Francks Deceus

Morning Rush - Work on Paper of the African American Great Migration

2005

Francks Deceus's Harlem 125 is a 18 x 24 inches mixed media work . The medium is acrylic and silkscreen on paper. It depicts an African American couple ...

Francks Deceus’ “Mumbo Jumbo BK#1” is a 20 x 16 inch acrylic paint, color pencil, and collage painting on canvas. The main colors are pink, blue and red. The image is very playful, showing a man dressed as a superhero standing next to an entangled fire hose. The title “Mumbo Jumbo, is inspired by Ishmael Reed’s book under the same titled, where he attempted to capsulate the complexities of the African American experience. For Deceus is about capturing the complexity of his experience as an immigrant from Haiti back in the 1970s. A series of very colorful and playful works, focusing on the adventures of one figure named “Cappy”. The name is derived from Deceus family home town, Cap Haitien. Cappy is Deceus alter-ego; The images are intentionally drawn in the vein of comic strips with Cappy as the superhero. He goes out in the world and has to solve the kind of frightening experiences Deceus knew about as a Haitian immigrant, which in the paintings are ironically represented by the hose/snake snarling Cappy. Stylistically Deceus work incorporates many of the aesthetic forms of artists like Norman Lewis and Howardena...

Francks Deceus’ “Mumbo Jumbo NYC#10” is a 30 x 24 inch acrylic paint, color pencil, and collage painting on canvas. The main colors are orange, blue and red....

Francks Deceus’s Mumbo Jumbo series comes alive in this dynamic and visually arresting painting. The composition features swirling ribbons of orange and cream, fragmented fire hose m...

Acrylic painting on paper Hand-signed by the artist lower left Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...

Acrylic paint on paper Hand-signed by the artist Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...

Acrylic paint on paper Hand-signed by the artist Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...

A restrained neutral palette adds a touch of elegance to this original artwork on paper. Both delicate and understated, focus is placed on the blending of detail and expressive brush...