Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

Francesco Monti called 'Brescianino delle Battaglie (Brescia, 1646 - Parma, 1703)
Battle scene

$21,578.62
£16,068.13
€18,200
CA$29,650.21
A$33,184.16
CHF 17,319.58
MX$404,675.72
NOK 221,667.08
SEK 209,836.28
DKK 138,540.67
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Francesco Monti, known as Brescianino delle Battaglie (Brescia, 1646 - Piacenza, 1703) Battle scene Oil on canvas, 90 x 117.5 cm Framed 112 x 139.5 cm Francesco Monti, better known as Il Brescianino or The Brescianino of Battles, was born in Brescia in 1646. Pellegrino Antonio Orlandi (1704), who was his first biographer, informs that he had as his master the Lucchese painter Pietro Ricchi. All the following literature has embraced the news, mostly assuming that the alumnuship took place during Ricchi's Venetian sojourn, placed in the third quarter of the 17th century. The total absence of data on Monti's early activity, however, makes it almost impossible to assess the importance of Ricchi's style in his formation, and, on the other hand, it is not easy to identify derivations from the master in his later production. Monti was, however, also a pupil of Jacques Courtois known as Borgognone, according to Orlandi himself and a letter sent to Monti by his friend Carlo Giuseppe Fontana in 1694, reported in the monograph devoted to the Brescian-born artist by Arisi (1975, p. 34). Burgundy's teaching, although its chronological and geographical circumstances are unknown, must have played a decisive role in Monti's refinement as a painter of battles. The difficulties of outlining a certain catalog of his work, however, in the absence of a sufficient amount of documented paintings, are also reflected in the definition of this artistic relationship. During his formative phase, the artist pursued numerous trips that took him to various places on the Peninsula: particularly significant was the one to Naples, where he had the opportunity to observe firsthand the work of Salvator Rosa, which strongly conditioned his entire pictorial production. Having reached full artistic maturity, Brescianino entered the service of the Farnese family on a permanent basis in 1681.There are numerous works, mainly on war subjects, created by the artist for the centers of Parma and Piacenza in the last two decades of the seventeenth century. Particularly appreciated at the Farnese court, the artist was able to build a prolific workshop in Parma, at which figures such as Giovanni Canti, Ilario Spolverini, Angiolo Everardi, known as the Fiamminghino, and Lorenzo Comendich were trained. Monti's paintings are characterized by wide spaces "that are lost among the smoke and dust," by the tangle of armed men in the foreground with unhorsemen unhorsed and horses soaring in the last moment of life. In addition to battles, which certainly constitute the most substantial and interesting segment of his production, the painter executed paintings with religious themes and seascapes in which the influence of Pieter Mulier, known as The Tempest, with whom he had a deep friendship, can be seen. After setting up an active and established workshop, the artist, who was particularly successful at the Farnese court, died, probably in Piacenza, in 1703 (Sestieri, 1999, p. 206). The canvas in question depicts a clash of knights with firearms. The brilliant armors of the fighters stand out against a cloud-laden sky, facing the outline of a city and a striking natural landscape. The scene is shot in close-up, following a ploy typical of the battles painted by Francesco Monti, so that the viewer feels like a direct witness to the scene he or she is witnessing. This turns out to be one of the key features of the Brescianino's production, to which are added great chromatic vivacity, the interplay of various perspectives and careful stage direction.
  • Creator:
    Francesco Monti called 'Brescianino delle Battaglie (Brescia, 1646 - Parma, 1703) (1646 - 1703)
  • Dimensions:
    Height: 35.44 in (90 cm)Width: 46.07 in (117 cm)
  • More Editions & Sizes:
    90x117 cmPrice: $21,579
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Milan, IT
  • Reference Number:
    1stDibs: LU2639215520262

More From This Seller

View All
Karl Breydel, called The Knight of Antwerp (Antwerp, 1678-1733), Battle
Located in Milan, IT
Karl Breydel, called The Knight of Antwerp (Antwerp, 1678-1733) Battle scene between Christians and Turks Oil on canvas, 28.5 x 41 cm The painting under consideration, consideri...
Category

Mid-17th Century Other Art Style Figurative Paintings

Materials

Canvas, Oil

Battle scene Oil painting on canvas Attributed to Karel Breydel
By Karel Breydel
Located in Milan, IT
Attr. to Karel Breydel, known as the Knight of Antwerp (1678 - 1733) Battle with knights and landscape in the background Oil on canvas, cm 44.5 X 36.7 Frame 52.5 x 45 cm The pain...
Category

Late 18th Century Figurative Paintings

Materials

Canvas, Paint, Oil

Attributed to Francesco Montelatici called Cecco Bravo, dressing of the knight
Located in Milan, IT
Francesco Montelatici called Cecco Bravo (Florence, November 15, 1601 - Innsbruck, December 1661), attr. Dressing of a knight before battle Oil on slate, 48 x 47 cm Framed, 60 x 5...
Category

17th Century Other Art Style Figurative Paintings

Materials

Stone

Carlo Antonio Tavella (Milan, 1668 - Genoa, 1738), Arcadian Landscape
Located in Milan, IT
Carlo Antonio Tavella (Milan, 1668 - Genoa, 1738) Arcadian landscape with shepherds and flock Oil on canvas, 58 x 97 cm Framed, 67 x 105 cm The canvas under consideration is insc...
Category

18th Century and Earlier Other Art Style Figurative Paintings

Materials

Canvas, Oil

Lambert de Hondt I (1620–1652), Scene di battaglia
Located in Milan, IT
Lambert de Hondt I (1620–1652) Scene di battaglia (2) Olio su tavola, cm 18 x 13 Firma in basso al centro Le figurette di cavalieri e soldati presenti nell'opera in esame sono p...
Category

17th Century Other Art Style Landscape Paintings

Materials

Oil, Board

Jan Peter van Bredael (Antwerp, 1683 - Vienna, 1735), Cavalry clash
Located in Milan, IT
Jan Peter van Bredael (Antwerp, 1683 - Vienna, 1735) Cavalry clash Oil on canvas, 48 x 63 cm Framed, 61 x 76 cm Trained in the family workshop under the aegis of his father Joris...
Category

17th Century Other Art Style Figurative Paintings

Materials

Oil, Board

You May Also Like

Battle of Cavalries - Oil Paint by F. Graziani (Ciccio Napoletano) - Late 1600
By Francesco Graziani
Located in Roma, IT
Fascinating scene of battle between cavalries with the typical broad and concise brush stroke by Graziani, who is able to create brilliant points of colour. This composition is very ...
Category

Late 17th Century Figurative Paintings

Materials

Oil

Military Camp Scene and Battle. Pietro Graziani (XVII/XVIII century), entourage
Located in Firenze, IT
Military Camp Scene and Battle. Pietro Graziani (XVII/XVIII century), entourage. A pair ( two) of small paintings. Antique XIX century frames in gilt wood.  In good condition. Oi...
Category

Early 18th Century Old Masters Landscape Paintings

Materials

Canvas, Oil

Battle Horsemen Landscape Graziani Paint Oil on canvas 17th Century Old master
Located in Riva del Garda, IT
Francesco Graziani, known as Ciccio Napoletano (active in Naples and Rome in the second half of the 17th century) Battle with clash of horsemen Oil on canvas 95 x 130 cm In period ...
Category

17th Century Old Masters Paintings

Materials

Oil

17th century Italian Horse Battle scene between Crusaders and their enemy
By Jacques Courtois
Located in Woodbury, CT
Fine huge 17th Century Italian/French Old Master Battle Scene of the Crusades, oil on canvas. Grand scale extensive landscape view of a battle from the 1670-80 period, with cavalry f...
Category

Late 17th Century Old Masters Figurative Paintings

Materials

Oil

17th Century, Italian Painting with Battle attributed to Marzio Masturzo
Located in IT
Marzio Masturzo, attributed (Active in Italy - in Naples and Rome- in the second half of the 17th century) "Battle between cavalry and vessels with fortified city on the left" ...
Category

Antique Late 17th Century Italian Baroque Paintings

Materials

Canvas

Scena di Battaglia
Located in Como, IT
Antonio Calza (1653-1725) Scena di Battaglia Olio su tela in cornice dorata Dimensioni: 45x60 cm (68,5 x 84,5 cm inclusa la cornice) Fine del XVII secolo Nacque nel 1653 a Verona d...
Category

Late 17th Century Figurative Paintings

Materials

Canvas, Oil