Gonzalo Endara Crow

The Sailing Ship, Surrealist Painting by Gonzalo Endara Crow

1982

Artist: Alvaro Guillot, Uruguayan/American (1931 - 2010) Title: Bateaux Year: 1963 Medium: Oil on Canvas, signed Size: 24 x 30 inches Frame: 31 x 37 inches

Pueblo cerca del volcán Gonzalo Endara Crow, Ecuadorian (1936–1996) Date: 1991 Acrylic on Canvas Size: 31 x 39 in. (78.74 x 99.06 cm)

Artist: Unknown Title: Sailing Ships Medium: Oil on Canvas, signed "Thoms", lower left Size: 24 x 20 inches

Artist: Juan Manuel Gomez-Quiroz, Chilean (1939 - ) Title: Bodegon 5 Year: 1977 Medium: Oil on Canvas, Signed Verso Size: 64 x 41.5 in. (162.56 x 105.41 cm) Framed: 65.25 x 42.75 ...

Magic realist fantasy painting in the manner of Ernst Fuchs and Arik Brauer. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

MORENO PINCAS Bulgaria, b. 1936 Moreno Pincas emigrated to Israel in 1949. He studied at the Avni Art Institute in Tel Aviv from 1958 to 1960 and in 1960 obtained the First Prize of the Biennial of Young Painters at the Museum of Modern Art in Haifa. Fellow of the America Israel Cultural Foundation, he moved to Paris and formed at the Ecole Nationale Superieure des Beaux-Arts in Paris . Moreno Pincas is a member of the Committee Salon de Mai . Art at the Histadrut Beit HaVa'ad Hapoel, Tel Aviv 1989 Artists: Abramovich, Pinchas Uri, Aviva Eisenscher, Jakob Rita, Alima Aroch, Arie Bogen, Alexander Baser, Robert Bergner, Yosl Gutman, Nachum Gliksberg, Haim Giladi, Aharon Garbuz, Yair Gershuni, Moshe Gat, Eliyahu Halevi, Joseph Sisselman, Mina Janco, Marcel Cohen Gan, Pinchas Litvinovsky, Pinchas Lifshitz, Ephraim Mokady, Moshe Naton, Abraham Stematsky, Avigdor Sima, Miron Simon, Yohanan Ovadyahu, Shmuel Ozeri, Yigal Okashi, Avshalom Paldi, Israel Pincas, Moreno Frenkel, Itzhak Zabar, Simon Kossonogi, Joseph Kupferman, Moshe Krize, Yehiel Rubin, Reuven Reeb, David Reisman...

This artwork "Landscape with Boats" 1987, is an acrylic painting on canvas by noted Haitian artist Mario Montilus, b.1961. It is signed at the low...

Size of sheet is ca. 30 x 42 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...