Frederick James Boston

"Brooklyn, New York" Frederick James Boston, Impressionist Brooklyn Landscape

Wilson Irvine French Landscape, circa 1908 Signed lower right Oil on canvas 29 x 36 inches A prolific Impressionist with a penchant for atmospheric scenes, Illinois native Wilson I...

Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...

Henry Ryan MacGinnis (1875 - 1962) Road to Provincetown, 1924 Oil on canvas 25 x 30 inches Signed lower right; titled and dated on the stretcher Housed in a Stanford White Newcomb-Macklin frame. Exhibited: Trenton, New Jersey, School of Industrial Arts Provincetown by Professor MacGinnis, 1924. Henry Ryan MacGinnis, 1875-1962, was born in Indiana and began his art studies under the eminent Hoosier artists T.C. Steele, J.O. Adams and William Forsyth. One of his earliest exhibitions was in 1896, when he showed his work with other notable Hoosier artists such as T.C. Steele, J. Ottis Adams...

William Lester Stevens Rockport Signed lower right Oil on canvas 20 x 24 inches Born on June 15, 1888, in Rockport, Massachusetts, Stevens displayed his artistic abilities from a y...

Rooftop view of the upper West Side Manhattan as it looked in the 1930s. There is a rough indication of a billboard and a glimpse of the Hudson River. The cluster of buildings depic...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "New Hope for American Art" John Wells Jame...

Kenneth Nunamaker never took a formal art lesson. His “training” began during his travels out West as a young man, where he painted in his spare time. It continued informally through...

Signed lower left, 'Milton W. Holm' (American, 1903-1999) and painted circa 1960. This notable American Impressionist was a long-time member of the Rochester Art Club and served as...