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Holland CunninghamRoyal St. George's II - Painting, Oil on board2023
2023
$1,784.99
£1,300
€1,518.83
CA$2,478.67
A$2,704.80
CHF 1,418.71
MX$32,850.72
NOK 17,720.52
SEK 16,746.78
DKK 11,335.94
About the Item
Royal St. George’s II (2023) by American artist Holland Cunningham (b. 1967) is a contemplative oil on board painting that captures the expansive atmosphere of one of England’s most historic golf courses.
Cunningham’s practice is grounded in memory, perception, and the emotional resonance of place. In this work, the broad sweep of sky and the simplified geometry of clubhouse and fences reduce the scene to its essential forms, highlighting the fleeting and almost dreamlike quality of recollection. Her loose brushwork and softened palette emphasise atmosphere over detail, evoking the way landscapes linger in the mind rather than in precise documentation.
Known for straddling figuration and abstraction, Cunningham often works from personal memories and photographic sources to create paintings that resonate with both nostalgia and universality. Royal St. George’s II exemplifies this approach, transforming a familiar landscape into a painterly meditation on presence, absence, and the traces of experience.
- Creator:Holland Cunningham (1967, American)
- Creation Year:2023
- Dimensions:Height: 12.01 in (30.5 cm)Width: 12.01 in (30.5 cm)
- More Editions & Sizes:UniquePrice: $1,785
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU2872216941062
Holland Cunningham
Holland B. Cunningham was born in Roanoke, Virginia in 1967 and educated at the University of Virginia where she studied art history and studio art. She continued her studies at the Art Students League and National Academy of Art and Design. She was a resident at the Bau Institute in Puglia, Italy the summer of 2012. She currently resides and works in New York City. She uses various materials to create her work such as oil, water-based media, photography and animation. Her most recent work is an assortment of mixed media/oil paintings and installations in which she uses found photography as a starting point. She is an avid collector of discarded photography that she sees not as images frozen in time, but as something that is still happening. She is a spectator as well as the protagonist and player in the scene or moment captured.
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