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French School MastersFrench School Pointillism Landscape Framed Signed Chaillou1936
1936
$465.24
$2,027.9577% Off
£343.95
£1,499.2977% Off
€390
€1,70077% Off
CA$639.92
CA$2,789.4177% Off
A$711.32
A$3,100.6177% Off
CHF 372.86
CHF 1,625.2777% Off
MX$8,686.88
MX$37,865.9177% Off
NOK 4,654.90
NOK 20,290.5877% Off
SEK 4,379.39
SEK 19,089.6577% Off
DKK 2,969.06
DKK 12,942.0777% Off
About the Item
➡️Pointillism Landscape⬅️
⏩It is signed Chaillou, 1936.⏪
⭐Medium:⭐ Oil on canvas
⭐Technique: ⭐Impasto painting with expressive brushwork
⭐Size:⭐33x55cm / 13x 21.7inch
with Golden frame: 45.4x67cm / 17.9x26.4 inch
⭐Date:⭐1936
⭐Condition : ⭐ Vivid color. Good condition. Ready to hang. 2 restorations seen in the back.
⭐Provenance:⭐ Private collection - France.
⭐Shipping:⭐ from France is fast 4-6 days with Fedex / DHL
This painting, signed “Chaillou 1936,” is a serene landscape depicting a riverside millhouse nestled among trees, executed with sensitivity to light, texture, and atmosphere. The work offers an elegant balance between realism and impressionistic suggestion, drawing the viewer into a tranquil yet vivid representation of rural France. The date is significant: painted in 1936, this canvas belongs to the interwar period, when European painters were torn between the legacies of the 19th century and the radical experiments of early modernism. Chaillou’s choice to adhere to a naturalistic and impressionist-inflected style reflects a deliberate attachment to tradition during a time of political upheaval and artistic transition.
The composition is structured around three essential elements: the house, the water, and the trees. The millhouse, painted in soft beige and ochre tones, dominates the right-hand side of the painting. Its tiled roof introduces warm hues that stand out against the cooler grays and greens of the surrounding vegetation. This central architectural form grounds the composition, giving the viewer a point of stability. A smaller outbuilding in the distance echoes the millhouse, creating spatial depth and reinforcing the sense of a lived-in, rural environment. The trees, rendered with loose but decisive brushstrokes, provide a lush and textured backdrop. Their autumnal tones—greens tempered with muted yellows and touches of orange—convey both the richness and the impermanence of nature. The misty sky further enhances the softness of the atmosphere, suggesting early morning or late afternoon light.
Water plays a crucial role in unifying the canvas. Reflections ripple across the surface, painted with horizontal strokes that capture movement without dissolving into abstraction. The handling of the water is especially effective in conveying depth: darker, shadowed greens are juxtaposed with shimmering patches of white and pale blue, where the millstream agitates the calm surface. This dynamic interplay of reflection and transparency demonstrates Chaillou’s sensitivity to impressionist techniques, particularly the treatment of light as fragmented and constantly shifting.
Stylistically, the painting demonstrates a strong debt to the Impressionist tradition, which by 1936 was no longer avant-garde but rather a respected mode of capturing the world’s fleeting beauty. The visible brushwork, the emphasis on atmosphere, and the prioritization of sensory impression over strict linear accuracy all recall Monet and Sisley. Yet, unlike the high-key palettes of the Impressionists, Chaillou employs a more subdued range of colors, perhaps reflecting the interwar mood. This chromatic restraint lends the painting a contemplative quality, aligning it with the quieter side of post-impressionist landscape painting. It is neither radical nor decorative; instead, it insists on sincerity and calm observation.
The historical context is particularly striking. In 1936, France was undergoing dramatic political and social change, with the election of the Popular Front government and rising anxieties about conflict in Europe. Against this backdrop, Chaillou’s painting resists the turmoil of modernity. The idyllic subject matter, the harmonious composition, and the timeless rural setting suggest an intentional retreat into tradition. This was a choice many artists of the period made: while some embraced abstraction or surrealism, others reaffirmed the values of the French countryside as a symbol of stability and continuity. Chaillou appears to belong to this latter group, offering a pastoral vision that reasserts a cultural identity rooted in land and heritage.
The ornate gilt frame further enhances the painting’s presence. Its rich decoration anchors the work within the conventions of classical presentation, elevating the rural subject into a treasured cultural object. The combination of frame and painting underscores the work’s role not only as a visual pleasure but also as a marker of permanence and dignity in uncertain times.
Overall, this 1936 painting by Chaillou captures more than a simple landscape: it embodies a worldview. Through the delicate interplay of water, light, and architecture, it conveys tranquility and continuity, qualities deeply valued in a world edging toward instability. Its restrained palette, impressionist brushwork, and focus on rural France place it firmly in the lineage of 19th-century painting, yet its historical context infuses it with poignancy. This is not merely a pastoral scene but a quiet affirmation of endurance, tradition, and the enduring beauty of the everyday.
- Creator:French School Masters (French)
- Creation Year:1936
- Dimensions:Height: 13 in (33 cm)Width: 21.66 in (55 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zofingen, CH
- Reference Number:Seller: Chaillou1stDibs: LU2203216865712
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