
Holy Family with Saints - Flemish, Antwerp, 17th century
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Holy Family with Saints - Flemish, Antwerp, 17th century
About the Item
- Attributed to:Frans Francken II (1581 - 1642, Flemish)
- Dimensions:Height: 27.95 in (71 cm)Width: 24.02 in (61.02 cm)
- Medium:
- Movement & Style:
- Period:Mid-17th Century
- Condition:
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2433215203642
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By Hendrick van Balen
Located in PARIS, FR
The Triumph of the Infant Bacchus,
Workshop of Hendrick Van Balen (1575-1632)
Antwerp, c.1630
Oil on copper, h. 28 cm (11.02 in), w. 35 cm (13.78 in)
A large Roman 17th century golden painted frame
Framed: h. 52 cm (20.47 in.), w. 58 cm (22.83 in)
Our finely painted work depicts The Triumph of the Bacchus as a young boy and is one of the most popular mythological subjects in Antwerp at the beginning of the 17th century. Feasting, wine and fun are the themes that constantly appeal to the public.
Thus unfolds before our eyes on our painting the procession composed of nymphs, baccantes, fauns, satyrs and children, their bodies naked, partially covered with brightly coloured draperies that help to brighten up the parade. Playing various instruments, dancing and drinking, while carrying vases and poles adorned with grapevines, participants to the rhythm of a noisy brass band make their way to an ancient temple standing on the right. The exaggerated gestures convey to us the frenzy of the excited crowd.
The Child Bacchus follows the joyous procession, carried by satyrs and nymphs, crowned with ivy and joyfully raising a cup of wine. In the foreground, the drunken participants leave the procession, the children on the left and the group of bacchantes and satyrs on the right are resting among various objects scattered at their feet: cups, vases, ewers bear witness to the festivities in progress.
In the background, a hilly landscape stretches out on the horizon, a semblance of calm that contrasts with the bustle of the foreground.
The artist strives to multiply the many details, whether it be figures, costumes, flowers or vegetation, in order to demonstrate his know-how and the perfection of his execution.
The acidulous palette with fresh and varied colours is characteristic of Hendrick Van Balen's works.
There are several versions identical to ours with similar dimensions painted by Hendrick Van Balen and his workshop.
Related works:
• Koller Auction, Zurich, 21/09/2007, oil on copper, 28,5 x 37,4 cm.
• Staatliche Kunsthalle, Karlsruhe, Inv. N° 809 (oil on copper, 40 x 53,5 cm)
• Auktionshaus für Altertümer Glückselig, Vienne, 10/05/1932, ( oil on copper, 34 x 42 cm)
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Hendrick Van Balen, Flemish painter, born and died in Antwerp (1575-1632). A pupil of Adam Van Noort, he entered the Guild of St. Luke in 1593, later trained in Italy and was Van Dyck's first teacher. He often painted small figures taken from scenes from the Bible or classical mythology, on paintings whose backgrounds and landscapes were painted by Josse de Momper...
Category
17th Century Old Masters Figurative Paintings
Materials
Copper
17th c. Flemish - Landscape with Flight to Egypt - Antwerp circa 1630
Located in PARIS, FR
LANDSCAPE WITH FLIGHT TO EGYPT,
JASPER VAN DER LANEN (ANTWERP, 1585 - 1634)
17TH CENTURY FLEMISH SCHOOL
ANTWERP CIRCA 1630
Oil on copper, dimensions: h. 10.23 in, w. 14.96 in
Flemish style frame in ebonized wood adorned with wavy moldings and wood veneer.
Framed dimensions: h. 17.32 in, w. 21.65 in
Provenance:
Philips auction...
Category
Early 17th Century Old Masters Figurative Paintings
Materials
Copper
$9,165 Sale Price
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Allegory of Summer, workshop of Hendrick Van Balen 17th c. Antwerp school
By Hendrick van Balen
Located in PARIS, FR
Allegory of summer, personified by Ceres
Workshop of Hendrick Van Balen
Antwerp School, early 17th century.
Oil on copper,
Dimensions: h. 52 cm, l. 40cm
Antic giltwood frame
Framed dimensions: h. 74 cm, l. 60cm
Very good condition
Our delicately painted work is part of the pictorial tradition that is both allegorical and mythological in vogue in Antwerp, whose leaders are Jan Brueghel the Younger and Hendrick Van Balen. Numerous works emerging from their workshops illustrate mythological subjects, the seasons, the elements, the senses or intertwining the lush landscapes, animals and gods of Olympus.
At the heart of a green landscape dominated in its center by a generous apple tree, the beautiful Ceres, partially dressed in a large blue drape, is wearing a crown of ears of wheat, her symbol of the goddess of the earth and harvests. She holds the sickle in her right hand and carries sheaves of wheat. To her right a nymph holds the cornucopia while puttis pick and offer flowers.
In the foreground are the summer fruits: figs, cherries, apples and lemons. A squirrel munching on cherries symbolizes toil and foresight, themes that are echoed in the work of the harvesters on the wheat fields in the background.
The background is composed of vegetation, on the right a wild rose bush with its branches erect against a tree trunk, in the center of the trees with silvery green foliage.
Our painter, a student of Hendrick Van Balen, finds his inspiration in the works of the master such as this nymph in yellow drapery seen from behind, one of the figures which accompanies many of the master's paintings. The elegant gestures, the flesh...The indisputable influence of Jan Brueghel the Younger is revealed in the treatment of trees and flowers, wild roses, tulips as well as in the still life with the squirrel in the foreground.
The craze for this type of virtuoso painting where the mythological figures are only a pretext to better illustrate the landscape and plant species surrounding them, then generated orders from all over Europe.
Hendrick Van Balen, Flemish painter, born and died in Antwerp (1575-1632). A student of Adam Van Noort, he entered the guild of Saint-Luc in 1593, later trained in Italy and was Van Dyck's first master. He often painted small characters taken from scenes from the Bible or classical mythology, on paintings in which Josse de Momper...
Category
Early 17th Century Old Masters Figurative Paintings
Materials
Copper
Christ and St John the Baptist as children, studio of J. van Cleve, 16th Flemish
By Joos van Cleve
Located in PARIS, FR
Christ and St John the Baptist embracing
Studio of Joos van Cleve (1485 – 1541), Antwerp
First half of 16th century
Oil on oak panel, h. 55 cm, w. 43 cm
A 17th century ebonized wood frame
Framed: h. 100 cm, w. 83 cm
Provenance:
• Advertisement in Burlington Magazine, 1929, at the antique dealer Paul Larsen, 34 Duke's Street, London, United Kingdom
• Clowes Sale, Christie's London, 7 July 1950, lot 153 (as Joos Van Cleve)
• Acquired from the Katz antique dealers in Dieren (Netherlands) in the 1950s (one of the most important art galleries in the Netherlands specialising in Old Masters)
• By descent, private European collection
The composition of our painting depicting two naked babies embracing, Jesus and Saint John the Baptist, draws its source from a drawing by Leonardo da Vinci, probably executed in Milan around 1490 (kept at Windsor Castle, United Kingdom).
This scheme, widespread early in the Lombard school, was widely reproduced by Leonardo's Milanese followers (Marco d'Oggiono, Bernardino de Conti or Bernardino Luini.)
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16th Century Old Masters Figurative Paintings
Materials
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17th century carved and giltwood frame decorated with oak leaves and acorns
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Oil on canvas : h. 44.09 in, w. 38.19 in
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Fra...
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1730s Old Masters Figurative Paintings
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