Giulio D'Angelo

Natale in Sicilia

1940

This captivating work depicts a dramatic and tense scene of human interaction. In a dark interior, three men appear to be holding back a fourth individual, whose expression betrays s...

Work on canvas

Work on canvas : 61 x 43 cm Golden frame With frame : 70 x 52.7 x 4 cm This 19th-century portrait by an anonymous artist shows an elderly man seated at his desk, engrossed in writing...

Work on cardboard Beige wooden frame 87 x 72 x 4.5 cm

Eliseo SALA, attributed to (Milan, 1813 – Triuggio, 1879) Dream of freedom Oil on canvas 46 x 38 cm without frame 66x 57 with frame Around 1846 Related work: La toeletta del matti...

Copy after Titian's Renaissance Painting "Lucretia and Her Husband Lucius Tarquinius Collatinus" Robert Azensky Fine art is pleased to offer this copy after Titian's Renaissance mas...

This rare and historic Orientalist painting, La Petite Dieu, translated as “Little God”, by renowned Armenian-American artist Hovsep Pushman. First exhibited March 27 – April 7, 192...

A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...