François-Barthélemy-Marius Abel

Pompeian scene with spinner Painted François-Barthélemy-Marius Abel

Workshop of Gio Benedetto Castiglione called the Grechetto (Genoa, March 23, 1609 - Mantua, May 5, 1664) Jacob's departure for the land of Canaan Oil on canvas, 80 x 115 cm - Fra...

Domenico Olivero (Turin, August 1, 1679 - January 13, 1755) Game of bowls Oil on canvas, 43 x 65 cm With frame, 54.5 x 76 Expert opinion Prof. Alberto Crispo The painting shown here depicts peasants playing bowls near a farmhouse, while one of them offers sweets to a little girl. The canvas, in my opinion, can be traced back to the hand of Pietro Domenico Olivero (Turin, August 1, 1679 - January 13, 1755), as revealed by comparisons with other works by the artist, such as the Peasants' Feast already at the Gilberto Zabert Gallery in Turin, where we find an entirely similar layout, with the figures crowded around the building, placed on the left, and some household goods piled up on the right, including a copper cauldron almost identical to the one sketched in our painting. But see also other similar subjects painted by the Turin-based artist, such as the Game of Bowls already at the Cantore Gallery in Modena or the other version on the Genoese market in 2019, which, although radically different compositionally, confirm the painter's interest in playful themes and manifest the same ways in delineating characters, with synthetic and robust brushstrokes. The artist was born in Turin, in the parish of St. Thomas, on August 1, 1679 to Giovanna and Francesco, a carver by profession. He trained at the workshop of the painter and architect Melchiorre Baldassarre Bianco. He was esteemed by Victor Amadeus II of Savoy, who commissioned paintings for the Venaria Reale (1714), the Royal Palace of Turin (1716), and Rivoli Castle (1724), as well as by his ministers Pietro Mellarède and Carlo Vincenzo Ferrero di Roasio marquis of Ormea whose collections counted many of the painter's works. His success on the Turin art scene earned him election as prior of the Accademia di San Luca in Turin (1726). In 1731 he painted the eleven canvases with Stories of Franciscan Saints in the sacristy of the church of St. Thomas in Turin, while in 1734 he made the Marriage at Cana for the sanctuary of Oropa. The Savoy commissions continued with the ten canvases executed for the castle of Agliè (1737), the decoration of the third room of the New Archives in the Royal Palace of Turin (1739-41), and the thirty or so works for the hunting lodge at Stupinigi (1748-51). The painter also measured himself in designing sets for the Teatro Regio in Turin (1745-46). He made his will on November 15, 1754, and died in his hometown on January 13, 1755. Olivero's genre scenes, such as the one commented on here, reveal a focus on Flemish painting, particularly by David Teniers the Younger, Peter Mauritz Bolckman, Theodor Helmbreker, and Cornelis de Wael, as well as Roman bamboozlers such as Pieter van Laer, Michelangelo Cerquozzi, and Jan Miel...

Joseph Bolzern (1828 -1901) St. Peter's Basilica and the colonnade in front of it Oil on canvas, 53.5 × 70.5 cm with frame, 67.5 x 85 cm Signed and dated at lower left: Bolzern....

Giuseppe Roncelli (Candia, 1663 - Bergamo, 1729) Rest on the Flight into Egypt Oil on canvas, 55 x 45.5 cm With Frame, 65 x 77 cm The painting under consideration, by Giuseppe Ro...

Angela Maria Pittetti known as Palanca (Palancato, 1690 - Turin, 1763) Hunting rest Camp scene (2) Oil on canvas, 85 x 66 cm - with frame 90 x 71 x 4 cm A work of Piedmontese sco...

Giovanni Stanchi (Rome, 1608 - 1675) and Girolamo Pesci ( Rome 1679 - 1759) Immaculate Madonna within floral garland Oil on canvas, cm 95 x 72 Frame, cm 106 x 83 Expert opinion o...

"Florence," a captivating Impressionistic masterpiece by the talented artist Irina Trushkova, beautifully captures the essence of one of the world's most enchanting cities. Rendered ...

60"x144" large scale painting, oil on canvas, created on two joined canvases. The deep blue palette gives a sense of underwater space in this grand depiction of coral reefs. Artist, Karen Marston presents this endangered species in a grand scale to show its beauty and importance to our environment. Karen Marston is a painter living and working in Brooklyn, NY. Her work has been seen in a number of solo exhibitions in New York City. In addition to her 2018 show Harbingers, at the Owen James Gallery in Soho, other recent solos include: 2017’s To Embrace the Whole Sky with the Mind, at Station Independent Projects on the Lower East Side, Demeter’s Wrath in 2016 at the Owen James Gallery and Storm Watch...

Original oil painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable...

'Island of Broken Toys' 2019, a diptych contemporary oil on canvas painting by Tamera Avery, whose paintings are created with wit and wisdom. Avery's work...

In this series of portraits, Birch materializes enigmatic, ectoplasmic figures in his psychologically charged canvases linking sympathies between external forces and interior emotion...

Johannes Boekhoudt is a Dutch artist born on October 20, 1966. In 1973, Boekhoudt immigrated with his parents to Costa Rica, eventually working as a commercial and air ambulance pilo...