Janet Adebayo

I'm Seeing Double

2023

I would always seek validation on every little thing. Validation to take the simplest action and most times the response breaks me even more. I realized to be confident in one’s body I had to work on my mind because the mind controls...

The title itself, "ÌLÒRÍ," holds a special meaning, as the artist reveals it is a name given to a child who finds its way into their mother's belly while she is still breastfeeding another child. This unique and touching term encapsulates the interconnectedness of life, illustrating how love and new beginnings can emerge even in the midst of existing responsibilities. Adebayo's artwork appears to be a reflection on her personal journey and the story of her birth. She shares how her mother affectionately calls her "ÌLÒRÍ" and playfully recounts the amusing moments when she questions her conception. The artist playfully suggests that she jokingly implores her mother to use protection, a humorous remark that adds a light-hearted touch to the piece. The openness and candor with which Adebayo communicates her personal story add authenticity and vulnerability to the artwork, drawing viewers into her emotional world. The central theme of the artwork revolves around family, particularly the artist's late brother who was just nine months old at the time of her conception. Through her words, "I Miss you bro and happy mother's month. Your struggle is noticed," Adebayo honors her sibling's memory and acknowledges the sacrifices her mother made as a parent. The metaphorical use of the phrase "coconut head" suggests a sense of stubbornness, perhaps referring to the artist's own determination to enter this world despite the odds. This resilient spirit symbolizes the strength of the human will and the innate desire to live, even against all odds. It is a testament to the power of life and the profound connection between siblings, even those who have never met. "ÌLÒRÍ" is more than just a visual artwork; it is a story of life, love, and the unbreakable ties that bind families together. Janet Adebayo...

The title itself, "ÌLÒRÍ," holds a special meaning, as the artist reveals it is a name given to a child who finds its way into their mother's belly while she is still breastfeeding another child. This unique and touching term encapsulates the interconnectedness of life, illustrating how love and new beginnings can emerge even in the midst of existing responsibilities. Adebayo's artwork appears to be a reflection of her personal journey and the story of her birth. She shares how her mother affectionately calls her "ÌLÒRÍ" and playfully recounts the amusing moments when she questions her conception. The artist playfully suggests that she jokingly implores her mother to use protection, a humorous remark that adds a light-hearted touch to the piece. The openness and candor with which Adebayo communicates her personal story add authenticity and vulnerability to the artwork, drawing viewers into her emotional world. The central theme of the artwork revolves around family, particularly the artist's late brother who was just nine months old at the time of her conception. Through her words, "I Miss you bro, and happy Mother's month. Your struggle is noticed," Adebayo honors her sibling's memory and acknowledges the sacrifices her mother made as a parent. The metaphorical use of the phrase "coconut head" suggests a sense of stubbornness, perhaps referring to the artist's own determination to enter this world despite the odds. This resilient spirit symbolizes the strength of the human will and the innate desire to live, even against all odds. It is a testament to the power of life and the profound connection between siblings, even those who have never met. "ÌLÒRÍ" is more than just a visual artwork; it is a story of life, love, and the unbreakable ties that bind families together. Janet Adebayo...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Having been nurtured by a Yoruba father who happens to be a twin was a major inspiration for creating this painting. In Yoruba culture, twins are considered a special blessing from God. They are mostly called ‘ibeji’ which means twins. In Yoruba society, twins are given special names, such as Taiwo (meaning “first to taste the world“) and Kehinde (meaning “second to taste the world”). It is mostly believed that twins have special privileges and are accompanied by several fortunes. About Artist Oluwatobiloba Amusan...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is included in numerous private and museum collections, among them the Burchfield-Penney Art Center, the Albright-Knox Art Gallery, the Castellani Art Museum of Niagara University, and the UB Anderson Gallery (all of which are located in Western New York...