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Jo Cain
Men Working Mural Study American Scene Social Realism Mid 20th Century Modern

c. 1940s

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Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern
By Mervin Jules
Located in New York, NY
Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern. Signed upper right and verso 8 x 10 inches oil on board. BIO The son of a men's haberdasher, Mervin ...
Category

1930s American Realist Figurative Paintings

Materials

Oil, Board

"Pay Day" American Scene Social Realism WPA Era Mid 20th Century Modern Workers
By Don Freeman
Located in New York, NY
"Pay Day" American Scene Social Realism WPA Era Mid 20th Century Modern Workers Don Freeman (1908-1978) Pay Day 20 x 30 inches Oil on board, c. 1940s Signed lower right BIO Illustr...
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1940s American Realist Figurative Paintings

Materials

Oil, Board

"High School Dance" WPA Mid-20th Century Modern American Scene Social Realism
Located in New York, NY
"High School Dance" WPA Mid-20th Century Modern American Scene Social Realism Heusing (20th Century) "High School Dance" 27 x 32 inches Oil on canvas Signed and dated '47 Lower Righ...
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1940s American Realist Figurative Paintings

Materials

Canvas, Oil

WPA Mural Study 1940 American Scene Modern Social Realism Figurative Mid Century
By Michael Loew
Located in New York, NY
WPA Mural Study 1940 American Scene Modern Social Realism Figurative Mid Century Michael Loew (1907-1985) Detail for Mural (Social Security Building Washington D.C.) 24 x 24 inches ...
Category

1940s American Realist Figurative Paintings

Materials

Canvas, Oil

"Old Shoemaker" Ashcan 20th Century Modernism 1924 California WPA Realism Worker
By Otis Oldfield
Located in New York, NY
"Old Shoemaker" Ashcan 20th Century Modernism 1924 California WPA Realism Worker. Signed “Otis Oldfield” lower left. 14 x 12 inches. Exhibited: Galerie des Beaux Arts, San Francisco, CA, 1925 Provenance: Estate of the Artist Born in Sacramento, CA on July 3, 1890, Otis Oldfield left high school at age 16 to work in a local print shop. In 1909 he arrived in San Francisco and enrolled at the Best Art School. After working for two years as a bellhop at the Argonaut Hotel and as a hat check boy at the Cliff House, he had saved enough money for further studies in Paris. In 1911 he sailed for France and enrolled at Académie Julian. Caught up in the activities of wartime Paris, he was an apprentice for a book...
Category

1920s American Realist Figurative Paintings

Materials

Canvas, Oil

Guy Pene du Bois WPA American Modernism Realism NYC Scene Oil Lawyers in Court
By Guy Pène Du Bois
Located in New York, NY
Guy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk. Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized. In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment. During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...
Category

1930s American Modern Figurative Paintings

Materials

Paper, Oil, Board

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Wayman Adams The Courtship, circa 1920 Signed upper right; titled on the reverse Oil on board 16 x 12 inches Adams was born on a farm in rural Indiana near Muncie. His father, a horse farmer and amateur artist, encouraged the younger Adams’ interest in art. At age twenty-one, Adams moved to Indianapolis to attend the John Herron Art Institute. There, he began to paint portraits. He took two trips to Europe, the first in 1910 when he traveled to Italy with William Merritt Chase. Two years later, he accompanied Robert Henri to Spain where he met fellow artist Margaret Boroughs, whom he married six years later. In 1914, Adams painted a series of portraits for the city hospital in Indianapolis. He was to paint children whose families had been in the United States for generations and also children of immigrants to represent the various nationalities of which the city was composed. It was considered to be one of the most ambitious public art projects in Indiana’s history. Originally, twenty-four portraits were to be done; while some are now missing, they were all initially installed in the pediatric ward of the hospital. After painting a portrait of author...
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In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world. Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...
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