Huguette Ginet-Lasnier

GINET LASNIER (1927-2020) FRENCH OIL - BRIGHT & BUSY BEACH SCENE

c. 2000's

Artist/ School: Huguette Ginet-Lasnier (French 1927-2020), signed lower front Ginet-Lasnier, the wife of the painter Jean Lasnier, was born in the Seine-Maritime region of France an...

Artist/ School: French School, early 21st century, indistinctly signed lower front corner Title: The Provencal Flower Market Medium: oil painting on canvas, unframed, signed insc...

signed oil on board, unframed board: 9.5 x 12 inches provenance: private collection, France condition: very good and sound condition

Couple at the Coast by Ben George Powell, British contemporary artist signed acrylic on canvas, unframed canvas: 16 x 20 inches provenance: private collection of this artists work, U...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to P...

Artist/ School: Jill Jackson, British contemporary Title - Lady on steps. Medium: oil on canvas, unframed Painting : 20 x 16 inches Provenance: all ...

Presenting a just completed original oil painting by American/Azerbaijan artist Fidan Kim. Fidan’s attention to detail subject and pallet are quickly gaining her recognition as one of the great emerging artist’s of the day. Many of her paintings take more than a year to complete due to the complex detail and methods she uses to create her paintings. “The Unseen Love”, is an original oil on canvas, signed, completed in 2022, suitably framed it has just arrived at our West Hollywood gallery...

Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...

Picking the Olives by REUVEN RUBIN (1893-1947) Oil on canvas 65 x 81 cm (24 ¾ x 31 ½ inches) Signed Executed circa 1940

Spring (Primrose Gathering) by Orovida Pissarro (1893-1968) Oil on board 101.5 x 76.4 cm (40 x 30 inches) Signed and dated lower centre Orovida 1956 Provenance Estate of Orovida Pis...

Artist Statement For nearly twenty years, I made non-objective grid structured paintings. I started to see references to landscape in these works. I've literalized those reference...

Provenance: Leicester Galleries, London, 1956 Austin Desmond Fine Art, London