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Frederick ShaneFrederick Shane “Twilight of History” 1947 Surrealist Oil Painting, Signed1947
1947
$3,750
£2,806.67
€3,249.95
CA$5,211.89
A$5,870.35
CHF 3,040.04
MX$71,293.03
NOK 38,615.56
SEK 36,630.11
DKK 24,249.12
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About the Item
"Twilight of History" is a powerful and evocative original oil painting on board by renowned American artist Frederick Shane (1906–1992), created in 1947. This deeply symbolic work explores themes of human resilience and destruction, portraying three figures preparing to launch a rocket amid the haunting ruins of a city. Richly rendered in bold tones of red, yellow, green, blue, and brown, the composition evokes a surreal, post-apocalyptic vision of civilization on the brink.
Medium: Oil on board
Signed and dated lower left by the artist
Titled on the verso
Framed dimensions: 24 ½ x 28 ½ x 2 ¾ inches
Image size: 15 ½ x 19 ½ inches
Frame: Vintage frame, professionally presented
Provenance:
This work was included in Frederick Shane’s Retrospective Exhibition held at the Museum of Art and Archaeology, University of Missouri-Columbia, and the State Historical Society of Missouri (Sept. 14–Oct. 31, 1982).
It is illustrated in the exhibition catalogue, page 29, plate 23.
About the Artist:
Frederick Shane was a prominent American painter best known for his expressive genre scenes, portraits, landscapes, and surrealist compositions. A fundamentally realist painter, Shane’s work is distinguished by its emotional intensity, often blending elements of abstraction, surrealism, and expressionism.
Shane studied at the University of Missouri and the Kansas City Art Institute, later training at the Art Students League of New York. His work has been exhibited in major institutions including the Whitney Museum, Nelson-Atkins Museum, and the Smithsonian.
"Twilight of History" is a rare and impactful example of Shane’s mid-century work, reflecting the post-World War II anxieties that defined a generation of American art. The painting's visual allegory—technology emerging from devastation—resonates with timeless urgency.
This exceptional piece is ideal for collectors of 20th-century American painting, surrealist art, or post-war realism. A significant, exhibition-proven work by one of Missouri’s most accomplished modernist painters.
- Creator:Frederick Shane (1906 - 1992, American)
- Creation Year:1947
- Dimensions:Height: 24.5 in (62.23 cm)Width: 28.5 in (72.39 cm)Depth: 2.75 in (6.99 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good vintage condition. Detailed condition report available upon request.
- Gallery Location:Denver, CO
- Reference Number:Seller: 248331stDibs: LU2738037612
Frederick Shane
Painter and printmaker, Missouri regionalist Frederick E. Shane specialized in genre scenes, landscapes, seascapes and portraits executed in a variety of media: oil, watercolor, mixed media, gouache, tempera and lithography. Fundamentally a realist, his work also contains some abstraction, expressionism and surrealism used in treating his subject matter. In the summers of 1925-26 Shane studied with Randall Davey at the recently-founded Broadmoor Academy in Colorado Springs. The Academy was established in 1919 by Spencer and Julie Penrose, prominent philanthropists and art patrons, who donated their family residence for the creation of a local art institution. In the 1940s and early 1950s Shane maintained his contact with Colorado Springs Fine Arts Center (the successor institution to the Broadmoor Academy in 1936). He participated in a number of its annual Artists West of the Mississippi exhibitions and also became a close friend of Boardman Robinson, the Center’s director, and visiting artist Adolph Dehn whose graphic work and warm-hearted satire he admired. His Colorado sketching trips with Dehn and Yasuo Kuniyoshi resulted in drawings whose imagery appeared in some of Shane’s prints and paintings, such as his lithograph, Farm in the Rockies (1945/46, aka Hayfield in the Rockies), and his oil on canvas, Owen’s Bookstore, Victor, Colorado (1942). Some of his most notable paintings of the 1940s depict Colorado subjects in his consummate regionalist style. One of them in tempera, Chalk Cliffs, Mt. Princeton, Colorado, View from Old Hotel Antero (1944) presents a commanding panoramic view of a small cabin and grazing horses dominated by tall, craggy peaks. After the death of his first wife in 1967, he married Dorothy March Henley, a widow, three years later. He had known her since they both were sixteen and she also had studied with Randall Davey at the Broadmoor Art Academy. He moved out to her home in Beverly Hills, California, where he installed a painting for himself and where he spent the balance of his life after retiring from the University of Missouri in 1971. ©David Cook Galleries, LLC
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