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Jean-Gabriel Domergue
Le Grand Chapeau

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Lida
By Jean-Gabriel Domergue
Located in Paris, FR
Jean-Gabriel DOMERGUE "Lida" Oil on panel Signed lower left and titled 'Lida' on the reverse Dimensions: 24 x 19 cm / 9 1/2 x 7 1/2 in. (painting) 45 x 40 cm / 17 3/4 x 16 3/4 in; (...
Category

Mid-20th Century Modern Figurative Paintings

Materials

Oil

Deauville
By Jean-Gabriel Domergue
Located in Paris, FR
Jean-Gabriel DOMERGUE (1889-1962) "Deauville" Oil on panel Signed lower left and titled on the reverse Dimensions: Painting 33 x 24 cm Framed 62 x 53 cm (24 3/4 x 21 in)
Category

Mid-20th Century Impressionist Figurative Paintings

Materials

Oil

La Terrasse
By Jean-Gabriel Domergue
Located in Paris, FR
Jean-Gabriel DOMERGUE (1889-1962) "La Terrasse" Oil on panel Signed lower right and titled on the reverse Dimensions: Painting 33 x 24 cm Framed 52 x 43 cm (20.5 x 16.5 in)
Category

Mid-20th Century Modern Figurative Paintings

Materials

Oil

L'Ombrelle Jaune (Yellow Umbrella)
By Jean-Gabriel Domergue
Located in Paris, FR
Jean-Gabriel Domergue 1889-1962 French "L'Ombrelle Jaune" Oil on canvas Signed lower left Canvas : 21 5/8" high x 18 1/8" wide (55 x 46 cm) Frame: 30 3/4" high x 27 1/8" wide (...
Category

Mid-20th Century French School Figurative Paintings

Materials

Oil

The Musketeer
By Alex De Andreis
Located in Paris, FR
Alexandre DE ANDREIS (1830-1910) "Le Mousquetaire / The Musketeer" Oil on panel Signed lower right Painting: 45 x 29 cm (17 3/4 x 11 3/8 in.) Framed: ...
Category

Late 19th Century French School Figurative Paintings

Materials

Oil

NAPOLEON AT ARCIS-SUR-AUBE, 1814
Located in Paris, FR
Circle of FRANÇOIS DE LANSAC (1803-1890) "NAPOLEON AT ARCIS-SUR-AUBE, 1814" French Campain – Napoleon at Arcis-sur-Aube, 1814 Oil on canvas DIMENSIONS : –...
Category

Mid-19th Century French School Figurative Paintings

Materials

Oil

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Subdued portrait of a woman holding flowers in front of a mirror by Umberto Bianchini (Italian, 1934-2010). Signed in the lower left corner and on ve...
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La lecture au jardin (Lesson in the Garden)
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French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...
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Located in Toronto, Ontario
"Touching" is a remarkable oil painting on canvas measuring 18" tall by 14" wide. For all it's modest size, it throws several punches above its weight. The title Touching could be a ...
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There is no one alive that can paint and draw like Dean Cornwell. How can that be? They do not train artist the way they did. Dean Cornwell in his day was as famous as Normal Rockwell...
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Kindred of the Dust, Frontier Town Cosmopolitan Magazine
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A somewhat similar Cornwell featuring a strong woman at the center of a the composition just sold at Christie's for $164,000. In this work we also see a strong woman at the center of the composition. Here she surrounded by men. More than 20 beautifully rendered post-impressionist portraits in character, define Dean Cornwell as one of America's great artists. In his time, he was a famous as Norman Rockwell and was Norman Rockwell's favorite illustrator. "One thing puzzled Dirty Dan extremely. That was the perfectly frank, friendly manner in which his employer and this outcast woman greeted each other, the earnestness with which they conversed, and the effect of the woman's low-spoken words upon the color of Hector McKaye's face." Morris Weiss collection...
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