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Garnet Ruskin Wolseley
British, 20th Century oil painting of lady under a canopy of green foliage

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Australian 20th Century oil painting of figures on riverside track, Norman Lloyd
Located in Petworth, West Sussex
Norman Lloyd (Australian, 1894 – 1983) Figures on a riverside track Oil on canvas Signed ‘NORMAN LLOYD’ (lower right) 18 x 22 in. (45.7 x 55.8 cm.) Norman Lloyd (1894–1983) was an A...
Category

20th Century Art Deco Landscape Paintings

Materials

Canvas, Oil

French 19th Century oil painting of The rescue of Deianara by Emile Menard
Located in Petworth, West Sussex
Emile Rene Menard (French, 1862-1930) L`enlevement de Dejanira (The rescue of Deianara) Oil on canvas Signed `E R Menard’ (lower left) and inscribed with t...
Category

19th Century Academic Landscape Paintings

Materials

Canvas, Oil

Large oil painting of Edna and Daphne, South Downs, West Sussex 1977 John Bowles
Located in Petworth, West Sussex
John Gilbey Bowles (British, 1929 – 2011) Edna and Daphne before the South Downs, 1977 Oil on canvas Signed ‘J Bowles’ (lower left) 38.1/8 x 40.1/8 in. (96.7 x 102 cm.) Notes: Daphne...
Category

20th Century Modern Landscape Paintings

Materials

Canvas, Oil

Pair of early 20th Century British Impressionist paintings of the beach
Located in Petworth, West Sussex
Attributed to Rowland Wheelwright, 20th Century 'Bather's on the shore' and 'Sunbathing by the Cliffs' Oil on canvas board 9 X 10. 1/4in. (22.8 X 2...
Category

20th Century Impressionist Figurative Paintings

Materials

Canvas, Oil, Board

British, 19th Century oil painting of nannies in Green Park, London
Located in Petworth, West Sussex
Paul Maitland (British, 1863 – 1909) Nannies in Green Park, before Piccadilly, London Oil on panel 7.5/8 x 11.3/8 in. (19.4 x 29 cm.) . In a gilded woo...
Category

19th Century Impressionist Landscape Paintings

Materials

Oil, Panel

Figures at a mill
Located in Petworth, West Sussex
English school, 18th Century Figures at a mill Gouache on paper 4.5/8 x 7.1/2 in. (11.8 x 19 cm.)
Category

19th Century Academic Landscape Paintings

Materials

Paper, Gouache

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A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...
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Pluie a Venice (Venice in the Rain)
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Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...
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Haystack with Resting Figures
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Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...
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Signed lower left Lillian Genth was an important American figurative painter. She studied in the U.S. and in Paris, under James McNeil Whistler. Genth p...
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Femme lisant dans un jardin
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Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...
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Henriette Chabot with Peonies
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This painting was owned by Comte Robert de Montesquiou (1855–1921), Paris Literature: Jane Roberts, Jacques-Émile Blanche (2012), pg. 47 (color illus.), p. 191. Included as no. R...
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