Michigan. The exhibition featured the work of six Detroit artists and provided adequate space for each to show a body of work…essentially six individual shows in one space. Selected venues that have shown Jones’ work include: The OK Harris Gallery, New York; Galerie Protege, NY; The Mary Washington Galleries, Mary Washington University, Fredericksburg, Maryland; The Kraft Lieberman Gallery, Chicago; The Drift Gallery, Portsmouth, NH; The Project Room, Lincoln, NE; The Art Gallery of Windsor, Windsor, Canada; Artcite, Windsor, CA; The Thames Gallery, Chatham, Ontario, Canada; The Kenderdine Art Gallery, University of Saskatchewan, Saskatchewan, CA; Definitely Superior Gallery, Thunder Bay, ON, CA; Gallery Lambton, Sarnia, ON, CA, WKP Kennedy, North Bay...

Javier Calleja El Pan De Cada Día (Everyday Bread), 2013 is a stunning work that exemplifies the artists interests and influences in cartoons and comics that are imbued with creative...

"Luis Miguel Valdes (Cuba, 1949) 'Strong Tower', 1998 acrylic, marbel dust on canvas 78.8 x 78.8 in. (200 x 200 cm.) ID: VAL- "

"Luis Miguel Valdes (Cuba, 1949) 'Cuarto', 2017 oil, acrylic on canvas 76.8 x 76.8 in. (195 x 195 cm.) ID: VAL- "