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Jackie FelixEnd of October/Beginning of November1985
1985
About the Item
An original oil on un-stretched canvas which was featured in the artist's retrospective exhibition at The Burchfield Penney Art Center.
Jackie Felix (1929-2009) earned her Bachelor of Fine Arts (1981) and Master Fine Arts (1983) degrees from the State University of New York at Buffalo. She received many awards and residencies, including the prestigious Pollock-Krasner Foundation grant in 1997. Important artist residencies include the Millay Colony for the Arts in Austerlitz, NY in 1997; Artpark in Lewiston, NY in 2000 and Oberlin College in Oberlin, Ohio in 2000. Her art was presented in solo and group exhibitions in New York, Ohio, Pennsylvania, New Jersey, Maryland and South Carolina. She was commissioned to produce paintings and murals for public view in the Buffalo Museum of Science and Hallwalls’ former home in the Tri-Main Building. She also taught painting, printmaking and drawing at various institutions in New York State. The Burchfield Penney Art Center owns an enormous 11-panel storyboard painting, 2 large oil triptychs, 5 paintings on paper, and 5 monotypes. While her work has been exhibited in numerous exhibitions at the Burchfield Penney since the 1980s, Storyboard: The Sexual Politics of Jackie Felix (on view from February 10-April 29, 2012) provides the opportunity to present a major solo exhibition representing great accomplishments of her dynamic artistic career.
- Creator:Jackie Felix (1929 - 2009, American)
- Creation Year:1985
- Dimensions:Height: 62 in (157.48 cm)Width: 73 in (185.42 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Buffalo, NY
- Reference Number:1stDibs: LU13921304883
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George North Morris - painter, writer, teacher
Born May 13, 1915 in East Liberty, PA
Died Oct. 1, 1996 in Hudson, NY
Studio locations over the years: varied from Hyannis (MA), Providence (RI), Oglethorp (GA), Montpelier (VT), Yonkers & Westchester Co. (NY) to the later years in Germantown (NY).
Subject matter consisted mainly of seascapes and landscapes but in the 60's and 70's he experienced his abstract era. The later years, in fact most of his life was spent in New England and N.Y. state. Most of his more valuable paintings where along the Hudson River and Westchester County.
His most frequent methods were oils and water colors, and in the 1940' his artistic expression was through the use of clay. Most of his pottery was made from local Cape Cod (Barnstable) clay which he and his family dug, washed and prepared.
He wrote a part of the foreward, called "The Tradition", for a book "A Century and a Half of American Art 1825-1975". Published in 1975 by the "National Academy of Design". He was also an art critic and reporter for the Worcester Telegram and the Provincetown New Beacon.
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George Morris's life was that of art and art critic as well as educator. "It was the two summers, 1938 and 1939" recalled Morris, "that I really learned how to paint".
Though much of his work showed a strong Edward Hopper influence, at the same time it took many roads. It was, over the years, much too varied to categorize. He started with collage, moved to abstraction, and then to a period during the late 1960s and '70s when he completed what he called his "Lovers Series" - erotic paintings filled with large orchestrated flat color - that show him moving away from abstraction.
Upon becoming bored with the concept of abstract painting, he looked for new challenges in pastels, acrylics and water colors, painting once again what he called "the world as it is recognizable by others".
George firmly believed that all the best artists are good hucksters, too.
Solo exhibitions as a painter were as follows:
Columbia-Greene Community College - 1985
Barrett House - 1985
Smith Gallery - 1980, '81, '82
Swansborough Gallery, Wellfleet - 1983
Hopper House, Nyack, NY - 1981
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