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Henry John Yeend King
A Man Rowing a Boat on a Quiet Backwater by Henry John Yeend King, Oil on Panel

1900s

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Impressionistic Venice Scene by W. von Gegerfelt, c. 1880s
By Wilhelm von Gegerfelt
Located in Stockholm, SE
In this luminous canal scene, painted during his stay in Venice in the early 1880s, Wilhelm von Gegerfelt captures the vivid atmosphere and dazzling light of the city with remarkable...
Category

1880s Impressionist Figurative Paintings

Materials

Oil, Wood Panel

View from Visby, Gotland, c. 1883
Located in Stockholm, SE
This painting by Elisabeth Keyser beautifully captures a scenic view from the northern city wall of Visby, near Lübeckerbräschen. The landscape showcases a stretch of coastline leadi...
Category

1890s Impressionist Landscape Paintings

Materials

Oil, Wood Panel

Harvest Time by Hjalmar Sandberg, Swedish Artist, Oil on Canvas, Signed, 1876
Located in Stockholm, SE
Hjalmar Sandberg (1847-1888) Sweden Harvest Time, 1876 oil on canvas canvas size 14.96 x 18.11 inches (38 x 46 cm) frame 18.70 x 25.59 inches (47.5 ...
Category

1870s Impressionist Landscape Paintings

Materials

Canvas, Oil

View of a Dutch Town by Jan van Couver (Hermanus Koekkoek Jr.) Impressionism
By Jan Van Couver
Located in Stockholm, SE
Hermanus Koekkoek the Younger was part of the famous Koekkoek artist family: grandson of Johannes Hermanus Koekkoek, nephew of the landscape painter, Barend Cornelis Koekkoek...
Category

Late 19th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

Winter Twilight – A Captivating Scene by Cornwall Artist Charles Cardale Luck
Located in Stockholm, SE
This captivating painting by Charles Cardale Luck, titled Winter Twilight, showcases the artist's remarkable ability to capture the ethereal beauty of a Nordic winter. The scene depi...
Category

1910s Impressionist Landscape Paintings

Materials

Oil, Board

Oil Sketch From Rome Called Ruins of Ancient Rome, c. 1870-72
Located in Stockholm, SE
This beautiful oil sketch, painted en plein air, was created by Swedish artist Olof Arborelius during his stay in Italy from the fall of 1870 until January 1872. The painting features a charming depiction of ancient Roman ruins—either a city wall or an aqueduct—surrounded by lush trees under the clear Italian sky. With loose brushstrokes and a soft, atmospheric touch, the artist captures the natural light and Mediterranean ambiance, demonstrating his profound understanding of plein air painting. Arborelius was heavily influenced by French artistic trends of the time, particularly in his color sensitivity and study of light and air. His time in Italy was critical for his artistic development, marking the height of his mastery in capturing the delicate interplay of light, color, and atmosphere. Several of Arborelius’ Italian oil studies, including similar small-format plein air works, were later exhibited at various prestigious exhibitions. These include the Svenska konstnärernas förening memorial exhibition in 1910, the Svensk-Franska Konstgalleriet in Stockholm in 1931, and a memorial exhibition at the Nationalmuseum in 1943. Viggo Loos praised Arborelius' Italian studies for their "sensitivity to color" and "intense exploration of light and atmosphere," highlighting these works as a high point in the artist's career. Loos emphasized how Arborelius skillfully captured the essence of the Mediterranean landscape, using vibrant tones and delicate brushwork to convey the interplay of light and air. Moreover, Folke Holmér, the curator of Arborelius’ 1943 memorial exhibition, described his Italian sketches as some of the most painterly pieces of his early production, worthy of comparison with the best works Swedish artists had produced in Italy. Among his notable works in major collections are three of his Italian oil studies held at the Nationalmuseum: View from Rome Towards the Arch of Septimius Severus...
Category

1870s Impressionist Figurative Paintings

Materials

Paper, Oil, Cardboard

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