Honora Berg

Mid Century Abstract Expressionist Painting -- San Francisco Shore Birds

Circa 1945

Brilliantly colorful mid century expressive abstracted landscape of Lake Anza in Berkeley by Bay Area artist Howard Margolis (American, 1927-2015). Signed “Margolis” in lower right c...

Stunning large-scale, Bay Area Figurative School, painting of a woman sitting by a window overlooking a lakeside view, influenced by her teacher Richard Diebenkorn, by Sally Kissing...

Stunning large-scale, Bay Area Figurative School painting of a couple, dog and clown by Sally Kissinger Wilt (American, 1936-2004). Signed "...

Wonderful impasto Bay Area Figurative Movement painting with bell tower (possibly Berkeley Campanile?) and abstracted figures on path and ...

The White Horse - Abstracted Landscape, In The Style Of Charles Heaney Abstracted landscape oil painting depicting a white horse. Attributed to and painted in the style of Charles Edward Heaney (American, 1897-1981). A white horse grazes alone in a grass field, as mountains of brown are intertwined with abstracted white clouds. Deep greens, browns and reds make up this piece. Presented in a distressed wooden frame. Frame: 21.5"H x 39"W Image: 15.5"H x 32.5"W Unsigned. Charles Heaney lived in Oregon and was primarily known for his landscapes of Oregon and Nevada. From 1917 until well into the 1920s, Heaney studied intermittently at the Pacific Northwest College of Art. One of his primary instructors was legendary painter Harry Wentz, who befriended and inspired him. A fellow student was Kyuzo Furuya who, Heaney recalled, goaded him into taking himself seriously as an artist. But Heaney's deepest friendship was with Clayton Sumner (C.S.) Price, an artist twenty-three years Heaney's senior who settled in Portland in 1929 and who would become a pioneering figure in Oregon modern painting. Heaney admired and emulated Price's dedication to art-making and found in the older man an important companion. Heaney's prints of the 1920s and 1930s were mostly woodcuts, a technique he learned from Catherine DeWitt MacKenzie, a fellow student at the Pacific Northwest College of Art. In the 1930s, he experimented with etchings with his friend William McIlwraith and studied intaglio processes with William Givler...

Dynamic abstract expressionist painting with crow titled, "Night call" by Kristin Cohen (American, b. 1963), circa 1980. Kristin is a California abstract expressionist artist she studied at Humbolt State University and with Michael Dee Cookinham...

Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in ...

Cotswolds Landscape X by Rosie Phipps [2021] original and hand signed by the artist Water Colour Paint, Gouache and Pastel on Paper Image size: H:1...

original Watercolour Image size: H:25 cm x W:41 cm Complete Size of Unframed Work: H:25 cm x W:41 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Painted at the barriers during the celebration of King Charles' Birthday in June 2023

A peaceful landscape scene is set in shades of pale yellow with light blue in this encaustic (pigmented beeswax) painting with oil, pigments from Morocco and India, volcanic ash from...

After touring Europe on a motorcycle, he arrived in Berlin in 2012, where he won a residence for artists with a pictorial series on massification and nihilism. In 2014 he was invited for a residence in Colombia, and subsequently he has travelled to Mexico, Guatemala and Cuba. The experience of Central America affects his painting so much that it becomes gestural and dominated by strong and bright colors. Contact with indigenous communities contributed to the formation of his thought and poetics, which suggests accessing an irrational dimension that cannot be explored through science and technology.

After touring Europe on a motorcycle, he arrived in Berlin in 2012, where he won a residence for artists with a pictorial series on massification and nihilism. In 2014 he was invited for a residence in Colombia, and subsequently he has travelled to Mexico, Guatemala and Cuba. The experience of Central America affects his painting so much that it becomes gestural and dominated by strong and bright colors. Contact with indigenous communities contributed to the formation of his thought and poetics, which suggests accessing an irrational dimension that cannot be explored through science and technology.