Henry Walsh

Immerse XXVIII, Figurative Art, Contemporary Modern Art, Summertime Art

2022

Julia Adams Sweet Things Happen Original Interior Painting Oil, Acrylic and Ink on Canvas Canvas Size: H 30cm x W 30cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. Sweet Things Happen by Julia Adams is an original mixed media painting, it features an enticing looking traditional english afternoon tea setting in cheerful pastel colours. Discover original artworks by Julia Adams available to buy online and in our art gallery in Deddington. Julia Adams comments: I use a variety of mixed media to produce my work – household glosses, spray paints, acrylics, inks and various printing techniques, rarely using a paintbrush! I like to apply paint with real freedom and spontaneity to produce paintings that have energy and depth, exploring my passion for surface quality, colour, texture and tactility.” “My series of ‘Interior Spaces’ paintings have been very popular and are constantly evolving. As a starting point I use a found image or one of my own photographs, adding or removing elements as I feel necessary to enhance the composition. I then start to play with my materials, constantly adding and subtracting. I will often include abstract stencilling to add a sense of drama, and introduce rivets to add further interest. I also enjoy including text, whether stencilled or found words in magazines. Size: H:30 cm x W:30 cm Bon Appetit...

Tickled Pink by Alison Gilbert is an original painting and a statement piece at 120cm x 120cm (48″ x 48″) These bold pastel colour combinations are having a party as they dance across the canvas in a vibrant celebration of joy and life. This painting is sold framed, the frame will be custom made upon sale, so please allow for an extra week for dispatch. Discover original artwork by Alison Gilbert with Wychwood Art online and in our Deddington gallery. Alison is a British contemporary abstract artist...

Charles Pachter, considered to be one of Canada’s greatest living contemporary artists has embraced a new subject—flowers. Toronto born Pachter is best known for his iconic pop art paintings of barns...

Josh Talbott's (US based) "Half Spent" is an acrylic painting that depicts a empty honey bear jar reused as a piggy bank, half full of coins with a light blue background. Bio: Josh Talbott grew up in suburban/rural Georgia in the southern US. His first work as a professional artist was in scenic painting and murals for various production companies. An attempt to deepen his well of possibilities led to New Orleans where as a street artist he sold works to people from all over the world before loosing everything in hurricane Katrina. With short stints in Santa Fe and then Los Angeles Josh arrived in the small coastal city of Los Osos, California where he lives and works today. His curiosity is voracious and interests are many, including scuba/ free diving, sailing, surfing, gardening, geology, rock hounding, rationality, AI, history, and philosophy. In his studio there is always an audiobook on, and outside of the studio there are all manner of activities making there way into his work. He has many private collectors scattered across the globe and murals in San Francisco. ARTIST STATEMENT We live in a time of extreme and accelerated change, growing complexity, and specialization. At every stage in our human trajectory from primitive beginnings crawling out of the sea to the present gauntlet of challenges, our thinking tools and their uses are central to the story of what it means to be human. My work is informed by a fascination with thinking tools and the effects of programming and environment through the different phases of life and our capacity for storytelling. My practice consists of constructing small-scale still life scenarios of toys and other artifacts of human development, then creating photorealistic acrylic paintings of these scenes. The work juxtaposes the familiar and playful with a contemporary, complex, adult world. While I am interested in the science of the mind, and what it means to be a human, my work seldom features the human form, focusing instead on the objects and items that are frequently left behind. As such, the subject of the painting becomes the viewer him or herself because their own humanity is ultimately what is revealed. My work honors toys as thinking tools for small people and the scenes depicted explore the ways in which the culture of our formative years leaves a lasting mark and continues to shape our storytelling. The plastic artifacts of my formative years carry memories of simultaneous confusion and wonder at the world around me. These are sensations and emotions still very much present in my life. What were your imaginings and dramas when you played with toys? Are you living them today? The multileveled still life paintings of familiar toys are bright and accessible and connect to the viewer's nostalgia and playfulness while provoking deeper insights into our current evolutionary, cultural, and technological moment. I place each little curio with care into meaningful relationship to their interlocutors and environment. The plastic dinosaurs often depicted are emblematic of childhood curiosities, of great wonder and speculation at past worlds and the depth of evolutionary time, and yet they are made of a material that illustrates our shortsightedness, a quintessential human quality that makes it quite possible that these plastic creations will outlast us all. I do my best to draw inspiration and resources from everywhere to build a visual language. In my divergent path I find the musical compositions and the story of composer, Philip Glass inspiring. The story of his devotion to his craft and his subsequent successes have encouraged and inspired me. I'm influenced by writers such as Kurt Vonnegut, Robert Sapolsky, and Yuval Noah Harari, the many books by Simon Winchester, Daniel Dennet, Robert Wright...