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Jane Peterson"Cattleya Orchids" Jane Peterson, Modernist Bright Flowers, Heavy Impastocirca 1930
circa 1930
About the Item
Jane Peterson
Cattleya Orchids, circa 1940s
Signed lower right
Oil on canvas
32 x 32 inches
Provenance
Estate of the artist
Artist’s estate sale, Ipswich, Massachusetts, 1960s
Private collection, Charlestown, Massachusetts
Cavalier Gallery, New York
Exhibited
Greenville, Delaware, Somerville Manning Gallery, Wyeth to Warhol: Modern Masters from Past and Present, April 27 - June 2, 2018, n.p., illustrated.
New York, Debra Force Fine Art, In Bloom, July 6 - September 24, 2021.
Born Jennie Christine in Elgin, Illinois, she officially changed her name to Jane Peterson in 1909 after her first success as an artist. Her family was of humble background but certainly not poverty stricken. She became famous for a wide range of works from landscapes to still-lives that blend Impressionist and Expressionist movements. As a woman, her life was much more independent and adventurous than those of most of her contemporaries, and she traveled widely to paint including joining Louis Comfort Tiffany on a continental painting expedition in his private railway car.
Peterson does not belong to any particular school of painting, but combined techniques and styles from a variety of teachers and prevalent styles. However, many of her early works were strongly Impressionist, much influenced by Joaquin Sorrola y Bastida, a Madrid painter under whose teaching she abandoned dark tonalities for the spontaneous methods of applying paint characteristic of Impressionism.
At age 18, Peterson, with a gift from her mother of $300, then a substantial sum of money, enrolled in the Pratt Institute in New York City and studied with Arthur Wesley Dow, graduating in 1901. She also studied at the Art Students League with Frank DuMond and held several teaching positions that took her to Boston and Maryland. Subsequently she studied in Paris and lived around the corner from Gertrude and Leo Stein, who invited Peterson to many of their soirees where she met leading intellectuals including Picasso and Matisse.
She studied in Venice and in London with Frank Brangwyn and in Madrid with Joaquin Sorolla, whom she accompanied in 1919 to the United States when he received a commission from Tiffany to paint his portrait. Tiffany's home at Laurelton Hall, Oyster Bay, New York had lavish gardens that reminded visitors of Claude Monet's gardens at Giverny. Peterson did paintings of this garden that strongly resembled work by Monet's followers at Giverny.
In 1916, she exhibited work she had painted in the Pacific Northwest while traveling with Louis Tiffany. By 1916, she was also doing much painting of colorful beach scenes with Maurice Prendergast and went on to paint many landscapes and seascapes. She completed many floral subjects, which were inspired by the gardens of her summer house in Ipswich, Massachusetts. Many of her beach and pier scenes were from painting trips to artist colonies along the Massachusetts coast.
Her first successful American exhibition was in 1909 at the St. Botolph Club in Boston, and from that time her work was the subject of over 50 one-person shows.
- Creator:Jane Peterson (1876-1965, American)
- Creation Year:circa 1930
- Dimensions:Height: 40 in (101.6 cm)Width: 40 in (101.6 cm)
- More Editions & Sizes:Unique workPrice: $45,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841216343502
Jane Peterson
Jane Peterson's most innovative period was from 1910 to 1930. During this time she produced her most important work. Her trips to Venice resulted in exuberant paintings full of glowing color. This painting is from that period. The brushwork is bold and exciting. The bright round yellow carob flowers contrast with the vertical mauve carob pods. The trunks and branches of the trees form a series of triangles that reflect the lush Mediterranean landscape. Originally the painting was sold in Paris to an American collector. Jane Peterson was a leading woman post-impressionist painter of the early 20th century. Born in Elgin, Illinois, on November 28, 1876, she was interested in art throughout her childhood. In 1895, she went to New York City to study art at Pratt Institute. Before graduating in 1901, Peterson taught painting and became a popular teacher at Pratt. She then became the Drawing Supervisor of Brooklyn Public Schools. She studied oil painting with Frank Vincent DuMond who emphasized a prismatic palette. Subsequently, she studied painting with Frank Brangwyn in London, Jacques Emile Blanche and André Lhote in Paris, and Joaquín Sorolla y Bastida in Madrid. She was influenced by Impressionism and Fauvism during her studies in Paris. In 1924, Peterson's painting, Toilette, received critical acclaim at the New York Society of Painters. Her one-woman show on Fifth Avenue sold out. By this time, she had won numerous awards, was a Fellow at the National Academy of Design, and a member of many art clubs including the American Watercolor Society, Audubon Artists, Pen & Brush Club, and the National Association of Women Artists. In 1925, The New York Times characterized Peterson as "one of the foremost women painters in New York." Known for her colorful, post-impressionistic paintings of Gloucester streets and harbor on Cape Ann; palm trees along the Florida coast; street scenes in Paris, Istanbul, and New York City; and boating views in Venice. Peterson also flamboyantly executed floral subjects and dynamic genre-like portraits. Carob Tree (Ceratonia siliqua) is a small evergreen tree of the Mediterranean coasts. It has dark green, compound leaves with glossy, oval leaflets. In Italy, the carob tree blooms from September to November. Its seedpods, also known as Saint John's bread, are up to 45 centimeters long and are filled with round, hard seeds and a thick pulp. St. John's Bread was probably the husks in the Prodigal Son parable and the seed which is said to have been the original jewelers' carat weight. The Spaniards call it Algaroba, and the Arabs Kharoub, hence Carob or Caroub Pods, Beans, or Sugar-pods. It is also named Locust Pods. These pods are grown in southern Europe for feeding domestic animals as well as for human food. Carob is sold in health food stores and is often a substitute or alternate to chocolate.
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