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Jasper Francis Cropsey"Janetta Falls, New Jersey" Jasper F. Cropsey, Hudson River Wooded Landscapecirca 1846
circa 1846
About the Item
Jasper F. Cropsey
Janetta Falls, New Jersey, circa 1846
Signed J.F. Cropsey
Oil on canvas
12½ x 10¾ inches
Provenance
Private Collection, New York, 1930s
Thence by descent to the present owner
Painted circa 1846, this is a view of Janetta Falls (now known as Clinton Falls) in West Milford, New Jersey, the town in which the artist’s wife, Maria, grew up. Cropsey painted at least two similar but much larger views of Janetta Falls also in 1846: Janetta Falls, Passaic County, New Jersey, oil on canvas (24 x 21 inches), is in the collection of the Santa Barbara Museum of Art; and Janetta Falls, New Jersey, oil on canvas (65 x 48 inches), is in the collection of the Baltimore Museum of Art.
Cropsey, the eldest of eight children, was born in Rossville, Staten Island, New York, on his father Jacob Rezeau Cropsey's farm. Cropsey experienced bouts of ill health as a young lad. Cropsey learned how to sketch on his own while he was not in class. He drew landscapes and architectural sketches in the margins of his schoolbooks and on notepads throughout his early years.
Early in the 1840s, Cropsey studied architecture under Joseph Trench. During this time, he also received instruction from Edward Maury in watercolor painting and enrolled in some life drawing classes at the National Academy of Design. He opened his own architectural practice in 1843, but it wasn't until 1844 that he started showing his watercolors at the National Academy of Design. After being elected an associate member a year later, he focused solely on painting landscapes, and soon after, he was included in the "Italian Compositions" exhibition.
Cropsey visited England, France, Switzerland, and Italy on his 1847–1849 European tour. In 1851, he was elected as a full member of the Academy. Henry Tappan, who presided over the University of Michigan from 1852 until 1863, was a close friend of Cropsey. In 1855, he visited Ann Arbor at Tappan's invitation and created two paintings: a college scene and a painting of the Detroit Observatory. In 1856, he traveled overseas once more and lived in London for seven years, sending his photographs to the Royal Academy and the 1862 International Exhibition.
After returning home, he established a studio in New York and focused on painting the fall landscapes of the northeastern United States, which were frequently romanticized and characterized by vibrant hues. In 1866, Cropsey and 10 other artists founded the American Society of Painters in Water Colors. Cropsey also created the architectural plans for New York's elevated train stations.
- Creator:Jasper Francis Cropsey (1823-1900, American)
- Creation Year:circa 1846
- Dimensions:Height: 19.5 in (49.53 cm)Width: 17.75 in (45.09 cm)
- More Editions & Sizes:Unique workPrice: $28,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841216341952
Jasper Francis Cropsey
Born on Staten Island, New York, Jasper Cropsey became a nationally known luminist landscape painter whose work reflects his interest in architecture and allegorical progression, seasons, etc. Called "America's painter of autumn", he was especially known for his sunlit-ridden fall landscapes. Reportedly the peak of his career was the creation of a "nine-foot-long canvas of a New York autumn. Its brilliant colors stunned many of the English viewers to whom it was presented in London." (Zellman 202) His painting, Autumn on the Hudson River, was so well received in England that Queen Victoria granted him an audience. Cropsey had early success, being acclaimed by the press when he was in his twenties. He was trained in architecture, having been apprenticed to an architect when he was age 15, but he turned to landscape painting, which was then gaining acceptance. He was an admirer of landscape painter Thomas Cole and used Cole's Roman studio when studying in Italy from 1847-49. Although Cole was deceased by then, Cropsey adopted Cole's colorful palette and romantic treatment of subject matter. He lived most of his life at Hastings-on-Hudson, overlooking the Hudson River and traveled and painted extensively in the river valley. However, from 1856 to 1863, he lived in England where the influence of Frederic E. Church replaced Cole. Source: Michael David Zellman, 300 Years of American Art
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