Gregory Kitterle

Eris at Play - Trompe-l'oeil Figurative Painting Made With Plaster on Canvas

2015

Gregory Kitterle's Arch and Pole is a 11.8 x 12-inch ink, oil, and pencil painting on board. It oscillates between figuration and abstraction, in a tridimensional space alternating b...

Parris Jaru's The Last Time I Saw It is a 16 x 11-inch surrealist oil painting. The primary colors are black and red. The canvas surface has a thick impasto of paint, made with plant-based pigments that Jaru collects during his long exploratory trips through India. The imagery brings a surrealist human figure, with all the body features exaggerated as if in a caricature. NY-born Parris Jaru comes from a Jamaican, Blackfoot Nation, and Arawak Nation background from both his parents. His work is informed by the vivid colors and imagery experienced in his childhood years spent in the coastal town of St. Ann’s Bay, Jamaica. His exploratory journeys in India enriched his work with a sensibility to natural plant-based pigments that he grinds with oils for his paintings. In his Brooklyn studio, Jaru brings all these cultural inspirations together. His entire body of work is informed by an intentional childlike, faux-naïve style, constantly shifting between figurative and abstraction. Even though at times, Jaru has been working on somber and entirely figure-free paintings, most of his work is defined by poignantly colored and playful surrealistic figures. Jaru often draws his figures with a continuous line emerging from a thick impasto of paint made with powders of Sea Algae, Hibiscus, Gymnema Sylvestre, and Turmeric. Related keywords: Caribbean Artist...

Parris Jaru's A Place to Hide is a 9 x 12 inches oil painting representing surrealist animals. The primary color is a bright yellow and blue. A glittering paint defines the surface of the canvas. Jaru creates colors from plant-based pigments that Jaru collects during his long exploratory trips through India. The imagery is very playful, presenting surrealist animals drawn with the simplification of forms of some faux-naive art and some graffiti and street artworks. NY-born Parris Jaru comes from a Jamaican, Blackfoot Nation, and Arawak Nation background from both his parents. His work is informed by the vivid colors and imagery experienced in his childhood years spent in the coastal town of St. Ann’s Bay, Jamaica. His exploratory journeys in India enriched his work with a sensibility to natural plant-based pigments that he grinds with oils for his paintings. In his Brooklyn studio, Jaru brings all these cultural inspirations together. His entire body of work is informed by an intentional childlike, faux-naïve style, constantly shifting between figurative and abstraction. Even though at times, Jaru has been working on somber and entirely figure-free paintings, most of his work is defined by poignantly colored and playful surrealistic figures. Jaru often draws his figures with a continuous line emerging from a thick impasto of paint made with powders of Sea Algae, Hibiscus, Gymnema Sylvestre, and Turmeric. Related keywords: Caribbean Artist...

Parris Jaru's The Other Mask is a 12 x 9 inches surrealist oil painting. The main color is blue. A surrealist representation of a human face can be recognized. The surface is defined...

Continuing his affinity for Malevich’s geometric paragon is Felix Culpa or ‘Must be a Woe,” this time, in red. Three red squares hover above Christ suffering on the cross—one of the most recognizable images in art history—yet here, no wooden cross is in sight. Christ simply floats against a white wall. The three “Red Squares” map the edges of the invisible crucifix, and an old violin...

Belongs to my "human behaviour series" .Inspired by the dramatics artworks of Francisco Goya. :: Painting :: Surrealism :: This piece comes with an offi...

In his "Immortality" series, Plusch explores how notions of beauty and deformity, eternal and momentary, and life and death intermingle and blur together. This work expresses how all...

Artist: Eduardo Arranz-Bravo, Spanish (1941 - ) Title: Estigma de pintor, III Year: 1992 Medium: Oil on Canvas, signed, titled and dated verso Size: 50 x 36 in. (127 x 91.44 cm)