Jaume Canut

Casa Canaria - 21st Century, Contemporary Painting, Figurative, Acrylic on Wood

Unknown

"The paintings are built up in layer upon layer of paint which give the pieces great depth of field. They are created with an arsenal of tools that doesn't settle with convention. As well as the more widely acknowledged paint and brush the artist uses all manner of mediums, such as Correction Fluid, Spray Paint, Ink, Paint Markers, Texture Pastes, Charcoal, Graphite, Oil sticks and Collage. All applied in an equally diverse manner using brushes...

"My work is characterized by forms and lines. The relationship between background and figure is repeated persistently in each of my works. The figure, simple and almost always quadri...

"My work is characterized by forms and lines. The relationship between background and figure is repeated persistently in each of my works. The figure, simple and almost always quadri...

"Once again we are able to contemplate the unique work of Joan Peris with its imaginative and fresh landscapes. All his paintings are as fascinating as they are unusual, emitting the...

This painting was inspired by the combination of nature alongside a very modern building. I loved the addition of the straight lines alongside the more organic forms of the landscape...

I am keen to capture the sense of calm we all feel when we are in nature, looking up through leaves into the sunlight. My consistent focus for several years has been to explore the b...

Wood for the trees by Rebecca Tucker [2021] original and hand signed by the artist Acrylic on wooden panel Image size: H:51 cm x W:51 cm Complete Size of Unframed Work: H:51x51 cm x...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...