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The White Horse - Abstracted Landscape, In The Style Of Charles Heaney1940s
1940s
About the Item
The White Horse - Abstracted Landscape, In The Style Of Charles Heaney
Abstracted landscape oil painting depicting a white horse. Attributed to and painted in the style of Charles Edward Heaney (American, 1897-1981). A white horse grazes alone in a grass field, as mountains of brown are intertwined with abstracted white clouds. Deep greens, browns and reds make up this piece.
Presented in a distressed wooden frame.
Frame: 21.5"H x 39"W
Image: 15.5"H x 32.5"W
Unsigned.
Charles Heaney lived in Oregon and was primarily known for his landscapes of Oregon and Nevada.
From 1917 until well into the 1920s, Heaney studied intermittently at the Pacific Northwest College of Art. One of his primary instructors was legendary painter Harry Wentz, who befriended and inspired him. A fellow student was Kyuzo Furuya who, Heaney recalled, goaded him into taking himself seriously as an artist. But Heaney's deepest friendship was with Clayton Sumner (C.S.) Price, an artist twenty-three years Heaney's senior who settled in Portland in 1929 and who would become a pioneering figure in Oregon modern painting. Heaney admired and emulated Price's dedication to art-making and found in the older man an important companion.
Heaney's prints of the 1920s and 1930s were mostly woodcuts, a technique he learned from Catherine DeWitt MacKenzie, a fellow student at the Pacific Northwest College of Art. In the 1930s, he experimented with etchings with his friend William McIlwraith and studied intaglio processes with William Givler. Heaney's later prints are increasingly abstract, experimental works in etching and aquatint. Some are images of fossils, a subject Heaney also explored in painting. He considered irregularly shaped abstract pieces to be his most original work.
Heaneys are is widely exhibited and represented in many public collections, among them the Portland Art Museum, Seattle Art Museum, Smithsonian American Art Museum, Tacoma Art Museum, Jordan Schnitzer Museum of Art (University of Oregon), Hallie Ford Museum of Art (Willamette University), Oregon Historical Society, and Reed College.
- Attributed to:Charles Heaney (1897 - 1981, American)
- Creation Year:1940s
- Dimensions:Height: 21.5 in (54.61 cm)Width: 39 in (99.06 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good condition. Substantial wood frame similar to the Work of Dimitroff's f San Rafael, California.
- Gallery Location:Soquel, CA
- Reference Number:
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