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Igor FominI adore your boogies-woogies. Figurative painting with popular dancers and music
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About the Item
I love your “Boogies-woogies”, (Adoro tus "Bugisvugis"). Figurative painting with popular dancers and musicians.
Acrylic on canvas.
Measurements in centimeters: 97 x 130 x 3 cm. Framed 122 x 155 x 5 cm.
In inches: 36.19 x 51,.8 x 1.8 ". Framed: 48.03 x 61.02 x 1.92 "
Author: Igor Fomin.
An anachronistic and nocturnal urban scene serves as a background to set the scene for the wild Boogie-woogie that two villagers dance to the rhythm of a violin and a drum. Once again, Fomin, from the very title of the painting, winks at us to contemplate this popular scene in a good mood.
ABOUT THE ARTIST
Fomin is a storytelling artist. He is a storyteller in his everyday, anecdotally narrating the funny side of life, and he is a storyteller in his professional life, bringing to the canvas realistic popular scenes set in fairy-tale settings where the subject matter is always treated with irony and humor.
The titles of his paintings tell us about eccentric characters of an era, a culture, a society (which one?) - it doesn't matter, it is a distorted reality with a romantic and sentimental touch, which takes us to references such as Brueghel the Elder, El Bosco and Chagall, within an aesthetic and chromatism typical of Renaissance painting where Fomin develops his original scenes playing with the design of spaces, landscapes, buildings, characters and costumes. A stage director who makes us smile, but also reflect on his original interpretation of the human being, because this is the main protagonist of his paintings.
Igor Fomin (Minsk, Bielorrusia, 1963) studied architecture at the University of Minsk, but even at this time he was showing his liking for the word of painting. His first jobs in the world of painting at this time were as a commissioned graphic designer. En 1988 he started painting pictures, a small forerunner of the style for which he is now recognized. During this period, his love of music also led him to study the classical guitar, a theme which he developed extensively in his painting. Music and architecture are two permanent elements in his paintings.
In 1992 he settled in Spain with his newly created family and, unable to work as architects due to their lack of knowledge of the language, he and his wife, the painter Elena Narkevich, began to work with art galleries, and their work soon began to be recognized.
In 1994 he was accepted to the Spanish Association of Painters and Sculptors (Asociación Española de Pintores y Escultores). During these years he won a Second place prize in the Naive Art Competition. In 1996 he won First place prize in the Autumn Salon organized by the Spanish Association of Painters and Sculptors. Since 1989 Igor Fomin and his family are living and working in Spain. He is a participant of the major Art Fairs and Festivals all over the World (i.e. Art New York 2018), his works can be found in private collections in Russia, Germany, the USA, UK and many others.
- Creator:Igor Fomin (1963, Belarusian)
- Dimensions:Height: 38.19 in (97 cm)Width: 51.19 in (130 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Segovia, ES
- Reference Number:1stDibs: LU744310616392
Igor Fomin
Fomin is a storytelling artist. He is a storyteller in his everyday, anecdotally narrating the funny side of life, and he is a storyteller in his professional life, bringing to the canvas realistic popular scenes set in fairy-tale settings where the subject matter is always treated with irony and humor. The titles of his paintings tell us about eccentric characters of an era, a culture, a society (which one?) - it doesn't matter, it is a distorted reality with a romantic and sentimental touch, which takes us to references such as Brueghel the Elder, El Bosco and Chagall, within an aesthetic and chromatism typical of Renaissance painting where Fomin develops his original scenes playing with the design of spaces, landscapes, buildings, characters and costumes. A stage director who makes us smile, but also reflect on his original interpretation of the human being, because this is the main protagonist of his paintings. Igor Fomin (Minsk, Bielorrusia, 1963) studied architecture at the University of Minsk, but even at this time he was showing his liking for the word of painting. His first jobs in the world of painting at this time were as a commissioned graphic designer. En 1988 he started painting pictures, a small forerunner of the style for which he is now recognized. During this period, his love of music also led him to study the classical guitar, a theme which he developed extensively in his painting. Music and architecture are two permanent elements in his paintings. In 1992 he settled in Spain with his newly created family and, unable to work as architects due to their lack of knowledge of the language, he and his wife, the painter Elena Narkevich, began to work with art galleries, and their work soon began to be recognized.
In 1994 he was accepted to the Spanish Association of Painters and Sculptors (Asociación Española de Pintores y Escultores). During these years he won a Second place prize in the Naive Art Competition. In 1996 he won First place prize in the Autumn Salon organized by the Spanish Association of Painters and Sculptors. Since 1989 Igor Fomin and his family are living and working in Spain. He is a participant in important Art Fairs (i.e. Art New York 2018), and his works can be found in private collections in Russia, Germany, the USA, UK and many others.
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Fomin is a storytelling artist. He is a storyteller in his everyday, anecdotally narrating the funny side of life, and he is a storyteller in his professional life, bringing to the canvas realistic popular scenes set in fairy-tale settings where the subject matter is always treated with irony and humor.
The titles of his paintings tell us about eccentric characters of an era, a culture, a society (which one?) - it doesn't matter, it is a distorted reality with a romantic and sentimental touch, which takes us to references such as Brueghel the Elder, El Bosco and Chagall, within an aesthetic and chromatism typical of Renaissance painting where Fomin develops his original scenes playing with the design of spaces, landscapes, buildings, characters and costumes. A stage director who makes us smile, but also reflect on his original interpretation of the human being, because this is the main protagonist of his paintings.
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