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Jacob SteinhardtGerman Expressionist Hand Carved Colored Original Wood Pane Art Israeli Bezalel1965
1965
$4,500
£3,361.28
€3,896.87
CA$6,248.14
A$7,003.36
CHF 3,646.44
MX$85,514
NOK 46,296.58
SEK 43,884.99
DKK 29,074.90
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About the Item
This is original hand carved wood carving used to produce a woodcut print. Hand colored with painting. signed woodblock (unique piece, not a print)
by Jacob Steinhardt 1887-1968
"Reuben Offering Food and Drink to Joseph" Hand carved and painted surface, painted in relief. Signed LR, dated LL. In thin wood painted frame, woodcut panel approx. 1/2" thick, raised on frame. panel within gold painted wood liner 16"H x 12.5 framed 22.5 x 18.75
Judaica biblical scene.
Steinhardt, Jakob, Painter and Woodcut Artist. b. 1887, Yaacov Steinhardt was born in the then remote, largely Polish town of Zerkow in the Posen District of Germany. (poland/german) Immigrated 1933. Studies: 1906 School of Art, 1906 Studied in Berlin Arts and Crafts School. Berlin; 1907 painting with Lovis Corinth and engraving and etching with judaic etching master Hermann Struck; advanced studies, 1908-10 Paris, with Henri Matisse and Steinlen; 1911 Italy. Teaching: Bezalel, Jerusalem, 1953-57 Director. 1910 Participated in the “New Sezession”, Berlin. 1912 together with Ludwig Meidner and Janthur he founded the "Pathetiker" group very early in the German expressionist movement. Running afoul of the Nazis, he fled to Tel-Aviv and then Jerusalem in the early 30s, showing in “Der Sturm” Gallery. 1914 Exhibited with ludwig Meidner at first Expressionist Exhibition in Berlin. Worked mainly in woodcuts depicting biblical and other Jewish subjects. 1955-58 International awards for his woodcuts. receives graphic commissions from Fritz Gurlitt. 1922 Marries Minni Gumpert. Active in organizing Secession exhibits. 1925 Trips to Mark Brandenburg and Holy Land. Turns primarily to painting; stops work on etchings and lithographs. 1933 Emigrates to the Palestine. 1934 Moves to Jerusalem and opens an art school; attempts some etchings. 1948 Closes the art school and becomes Chairman of Graphics Department, Bezalel School for Arts and Crafts. 1954-57 Director of Bezalel School for Arts and Crafts. Taken up by J. B. Neumann who became the agent for his etchings. Exhibited Sturm Gallery, Herbst-salon. 1914 Outbreak of World War I; Steinhardt enlists in German army. 1916-18 First on Eastern Front in Poland and Lithuania, then after short training period in Berlin, sent to Macedonia. 1917 Exhibition of Lithuanian drawings at Berlin Secession in Spring. Elected member of the Secession.
He often used wood-cutting techniques that were popular amongst German Expressionists. Steinhardt was driven to express ideas clearly and decisively through art.
Amongst the themes found in his work the prophets of the Bible, such as Jonah, are noticeable. Steinhardt identified deeply with Jonah due to his attempt to run from God's call to duty.
Additionally, the image of beggars was often found in Steinhardt's works and in his artistic presentation of the less fortunate, the artist's love for his fellow man becomes evident.
Moreover, the grotesque was a theme noticeable in Steinhardt's earliest pieces. These were fantastical images; it was unclear whether or not they were human or demon. In the 1950's, Steinhardt returned to these images upon learning of the Holocaust of Europe's Jews. At that time he resided in New York and there, in the shadow of the skyscrapers, Steinhardt's reaction to WWII was expressed through his art.
A Collection of Works by Artists of the Land of IsraelThe Bezalel National Museum, Jerusalem 1940 Artists: Shemi, Menahem Rubin, Reuven Avni, Aharon Mokady, Moshe Jonas, Ludwig Steinhardt, Jakob Ticho, Anna Krakauer, Leopold Gutman, Nachum Budko, Joseph Ardon, Mordecai Sima, Miron Castel, Moshe Pann, Abel Struck, Hermann Gur Arie, Meir Ben Zvi, Zeev Litvinovsky, Pinchas
Education
1906 Berlin Art Museum, Berlin
1907 painting with Louis Corinth and engraving with Hermann Struck, Berlin
1909-1910 Académie Julian, Paris
1909-1910 Académie Colarossi, Paris
1909-1910 Académie Matisse, Paris
Teaching
1934-1949 Instructor drawing, painting and printing, The Studio
1949-1957 Instructor, New Bezalel, Jerusalem
1949-1953 Head of graphics department, New Bezalel, Jerusalem
1953-1957 Director, Bezalel Academy of Arts and Design, Jerusalem
Awards And Prizes
1939 IBM prize, New York World's Fair, New York, USA
1955 First Prize, Sao Paolo Biennale, Brazil
1958 California Print Makers Prize, San Francisco, USA
1959 Arte Liturgica Prize, Venice Biennale, Italy
1961 Arte Sacra Prize, The International Biennial for Religious Art, Trieste, Italy
- Creator:Jacob Steinhardt (1887 - 1968, Israeli)
- Creation Year:1965
- Dimensions:Height: 22.5 in (57.15 cm)Width: 18.5 in (46.99 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear. wear to frame and mount.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38214712462
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Jakob Steinhardt, Painter and Woodcut Artist. b. 1887, Yaacov Steinhardt was born in the then remote, largely Polish town of Zerkow in the Posen District of Germany. (poland/german) Immigrated 1933. Studies: 1906 School of Art, 1906 Studied in Berlin Arts and Crafts School. Berlin; 1907 painting with Lovis Corinth and engraving and etching with Hermann Struck; advanced studies, 1908-10 Paris, with Henri Matisse and Steinlen; 1911 Italy. Teaching: Bezalel, Jerusalem, 1953-57 Director. 1910 Participated in the “New Sezession”, Berlin. 1912 together with Ludwig Meidner and Janthur he founded the "Pathetiker" group very early in the German expressionist movement. Running afoul of the Nazis, he fled to Tel-Aviv and then Jerusalem in the early 30s, showing in “Der Sturm” Gallery. 1914 Exhibited with ludwig Meidner at first Expressionist Exhibition in Berlin. Worked mainly in woodcuts depicting biblical and other Jewish subjects. 1955-58 International awards for his woodcuts. receives graphic commissions from Fritz Gurlitt. 1922 Marries Minni Gumpert. Active in organizing Secession exhibits. 1925 Trips to Mark Brandenburg and Holy Land. Turns primarily to painting; stops work on etchings and lithographs. 1933 Emigrates to the Palestine. 1934 Moves to Jerusalem and opens an art school; attempts some etchings. 1948 Closes the art school and becomes Chairman of Graphics Department, Bezalel School for Arts and Crafts. 1954-57 Director of Bezalel School for Arts and Crafts. Taken up by J. B. Neumann who became the agent for his etchings. Exhibited Sturm Gallery, Herbst-salon. 1914 Outbreak of World War I; Steinhardt enlists in German army. 1916-18 First on Eastern Front in Poland and Lithuania, then after short training period in Berlin, sent to Macedonia. 1917 Exhibition of Lithuanian drawings at Berlin Secession in Spring. Elected member of the Secession.
He often used wood-cutting techniques that were popular amongst German Expressionists. Steinhardt was driven to express ideas clearly and decisively through art.
Amongst the themes found in his work the prophets of the Bible, such as Jonah, are noticeable. Steinhardt identified deeply with Jonah due to his attempt to run from God's call to duty.
Additionally, the image of beggars was often found in Steinhardt's works and in his artistic presentation of the less fortunate, the artist's love for his fellow man becomes evident.
Moreover, the grotesque was a theme noticeable in Steinhardt's earliest pieces. These were fantastical images; it was unclear whether or not they were human or demon. In the 1950's, Steinhardt returned to these images upon learning of the Holocaust of Europe's Jews. At that time he resided in New York and there, in the shadow of the skyscrapers, Steinhardt's reaction to WWII was expressed through his art.
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Pins died in Jerusalem in December 2005.
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He often used wood-cutting techniques that were popular amongst German Expressionists. Steinhardt was driven to express ideas clearly and decisively through art.
Amongst the themes found in his work the prophets of the Bible, such as Jonah, are noticeable. Steinhardt identified deeply with Jonah due to his attempt to run from God's call to duty.
Additionally, the image of beggars was often found in Steinhardt's works and in his artistic presentation of the less fortunate, the artist's love for his fellow man becomes evident.
Moreover, the grotesque was a theme noticeable in Steinhardt's earliest pieces. These were fantastical images; it was unclear whether or not they were human or demon. In the 1950's, Steinhardt returned to these images upon learning of the Holocaust of Europe's Jews. At that time he resided in New York and there, in the shadow of the skyscrapers, Steinhardt's reaction to WWII was expressed through his art.
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Jacob Otto Pins (17 January 1917 – 4 December 2005) was a German-born Israeli woodcut artist and art collector, particularly of Japanese prints and paintings.
Jacob Pins was born in Höxter, Germany, the son of Dr Leo Pins, a veterinarian, and his wife Ida Lipper. He immigrated to Palestine in 1936 to study art. His father tried to discourage him from becoming an artist for financial reasons.
Pins' younger brother, Rudolph, (1920-2016) moved to the United States in 1934. His father was sent to Buchenwald. In July 1944, both parents died in the Riga ghetto.
Pins first lived on a kibbutz, which was disbanded in 1941. He moved to Jerusalem and studied woodcut and linocut under woodcut master and painter Jacob Steinhardt, also a German immigrant, at his small private school. He lived in poverty in a tiny room, subsisting on a meagre diet. He continued his studies at the new Bezalel Academy of Art and Design.
Pins was married to Elsa, the subject of a number of his prints. They had no children.
Pins bought his first Oriental print in 1945, and acquired a house on Ethiopia Street, opposite the Ethiopian church, where he lived for the rest of his life. He continued collecting until his death and was one of Israel's foremost art collectors. His book on Japanese Pillar Prints, Hashira-e is the definitive work on the subject.
Pins died in Jerusalem in December 2005.
Pins' artwork was heavily influenced by German expressionism and traditional Japanese wood block printing. From 1956 to 1977, he taught at Israel's leading art schools, most notably Bezalel, where he later became a professor. He was known as a demanding teacher, emphasizing strong technical skills and discipline.
In the 1950s, Pins helped to found the Jerusalem Artists' House, a centre for the city's artists to meet and exhibit.
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