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Jacques-Ferdinand Humbert
Orpheus mourning the death of Eurydice, Late 19th Century Oil Greek Myth

$26,882.92List Price

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Peach blossom, pink and butterflies, on gold foreground painting. Innovative
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Margherita Leoni's ability to balance botanical precision and interpretive innovation is evident in this oil painting. The canvas, partly in view and partly prepared with pure gold, ...
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1930's French Impressionist Oil Group Of Figures Gathered In Forest
Located in Cirencester, Gloucestershire
Vintage French Oil Painting by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper stuck on board, unframed measures: 10 high...
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Family Portrait of Children Large Oil Painting on Canvas
Located in Cirencester, Gloucestershire
The Family Portrait British School, 20th century (painted in an earlier style) oil on canvas, unframed canvas: 30 x 24 inches provenance: private collection, England condition: overa...
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1940's French Impressionist Oil Elderly Lady Seated by Window in Room
Located in Cirencester, Gloucestershire
Vintage French Oil Painting by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper stuck on board, unframed measures: 8.25 hi...
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Mid 20th Century French Oil Pre-Raphaelite Portrait of a Lady
Located in Cirencester, Gloucestershire
Working Sketch by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper stuck on board, unframed measures: 10.5 high by 12 inche...
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Antique Scottish Highlands Oil Painting Figure Walking in Mountain Glen
Located in Cirencester, Gloucestershire
The Highland Glen by F. E. Jamieson (British 1895-1950), signed with artists pseudonym oil on canvas, framed framed: 26 x 36 inches canvas: 20 x 30 inches provenance: private collect...
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Mid 20th Century Oil Figure Sat On Green Hill Admiring The Blue Cloudy Sky
Located in Cirencester, Gloucestershire
Vintage French Oil Painting by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper stuck on board, unframed measures: 6 high ...
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Fine Russian Symbolist Signed Oil Painting Portrait of Young Lady with Headpiece
Located in Cirencester, Gloucestershire
Portrait of a Lady by Natalya Sultanov (Russian, contemporary) signed oil on linen canvas, framed framed: 27.5 x 23 inches canvas: 22.5 x 18 inches provenance: private collection, UK...
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Classical Dutch Winter Scene Figures Large Oil Painting Signed & Gilt Framed
Located in Cirencester, Gloucestershire
Classical Dutch Winter Scene signed, 20th century oil on canvas, framed canvas: 22.5 x 30 inches framed: 24 x 36 inches provenance: private collecti...
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1940's French Signed Modernist Oil Painting Nude Figure in Room Interior
By Maurice Delavier
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Nude in Interior by Maurice Delavier (French mid 20th century) signed and dated 1944 oil on board, unframed board: 18.5 x 14.5 inches inscribed verso provenance: private collection, ...
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Summer Haze, Early 20th Century Original Oil
By David Forrester Wilson
Located in London, GB
David Forrester Wilson 1873 - 1950 "Summer Haze" Oil on canvas, signed lower left Image size: 18 x 24 inches Original gilt frame David Forrester Wilson's sensitive portrayal of ...
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London Costmongers, Urban 20th Century English Oil
Located in London, GB
Attributed to Mary Adshead 1904 - 1995 London Costmongers Oil on canvas Image size: 30 x 36 inches Framed Costermongers were London people that sold fruit and veg and other ‘perishables’ from barrows. Often wheeling and then stationing their barrow on the street, so their customers could easily come and buy from them. Costermongers were fiercely independent, rebellious in their dress and outlook, and had little time for ‘middle class moralising’ and attempts to suppress or restrict their way of life. (Much like modern teenagers) The men depicted stop work for a break with cups of tea and a few read the newspapers. Next to the man with the yellow apron can be seen some cakes on a plate. A work place , a factory can be seen in the distance on the right. It is possible that the painting depicts a cabmen's shelter, as some did serve outside and many still survive today in London. The style of the painting is very much that of a student of the Slade School in London and has similarities with other artists work such as James Batemen or Herbert Ashwin Budd. On the back of the painting it has in chalk the name 'Rhoades', which could refer to the artist Geoffrey Hamilton Rhoades...
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The Dressing Table, 20th Century British Oil
Located in London, GB
Charles McCall 1907 - 1989 The Dressing Table Oil on canvas, signed & dated 1951 Image size: 30 x 25 inches Gilt frame Charles McCall was born in Edinb...
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David with the Head of Goliath, 19th Century Victorian Oil
By John Rogers Herbert
Located in London, GB
John Rogers Herbert RA 1810- 1890 Oil on canvas, dated '1850' lower right on sword strap Image size: 33 ½ x 23 ½ inches Gilt Watts frame This striking painting, depicts David as a y...
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Sleeping Angel, English School 19th Century Reclining Figure Oil
Located in London, GB
English School 19th Century Sleeping Angel Oil on canvas Image size: 29 x 40 inches Contemporary gilt frame
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The Lamentation of Christ, 16th Century Oil Old Master
Located in London, GB
Circle of Ridolfo Ghirlandaio 1483 - 1561 Oil on panel Image size: 20 ½ x 16 ½ inches (52 x 42 cm) Handmade contemporary style gilt frame The lamentation of Christ was one of the most popular scenes depicted in European art from the 11th to the 18th century. Depicting the lamentation or pieta from the Italian word for ‘Pity’ of Christ with Jesus’s mother Mary cradling his body. Christ is depicted nude, wearing only a blueish loincloth around his waist, a horizontal scar marking his rib cage. His head and torso are held upright, and his eyes are closed, his right arm lays to his side as does his left. Standing behind him, is the Virgin Mary, outfitted in her traditional dress of a robe with a white veil. She stands behind Christ and bends slightly, looking looking away from Christ to something that has caught her attention, her right hand holding his shoulder. Her left-hand carefully holds his arm. This work is quite unusual with Mary . This stunning work jumps out with its dark background and strong flesh colours. Ridolfo Ghirlandaio was the son of the eminent painter Domenico Ghirlandaio. Following his father’s death in 1494, when he was just eleven years old, Ridolfo is thought to have continued his training with his uncle Davide, who had taken over the Ghirlandaio workshop. Vasari noted that Ridolfo also studied with Fra Bartolommeo...
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