Heinrich Richter (b.1884)

Heinrich Richter "Der alte Clown" ( The Old Clown ) Oil Paint on Board, 1977

1977

Oil on hardboard, 1951, by Heinz Borchers ( 1898-1972 ), Germany. Signed and dated top right: Heinz Borchers 51. Framed. Dimensions: 29.53 x 23.82 in ( 75 x 60,5 cm ) Provenance: es...

Oil on cardboard, 1954 by Walter Wellenstein ( Dortmund 1898-1970 Berlin ). Signed and dated lower right: Wellenstein 54. Framed. Height: 13.78 in ( 35 cm ), Width: 18.5 in ( 47 cm ...

Oil on hardboard, 1979 by Heinrich Richter-Berlin ( 1884-1981 ), Germany. Monogrammed and dated lower left: Richter-Berlin, Nov. 79. Framed. Height: 17.32 in ( 44 cm ) Width: 16.93 i...

Pastel and carbon pencil on cardboard, ca. 1930 by Hugo Scheiber. Signed lower left: Scheiber H. Dimensions: 14.96 x 12.99 in ( 38 x 33 cm ), Framed: 19.69 x 15.75 in ( 50 x 40 cm ) ...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

ALEXANDER STOLIN, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South.   Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...