Friedrich Fehr

'Nuns Gathering Flowers', Munich School, Figural Oil, Karlsruhe Convent, Lilies

1918

Signed lower left, 'Clement' for Gad Frederick Clement (Danish, 1867-1933) and painted circa 1920. Titled, verso, on old exhibition label, 'Fra Haven' (From the Garden). Additionally signed, verso, on stretcher bar and titled, 'Vesterby, Skagen' Exhibited: Skagen Museum, circa 1920, from label, verso. 'Helsinki Art Gallery, 1928', from label, verso. 'Danish Art Convention Forum, 1929', from label, verso. Gad Clement created this luminous painting in the garden of the Vesterby beach house where he and his wife, the artist Martha 'Tupsy' Clement, summered from 1908-1920. A substantial and well-exhibited work, it shows Tupsy at her easel beside their daughters, Bitten (b.1912) and Lillemor (b.1909). Fusing the ideal with the intensely personal, the artist has lyrically captured both the bonds of maternity and the dreamland of childhood. Gad Frederick Clement first studied at Copenhagen's Technical School (1883–1885) before attending the Académie des Beaux-Arts in Paris (1885-1888). Returning to Denmark, he continued his studies under Laurits Tuxen...

A bright and breezy oil landscape showing a group of plein-air painters in Edwardian costume working at their easels beneath clouded blue skies. Signed lower right, 'M. Kane' for Mel Kane...

A charming and fresh portrait of the musician and composer standing in front of Mendips, the house where he was mostly raised by his mother's sister Mimi, with his aunt standing behind him holding her large ginger and white cat, Timmy, that he grew up with. Signed lower left, 'S. Bower'; additionally inscribed with dedication verso 'To Mrs. Smith - Best Wishes, S. Bower', titled 'John Lennon with his Aunt Mimi and Tim at Mendips' and dated October 1982. This listed English plein-air painter, attended Manchester College of Art from 1970 to 1974 and currently lives in Totnes, Devon. He describes himself as "a colorist who is inspired by flower gardens, especially English cottage gardens in early summer. I have spent successive summers painting in Monet’s garden at Giverny, Northern France." Exhibitions: Nothern Young Contemporaries, Liverpool – 1974 Marlborough Gallery, London (Buddy Holly...

Signed lower left, 'Leon Franks'; additionally signed and titled, 'Portrait of a Girl', on old label verso. A bravura brushwork study of a young woman wearing a floral patterned shirt gazing calmly towards the viewer. A noted portrait and still life painter, Leon Franks studied at the Academie Julian and Grande Chaumiere in Paris and, subsequently, in Los Angeles at the Chouinard Art Institute and the Los Angeles Art Center. Franks additionally studied privately with Nicolai Fechin, Will Foster and F. Tolles Chamberlain. Before settling in Los Angeles in 1936, where Franks continued his education and began designing for the movie industry, he did portraits and decorations for Vancouver theaters. The author of several 'How to Paint' books, including titles 'How to Do Still Life' (1952) and 'Leon Franks on Techniques' (1964), Franks was a teacher. He privately taught several artists, including Vernon...

An early twentieth-century, American School oil showing a view of a sailor caulking the seams of a substantial wooden sailing ship with a view beyond towards red-tiled houses beneath...

Signed lower right, 'Morando Luque' (Argentinian, born 1915) and painted circa 1965. An animated study of a laughing Gaucho, shown seated aside his Crio...

Wonderful impressionist painting. Full of light, color, and movement. "The Flamenco Dancer by J. Charles Arter ( American 1860-1923). Oil on canvas. Signed upper left. Circa 1900. Unframed. Born in Hanoverton, Ohio, Charles Arter studied in Cincinnati and Paris at the Academie Julian. He had studios in Venice, London and New York and painted portraits of many famous personages including Pope Pius X...

Bohemian woman Budapest, Hungary 1925 by Bertha De Hellebranth. Fabulous period painting brings to life the bohemian intelligentsia of Europe in the 1920's. I believe the painting is of the artists sister Elena Maria De Hellebranth. Both sisters were accomplished artist and worked and exhibited together. See the photo of the sisters Elena on the left and Bertha on the right. Oil on canvas. In a period frame. Signed lower right. Inscribed on reverse. Provenance: label from Newman Galleries Philadelphia. BIOGRAPHY ; Bertha de Hellebranth and her sister Elena were born into a cultured upper-class family in Budapest, Bertha in 1899, Elena in 1897. Their father was a lawyer and their mother a student of Franz Liszt's last living pupil. Both sisters showed artistic potential early, beginning to paint at four or five years of age. Their parents encouraged them, and had the means to send them to the best art schools of the time. They studied at the Academy of Fine Art in Budapest, at the Académie Julian and the Académie de la Grande Chaumière in Paris, and painted portraits of European nobility. As Patricia Fazekas points out, "Growing up in a family of privilege, they seemed to have unusual access to many illustrious people." So we should not be surprised to find among their subjects members of high society, such as Count Andrássy Gyula, the Russian-born Princess Baby Galitzine, and Admiral Horthy Miklós, the Regent. Later on, their subjects included American heiress Gladys Vanderbilt (Countess László Széchenyi), President Theodore Roosevelt's granddaughter Paulina Longworth and former President Dwight D. Eisenhower.Often, the sisters would paint the same subject at the same time, offering the sitter a choice of portraits. Most often, the sitter wanted both renditions.While Elena concentrated on working in oil and watercolor, Bertha used gouache and oil to achieve her effects. Elena gave lectures and workshops, was a writer and also wrote popular and ecclesiastical music, while Bertha also went in for sculpture and handicrafts.From the mid-thirties until World War II, Bertha and Elena divided their time between their home in Budapest and a home on the ocean at Ventnor, NJ. In 1925, they showed their work at the Nemzeti Szalon in Budapest, and in 1926, they had a joint exhibition of their portraits in the US. Both exhibited their work at the Art Institute of Chicago, the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts and most major museums and galleries in the US. Bertha also had exhibits at the Metropolitan Museum of Art. Both Bertha and Elena were Fellows of the Royal Society of Art (London), and garnered numerous prizes. Bertha was awarded First Prize by the National Academy of the American Water Color Society one year, and the Grand Prize of the Audubon Society. She was one of the founders of the now defunct World League of Hungarian Artists Abroad (Külföldi Magyar Képz?m?vészek Világszövetsége), and received a Gold Medal from the Cleveland Árpád Akadémia in 1963. (Elena also received the Akadémia's gold medal in 1965.) Their work is found in museums and galleries too numerous to mention.The de Hellebranth sisters were devout Catholics, and this is evident in their many portraits of clerics...

French impressionist style painting. Oil on canvas. Signed illegibly. In the original frame.

Fashionably dressed African American mother and child by Peggy Dodds (1900-1987). Large oil on canvas. Circa 1940's. Unframed. please, contact us for shipping options. Presented by Joseph Dasta Antiques Peggy Dodds lived in a home in the 1940's in Paterson, New Jersey...

French shepherdess at twilight by Jean Beauduin (1851-1916). Oil on canvas mounted on board. Original Barbizon frame. I believe the dog is a bergere Pic...

Armando Spadini (Florence 1883 – Rome 1925), The Basket of ribbons (1911 – 1912) Oil painting on canvas of 76 x 96 cm, on the back there is the label of the I Quadriennale Romana o...