Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

George Hughes
Crying on Santa's Lap, Original Christmas cover for The Saturday Evening Post

1958

$120,000
£90,990.20
€105,068.89
CA$168,367.32
A$187,586.20
CHF 98,933.59
MX$2,274,179.76
NOK 1,258,578
SEK 1,172,445.12
DKK 784,767.60

About the Item

Original Christmas holiday cover for The Saturday Evening Post, published December 6, 1958 We’re thrilled to announce the acquisition of an original 1958 Christmas cover for The Saturday Evening Post by George Hughes, featuring a humorous take on a classic holiday scene. A terrified child has been thrust onto a department store Santa’s lap and cries, reaching for his well-heeled mother as the stunned Santa stares, open-mouthed in shock. Hughes cleverly includes a glimpse of the guests still in line, who watch the scene unfold. While the parents seem amused, the children look on with wide-eyed apprehension as they await their turn. Hughes intentionally draws the viewer’s attention to the gaze of the children, especially to the little girl in red knee-socks whose eyes are perfectly framed by the lines of the brass railing. Even the dolls and toys on the shelves seem to observe the scene (note the stuffed lion who appears to lean forward and cock his head for a better vantage point above the human onlookers). This artwork is one of the artist's well-known covers for The Saturday Evening Post and effectively showcases Hughes's talent for portraying the human experience with humor and a lighthearted, "sitcom"-like tone. In pieces like Screaming Child on Santa's Knee, Hughes’s intricate and evolving narrative draws viewers in with its charm. The layered, story-driven illustrations he produced, including this one, stand out from other Post covers of the era. The Post described, “Whatever did Santa (a notoriously jolly old elf) do to make Charles so unjolly? If he has scared the daylights out of the lad, of course it was an unintentional boo-boo; even the tiniest child knows that Saint Nick is the sweetest soul who ever trod the roofs of earth or went sleighing among the stars. Maybe Santa’s voice is hoarse from uttering jolly exclamations, and when he croaked, ‘HO! HO! HO!’ It gave the boy the willies. Or maybe the merry old fellow reached back and rang a hair-curling blast on those jingle bells. After all, even a grownup can be given the heebie-jee-bies—just tiptoe up behind one and yell, ‘Boo!’ Well, Charley will feel all right in a minute because artist George Hughes has arranged for the world’s greatest tranquilizer to be on duty—mother.” (The Saturday Evening Post, December 6, 1958, page 3) Literature: "The Saturday Evening Post," December 6, 1958, cover illustration. Jan Cohn, "Covers of the Saturday Evening Post: Seventy Years of Outstanding Illustration from America's Favorite Magazine," New York, 1995, p. 254, illustrated. A "Saturday Evening Post" publication order document is housed in a plastic sleeve taped to the frame's backing foam board. A copy of this Post magazine also accompanies this painting. Hughes, titled on the "Saturday Evening Post" publication order document attached to the frame's backing board Dimensions: 25.00" x 23.25" Medium: Oil on Canvas Signature: Signed Lower Left
  • Creator:
    George Hughes (1907 - 1990, American)
  • Creation Year:
    1958
  • Dimensions:
    Height: 25 in (63.5 cm)Width: 23.25 in (59.06 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Fort Washington, PA
  • Reference Number:
    Seller: 47901stDibs: LU384315538102

More From This Seller

View All
Santa on Train, Saturday Evening Post Cover
By Norman Rockwell
Located in Fort Washington, PA
Date: 1940 Medium: Oil on Canvas Dimensions: 38.00" x 30.00" Signature: Signed Lower Right Original Cover Illustration for The Saturday Evening Post, December 28, 1940 At the heart of this touching and humorous Christmas work which appeared on the December 28, 1940 cover of THE SATURDAY EVENING POST, is the juxtaposition of the heads of the astonished boy holding a Drysdale package, the Drysdale poster of the store Santa in costume, and the drowsy man wearing the Santa pants and boots under his overcoat, obviously on his way home from work. Rockwell’s gift as a storyteller in pictures is displayed here at its best. The simple use of predominantly three colors – red, black and white, and the omission of any extraneous detail, add to the strength of this fine example of illustration art. Exhibitions Fort Lauderdale Museum of the Arts, Ford Lauderdale, Florida, Norman Rockwell: A Sixty Year Retrospective, February 11- March 5, 1972. The Booklyn Museum, March- April 1972 Corcoran Gallery of Art, Washington D.C, May 26, 1972- July 23, 1972 McNay Art Institute, San Antonio, Texas, July 1972- August 1972 M.H De Yound Memorial Museum, Golden State Park, San Francisco, California, Norman Rockwell: A Sixty Year Retrospective, September 9, 1972- September 5, 1972. Osaka, Japan, Hankyu Department Store, April 4-9, 1975. Press The Saturday Evening Post, December 29, 1940, cover illustration. A.L. Guptill, Norman Rockwell: Illustrator, New York, 1946, p.179, cover illustrated. T.S. Buechner, Norman Rockwell: Artist and Illustrator, New York, 1970, no. 529, illustrated. T.S. Buechner, Norman Rockwell: A Sixty Year Retrospective, exhibition catalogue, New York, 1972, p. 78, illustrated. M. Hart Hennessey and A. Knutson, Norman Rockwell: Pictures for the American People, exhibition catalogue, New York, 1999, p. 160, illustrated. C. Finch, Norman Rockwell’s America...
Category

1940s Figurative Paintings

Materials

Canvas, Oil

Christmas Tree Love, Original holiday cover for The Saturday Evening Post
By Constantin Alajalov
Located in Fort Washington, PA
Original cover forThe Saturday Evening Post, published December 23, 1950 A man arrives home carrying a Christmas tree only to discover that his wife has already bought one. The wo...
Category

1950s Figurative Paintings

Materials

Gouache, Board

Santa Claus, Likely Advertisement for Coolerator Refrigerators
By Edward Vincent Brewer
Located in Fort Washington, PA
Medium: Oil Painting Signature: Signed Lower Right The back says Coolerator Times, likely a advertisement for Coolerator refrigerators
Category

20th Century Figurative Paintings

Materials

Oil

An Audience of One - Santa
By Norman Rockwell
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed Lower Right Literature: Laurie Norton Moffatt, Norman Rockwell: A Definitive Catalogue, Norman Rockwell Museum at Stockbridge, Stockbridge, M...
Category

1930s Figurative Paintings

Materials

Canvas, Oil

Recruits, Original Christmas cover for Judge magazine, WWI Soldier Santa
By Orson Lowell
Located in Fort Washington, PA
Original Christmas cover for Judge magazine, published December 22, 1917. Santa is dressed as a World War I soldier with a sack of toys holding a drum and toy soldiers. Orson Byro...
Category

1940s Other Art Style Paintings

Materials

Canvas, Oil

Christmas Scene, Maxwell Coffee Advertisement
By Walter Martin Baumhofer
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed Lower Left Size: 34.00" x 24.00" Maxwell House Coffee, "Home for Christmas..." (1945) For years, Walter Martin...
Category

1940s Interior Paintings

Materials

Canvas, Oil

You May Also Like

Santa Claus Sexy Playboy Cartoon First African American Illustrator, Elmer Simms
By E. Simms Campbell
Located in Miami, FL
Santa has a quickie with Mom. Elmer Simms Campbell was the first African American Illustrator to work for major newsstand magazines. Published December, 1963 Signed in pencil lower...
Category

1960s Realist Figurative Paintings

Materials

Watercolor, Illustration Board, Pencil

Fireside Christmas
Located in San Francisco, CA
This artwork titled "Fireside Christmas" c. 1985 is an original color etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered 158/250 in pencil by the artist. Published and printed by the artist. The image (plate mark) size is 11.5 x 17.65 inches, sheet size is 19.25 x 25.25 inches. it is in excellent condition, has never been framed. About the artist: Scott Fitzgerald received his Master’s Degree in Arts from California State University Fullerton, and went on to teach drawing and printmaking for 2 years at the university. During his college years, he focused his study in contemporary art and photography, creating mixed media works often with social comments. It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of making prints from etching on copper plates. Scott Fitzgerald established himself as a prominent printmaker in the next few years. With a strong interest in history, he accepted a commission to produce a series of etching depicting 15 Orange County historical landmarks. Besides producing very intricate prints in various sizes, he has engaged in many special projects. He worked with renowned English printer John Randle to produce a group of etchings...
Category

Late 20th Century American Realist Figurative Prints

Materials

Etching

Santa
By Leslie Thrasher
Located in New Orleans, LA
A Salvation Army Santa looks on with a mixture of fatigue and disinterest as a group of children tell him their Christmas gift wish lists in this lighthearted composition by leading American illustrator Leslie Thrasher. This painting was created for the December 20, 1930 issue of Liberty Magazine, for which the artist illustrated covers on a weekly basis for six consecutive years. Thrasher is known for his scenes of everyday American life imbued with a sense of humor, qualities represented to great effect in this charming painting. Born in 1889 in Piedmont, West Virginia, Thrasher studied at the Pennsylvania Academy of Fine Arts as a teenager and received a scholarship to study art abroad in Paris. Upon his return, he began studying under Howard Pyle, known as the “father of American illustration.” Thrasher sold his first cover illustration to the Saturday Evening Post in 1912, four years before Norman Rockwell’s first Post cover, and he would go on to produce over 360 magazine covers throughout his career. He painted humorous, relatable scenes of everyday life in America with colorful characters set against white backgrounds. He was also a successful commercial artist, painting advertisements for Cream of Wheat, Chesterfield Cigarettes...
Category

Early 20th Century Other Art Style Figurative Paintings

Materials

Canvas, Oil

Santa Claus Christmas Eve original Southern Air Transport Illustration
Located in San Francisco, CA
Incredibly detailed Original illustration of Santa Claus on what I imagine is Christmas Eve. He must be falling behind schedule as he has commandeered planes instead of reindeers. I ...
Category

20th Century American Realist Figurative Paintings

Materials

Gouache

Original Painting New Yorker Cover Proposal American Scene Modern Santa's Feet
By Antonio Petruccelli
Located in New York, NY
Original Painting New Yorker Cover Proposal American Scene Modern Santa's Feet Antonio Petruccelli (1907 - 1994) Santas Feet At Midnight New Yorker c...
Category

1930s American Modern Figurative Paintings

Materials

Gouache, Board

Tis the Season, Figurative, Clowns, Original oil Painting, Ready to Hang, Framed
Located in Granada Hills, CA
Artist: Emmett Kelly Work: Limited Edition, Print on Satin Paper, Medium: Satin Paper Year: (1898-1979) Style: Classic Art Title: Tis the Season, Size: 9" x 7" x 0.1'' inch, (23 x1 8 x 0.2 cm) Framed: 17'' x1 3.5'' x 1'' inch, (43 x 34x5 cm) Ready to Hang. Biography Artist Emmett Kelly is best known as the creator of Weary Willie, a character who reinvented the typical clown. Kelly left Houston, Missouri, and moved to Kansas City in 1919, carrying little with him except his portfolio of drawings. Emmett Kelly's artwork of Weary Willie features a man with a scruffy beard, torn denim overalls, regular hat, and somber face. In 1937, Kelly joined the Bertram Mills Circus where Weary Willie made his debut and was well received. The success of artist Emmett Kelly's Weary Willie portrayal garnered him movie roles, figurines based on his likeness, and a spot with Ringling Brothers' Barnum and Bailey...
Category

Early 20th Century American Realist Figurative Prints

Materials

Canvas, Oil