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Gustave Loiseau
La Maison des Soeurs, Pontoise

1924

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    Oil on canvas 46 x 55 cm (18 ⅛ x 21 ⅝ inches) Signed lower left, Ridgway Knight Artist biography American artist Daniel Ridgway Knight was born in Pennsylvania and studied at the École des Beaux-Arts in Paris. From 1872 he lived and worked at Poissy on the River Seine, just to the west of Paris. Best known for his landscapes and depictions of peasant women in the fields, Knight earned distinction at the Paris Salon of 1882. He went to be was awarded the Silver Medal and Cross of the Legion d’Honneur at the Exposition Universelle in 1889, the Gold Medal of Honour from the Pennsylvania Academy of Fine Arts in 1893 and in that same year was created a Knight of the Royal Order...
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  • Arromanches - La Cale du Musée by Hugues Claude Pissarro dit Pomié, Oil Painting
    Located in London, GB
    Arromanches - La Cale du Musée by Hugues Pissarro dit Pomié (B. 1935) Oil on canvas 92 x 73 cm (36 x 28 ¾ inches) Dated on reverse October 1998 This work is accompanied by a certifi...
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  • Neige - Le Château d'Eau d'Arromanches by Hugues Pissarro dit Pomié
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  • Un Chien une Chaise et les Gamins-Terrasse by Hugues Pissarro - Oil Painting
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    *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Un Chien une Chaise et les Gamins-Terrasse by Hugues Pissarro dit Pomié (B. 1935) Oil on...
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  • Les arbres by Paulémile Pissarro, 1930 - Oil on Canvas Painting
    Located in London, GB
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  • La Plage d'Houlgate en Auge (Normandie) by H. Claude Pissarro - Oil painting
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  • Dans le parc en automne, Paris (In the Park in Autumn, Paris)
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    This thoroughly modern Parisian scene was composed by the celebrated French painter Jean François Raffaëlli. The delicate oil captures a familiar subject from late 19th-century life in the city: a busy avenue at the edge of a park on a cool autumn day. Exploring the climate of the city, Raffaëlli's mature works capture the energy of the grand parks and boulevards of the new Paris that emerged at the turn of the century. His legacy documents the realities of urban life during his age, all chronicled in his distinctive brushwork and sophisticated palette. While Raffaëlli was never fully accepted as a member of the Impressionist group, his works display a similar affinity for capturing the transient moments of modern life. His figures exude a sense of being suspended in time, as though they are part of some subtle narrative that is both restless and harmonious. Perhaps more aligned with Naturalism than Impressionism, the visual effect of Raffaëlli's composition is one of carefully composed spontaneity that makes manifest the joie de vivre of the age. Raffaëlli was not the only artist of his era to devote his canvases to the urban landscape. Camille Pissarro, Claude Monet, Gustave Caillebotte and others composed significant works on the subject of the urban milieu. On the whole, it was an entirely new kind of painting, and it was largely influenced by the work of social engineer Baron Haussmann beginning in the 1850s. At the request of Emperor Napoleon III, Haussmann designed and carried out a large-scale urban renewal program, erecting landmarks and tree-lined thoroughfares throughout the city to create a unified and socially-centered urban aesthetic. The city became a glittering stage for modern advancements and bourgeois pleasure, which paved the way for a new kind of subject that was eagerly adopted by the Impressionists and artistic avant-garde. Born in Paris in 1850, Raffaëlli first studied theater and music before turning to painting in 1870. That same year, he submitted a landscape painting to the Salon and was accepted. Aside from just three months studying with the Academic great Jean-Léon Gérôme, Raffaëlli was self-trained, developing his own unique style that brought together Realism, Naturalism and Impressionism. While he managed to exhibit works at both the Salon and the Impressionist exhibitions...
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