Harold McCauley

Imagination Magazine Pin Up Girl Pulp Cover

1955

Her paintings combine figuration and abstraction, with a series of colors and abstract forms combining to produce an image of people in groups. Czekus’ work examines the everyday exp...

Half Skull & Female Face Portrait Pop Art by British Urban Graffiti Artist, Chris Pegg. Lilac Background. Presented in a high quality ornate white frame. Art measures 20 x 16 inche...

Yummy Sweets & Treats Cartoon Pop Art on Abstract Background by British Urban Graffiti Artist, Chris Pegg. Art measures 30 x 30 inches Frame measures 36 x 36 inches (deep edge bla...

Sherry's paintings combine figuration and abstraction, with a series of colors and abstract forms combining to produce an image of people in groups. Czekus’ work examines the everyda...

Sherry's paintings combine figuration and abstraction, with a series of colors and abstract forms combining to produce an image of people in groups. Czekus’ work examines the everyda...

Sherry's paintings combine figuration and abstraction, with a series of colors and abstract forms combining to produce an image of people in groups. Czekus’ work examines the everyda...

Sherry's paintings combine figuration and abstraction, with a series of colors and abstract forms combining to produce an image of people in groups. Czekus’ work examines the everyda...

Sherry's paintings combine figuration and abstraction, with a series of colors and abstract forms combining to produce an image of people in groups. Czekus’ work examines the everyda...

This work is from the artist's SOCIAL series, based on the iconic Cuban magazine of the same name. Conde, uninterested in painting his home town of Havana as it currently is, hearkens back to the heydays of Cuba, time of SOCIAL magazine. Conde has revived SOCIAL magazine, if only in his head, and is creating 240 new covers for the magazine. He will symbolically close the magazine on the date of the revolution. The artist often uses gold, silver and palladium leaf in the works to symbolize the power and wealth which Cuba once possessed. In this work, SOCIAL "I", a stylized woman from a bygone era has plucked the silver I from the word SOCIAL, in the background the pattern is representative of the ever present Cuban tiles.

After having posted images of his own paintings online and receiving warnings for going against "community standards", Conde argues that the female form, the greatest artwork ever c...