Henri-Joseph Duwez

Alone in the world, Oil on panel by Duwez Henri-Joseph (1810-1884)

19th century

Signature lower right: J. Bail Relined and some restorations Joseph-Claude Bail was born during a period of intense disagreement in the Parisian art world. For several years the Salon juries had rejected many progressive artists works; printmaking was making a charge at establishing itself as a true art form; the Barbizon group of painters challenged the tradition of historical landscapes with their views of the modern countryside, and Realism was decades old and had brought forth such combative figures as Gustave Courbet. Yet not all artists can be said to belong to this modern view of the nineteenth century. Numerous artists found prestige and public acclaim both at the Salons and with the public with works that relied on past styles and traditions influenced by the “Little Masters” from seventeenth-century Holland and traditions from eighteenth-century France. Joseph Bail...

Picking Flowers by Fréderic Ferdinand Koch (signed lower right) Provenance: Galerie Berko Frederic Koch was a painter and pastellist of figures, compositions, still lives, drafts...

Amédée Elié Servin — (1829-1884) : Children playing in a forest A nice and confidently painted scene of three children playing in the midst of a dark forest. Through clever use of colour and light and dark effects, Elié Servin creates a mysterious and fairytale-like scene in which all attention is drawn to the playing children. Amédée-Élie Servin (1829-1884) Servin Amédée-Élie was a French painter and engraver, founder of the artistic community of Villiers-sur-Morin. Servin was born to a tanner, who, disappointed by his son's failure in his studies, apprenticed him to an upholsterer where he learned to draw cartoons. He then entered the École des Beaux-Arts and studied under the painter Michel Martin Drolling. At this school, he befriended students of his generation, such as Jean-Jacques Henner, Benjamin Ulmann and Paul Baudry...

The Watsman, a painted view between Obersee and Koningsee, Upper Bavaria. Study painted in 1856 by François Roffiaen. François Roffiaen (1820-1898): Biography François Roffiaen's f...

A masterfully painted scene originating from the artist's studio In this painting, Langaskens brings together several motifs that were also the subject of his graphic work: the blind man, the priest, the nun and the farm that also appears in the famous etching "les toits rouges" (the red roofs). These elements are brought together in a dynamic and colourful composition, where the similarities to that other Belgian painter, Anto Carte, are striking. Combining these elements in this way creates a certain tension. Is the work about mercy (helping a blind man), or are we spectators of a scene where a poor wretch's purse is stolen? Striking is the use of impasto, in which the painter emphasises the texture of fabrics and skin via flowing lines. Maurice Langaskens 1884 - 1946 Biography A Belgian painter and printmaker, Maurice (Maurits) Langaskens enrolled in the Académie Royale des Beaux-Arts in Brussels in 1901, and was trained as a decorative painter by the leading Belgian muralist and sculptor Constant Montald. From early on, Langaskens was recognized as a fine draughtsman, and won several prizes at the Académie. After living and studying for a few months in France in 1906, mainly in Dijon, the young Langaskens settled in Schaerbeek, outside Brussels. He began his independent career in 1907, when he exhibited three decorative paintings at the Salon in Brussels for the first time and also had an exhibition of his work shown at the Salle Boute in the city. The following year he contributed six paintings to the 16th annual exhibition of the Belgian artist’s association ‘Pour l’Art’ in Brussels, where he was to exhibit frequently over the course of his later career, until 1941. (Langaskens also designed the poster for the 17th ‘Pour l’Art’ exhibition in 1909.) Also in 1908, one of his paintings was selected for an exhibition of modern Belgian art in Berlin. Much of Langaskens’s early work was in a vibrant and visually arresting Art Nouveau or Symbolist style. This bold and colourful manner also translated well into large-scale mural commissions, and he soon became one of the leading painter-decorators of the early 20th century in Belgium. His decoration of the town hall of the city of Zoutleeuw in 1912 earned the artist considerable fame and the praise of his teacher and mentor Montald: ‘He was one of the best students in the class; today he is the most outstanding artist among the decorators of our time.’ The same year the first of several exhibitions of Langasken’s work was mounted at the Cercle Artistique et Littéraire in Brussels. The outbreak of the First World War, however, brutally interrupted the rise of the artist’s successful career. Drafted into the Belgian army at the beginning of August 1914, Langaskens was captured by the Germans after less than a fortnight. He spent the next three and half years as a prisoner of war, at internment camps at Sennelager, Münsterlager and Göttingen. He produced numerous, mostly small-scale paintings and watercolours of portraits and depictions of many of his fellow prisoners, as well as scenes of daily camp life, that are today regarded as among his finest and most personal works. It was also during this period that he painted two of his best-known pictures, the large canvas In Memoriam, painted in 1916 and depicting the burial of a Belgian soldier by his comrades, and the monumental triptych Repose en Paix, painted between 1915 and 1918. After his liberation and return to Belgium, Langaskens exhibited over eighty of the paintings and drawings that he had produced as a prisoner of war at the Galerie Sneyers in Brussels in 1918. After the Armistice, Langaskens - suffering from aphasia and nervous disorders brought about by his long confinement - painted mainly easel pictures of winter landscapes, rustic genre scenes and floral subjects, and also produced a number of designs for tapestries, book illustrations and stained-glass windows. Within a few years, however, his health had recovered and he returned to undertaking large-scale decorative mural commissions. In 1920 Langaskens was one of the founders, alongside Montald, Jean Delville, Emile Fabry...

Léon HERBO (1850-1907), Young boy with a flute, oil on canvas, signed upper left and dated 1879. This painting seems inspired by the painting "Singing Boy with a Flute" by the Dutch ...

Justin Wheatley's (US based) "The Failed Attempt at Avoiding the Inevitable" is an acrylic painting that depicts a small white house-like object with red roof pierced by a black pain...

BLUE ROOM - Richard Neutra 30x30 cm Acrylic on linen 2024 The artist, Bea Sarrias, has developed much of her work in Barcelona, where she studied Fine Arts and soon became intereste...

Kyna de Schouel is a French artist born in 1939 who lives & works in Cholet, France. She uses charcoal, sanguine & washing but above all oil, especially for abstract compositions. She is Chevalier du Mérite du Dévouement Français & awarded of Mérite de l’Académie Leonard de Vinci...

Kyna de Schouel is a French artist born in 1939 who lives & works in Cholet, France. She uses charcoal, sanguine & washing but above all oil, especially for abstract compositions. She is Chevalier du Mérite du Dévouement Français & awarded of Mérite de l’Académie Leonard de Vinci...

Kyna de Schouel is a French artist born in 1939 who lives & works in Cholet, France. She uses charcoal, sanguine & washing but above all oil, especially for abstract compositions. She is Chevalier du Mérite du Dévouement Français & awarded of Mérite de l’Académie Leonard de Vinci...

Artist: Ara H. Hakobyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2019 Style: Impressionism Title: Stony Beach Size: 24" x 30" x 0.8'' inch, (61x76x2cm), Unframed, Stretched on wooden bar, Ready to Hang, Artist Bio Ara H. Hakobyan is an Armenian artist and art critic, Doctor of Sciences (arts, 2017), professor (2018) and a member of Artist Union of the Republic of Armenia (1999). Ara H. Hakobyan was born in 1973 in Yerevan in the family of art historian Hravard Hakobyan. In 1997 Mr. Hakobyan graduated from the Yerevan State Academy of Arts, Department of Painting. During 1997-2000 Ara Hakobyan...