Joseph Sundwall

Nap Time, original figurative marine landscape

Today is the big day! All of the lessons, studying and practicing are coming to a crescendo! The only item left to do before the concert is to select the flowers to be presented on stage to our conductor. Tulips? Roses? Sunflowers? Lilies? Decisions, decisions! Selecting a mixed bouquet would certainly ensure that she would receive her favorite flowers! This realist figurative landscape is the portrait of a young girl seen in soft lighting, appropriate to her tender age, making what feels like the most important decision of her life! This original oil painting was envisioned and painted by noted artist Joseph Sundwall...

On a fresh spring day strolling on the red clay pathways through the famed forest at Winterthur Garden, the flowers simultaneously feel their way through the rich soil and lush green...

To summer in Cap Ferrat, in the south of France, just across the border from Monte Carlo, is comparable to living in a Faberge egg, with all of the intricate detailing and elegance one might dream of! Jutting out into the turquoise Mediterranean Sea, the peace and privacy of the best and the brightest is discreetly protected whether of the royal family or the international jet set and intelligentsia! Master artist Jim Rodgers has been painting for more than 35 years, having studied at both the highly respected Art Students League of NYC as well as the Ridgewood Art Institute of New Jersey. His work has been acknowledged by numerous publications including American Art Collector. His work is represented in the collections of Pfizer Corporation, The Rockefeller Trust and many other noteworthy corporate and private collections. This French impressionist marine landscape is framed in an antique gold wood...

Known for it's timeless charm, the quaint Cotswolds of England are what dreams are made of. First Slaughter, Upper and Lower Slaughter adjacent to Bourton-on-the-Water are such places! The Eye Brook weaves through the Slaughters, affectionately known as "the Slaughter;" the name was derived from the local marsh rather than what one might otherwise expect! This original impressionist landscape exemplifies the historical importance of the mill in these hamlets as well as the warm and inviting feeling of the region of Cotswolds, England. Also exemplifying the English countryside in this original impressionist landscape are the thatched rooves, architecture, rugged terraine and locals lingering, all seemingly frozen in time! Legendary artist John Phillip Osborne, applying many of the principles of the Barbizon school of art painters as well as classic impressionism, was the leading instructor of the highly regarded Ridgewood Art Institute of New Jersey for more than thirty four years. Osborne taught a generation of his students to go beyond the obvious in portraying their subject matter in a composition striving to capture the genuine overall feeling of the moment. He had graduated with honors from Pratt Institute of NYC and then continued his studies at the Art Students League, also of NYC. Original Osborne oil paintings...

Known for it's timeless charm, the quaint Cotswolds of England conjure up visions of King Arthur and Robin Hood! This original impressionist landscape of a classic street in the Cotswolds exemplifies the warm and inviting feeling of that region of England, resplendent with aging shrubs, mellowed stone, locals lingering over conversation or hugging the building as traffic rumbles by on the narrow roadways. The artist, legendary artist John Phillip Osborne...

You can hear and feel the blues and jazz permeating throughout the club, exploding with mood and emotion. The artists interactions are both well practiced and free from constraints....

Wonderful impressionist painting. Full of light, color, and movement. "The Flamenco Dancer by J. Charles Arter ( American 1860-1923). Oil on canvas. Signed upper left. Circa 1900. Unframed. Born in Hanoverton, Ohio, Charles Arter studied in Cincinnati and Paris at the Academie Julian. He had studios in Venice, London and New York and painted portraits of many famous personages including Pope Pius X...

Bold portrait of an introspective circus clown. Rich colors. Detailed circus background. Oil on masonite. Signed Klotz. Dated 1950. Unfarmed. american Emmett Kelly...

Bohemian woman Budapest, Hungary 1925 by Bertha De Hellebranth. Fabulous period painting brings to life the bohemian intelligentsia of Europe in the 1920's. I believe the painting is of the artists sister Elena Maria De Hellebranth. Both sisters were accomplished artist and worked and exhibited together. See the photo of the sisters Elena on the left and Bertha on the right. Oil on canvas. In a period frame. Signed lower right. Inscribed on reverse. Provenance: label from Newman Galleries Philadelphia. BIOGRAPHY ; Bertha de Hellebranth and her sister Elena were born into a cultured upper-class family in Budapest, Bertha in 1899, Elena in 1897. Their father was a lawyer and their mother a student of Franz Liszt's last living pupil. Both sisters showed artistic potential early, beginning to paint at four or five years of age. Their parents encouraged them, and had the means to send them to the best art schools of the time. They studied at the Academy of Fine Art in Budapest, at the Académie Julian and the Académie de la Grande Chaumière in Paris, and painted portraits of European nobility. As Patricia Fazekas points out, "Growing up in a family of privilege, they seemed to have unusual access to many illustrious people." So we should not be surprised to find among their subjects members of high society, such as Count Andrássy Gyula, the Russian-born Princess Baby Galitzine, and Admiral Horthy Miklós, the Regent. Later on, their subjects included American heiress Gladys Vanderbilt (Countess László Széchenyi), President Theodore Roosevelt's granddaughter Paulina Longworth and former President Dwight D. Eisenhower.Often, the sisters would paint the same subject at the same time, offering the sitter a choice of portraits. Most often, the sitter wanted both renditions.While Elena concentrated on working in oil and watercolor, Bertha used gouache and oil to achieve her effects. Elena gave lectures and workshops, was a writer and also wrote popular and ecclesiastical music, while Bertha also went in for sculpture and handicrafts.From the mid-thirties until World War II, Bertha and Elena divided their time between their home in Budapest and a home on the ocean at Ventnor, NJ. In 1925, they showed their work at the Nemzeti Szalon in Budapest, and in 1926, they had a joint exhibition of their portraits in the US. Both exhibited their work at the Art Institute of Chicago, the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts and most major museums and galleries in the US. Bertha also had exhibits at the Metropolitan Museum of Art. Both Bertha and Elena were Fellows of the Royal Society of Art (London), and garnered numerous prizes. Bertha was awarded First Prize by the National Academy of the American Water Color Society one year, and the Grand Prize of the Audubon Society. She was one of the founders of the now defunct World League of Hungarian Artists Abroad (Külföldi Magyar Képz?m?vészek Világszövetsége), and received a Gold Medal from the Cleveland Árpád Akadémia in 1963. (Elena also received the Akadémia's gold medal in 1965.) Their work is found in museums and galleries too numerous to mention.The de Hellebranth sisters were devout Catholics, and this is evident in their many portraits of clerics...

Fashionably dressed African American mother and child by Peggy Dodds (1900-1987). Large oil on canvas. Circa 1940's. Unframed. please, contact us for shipping options. Presented by Joseph Dasta Antiques Peggy Dodds lived in a home in the 1940's in Paterson, New Jersey...

MALCHIK Evgeni Samsonov was born in 1926 in the city of Irkutsk, Siberia. Samsonov worked in the genre of “theme” painting and was a leading Social Realist, recognized for his superb painterly handling of anatomy. He made his artistic debut in 1951 and until his passing in 1988, participated in more than forty monumental art exhibitions in Russia and abroad. Evgeni Samsonov’s paintings can be seen at the museums of Russia. The artist’s works are included in private collections in Japan, France, Italy, England, Germany and Sweden. Since 1995, the Pushkin Gallery...

Louise Abbéma 1853–1927 Louise Abbéma (30 October 1853[1] – 10 July 1927) was a French painter, sculptor, and designer of the Belle Époque. Abbéma was born in Étampes, Essonne Born into a wealthy aristocratic Parisian family with close ties to the city’s artistic community, She began painting in her early teens, and studied under such notables of the period as Charles Joshua Chaplin, Jean-Jacques Henner and Carolus-Duran. Portraits of actors and actresses at the Comédie Française dominated her early works until she made a name for herself at the Salon of 1876 with her portrayal of the “Divine Sarah.” Abbéma ultimately executed multiple portraits and received recognition for her work at age 23 a bronze medallion of Sarah Bernhardt, with whom she was a close friend and possibly lover. Like most women artists of the time, Abbéma focused mainly on portraiture and genre scenes (images of everyday life). Her high-society portraits executed with a light touch and rapid brushstrokes reveal the academic and Impressionist influences that shaped her style. Her sitters included French diplomats and other notable members of society. Abbéma developed a variety of techniques using oil paints, pastel, and watercolor, and worked on various supports, including fans. Abbéma received commissions for panels and murals which adorned the Paris Town Hall, the Paris Opera House, numerous theatres including the Theatre Sarah Bernhardt, and the "Palace of the Colonial Governor" at Dakar, Senegal. Abbéma solidified her international reputation after exhibiting works, including two wall murals (on canvas), at the Women’s Building at the 1893 World’s Columbian Exposition in Chicago. A bust of Sarah Bernhardt sculpted by Abbéma was also exhibited at the exposition. Abbéma specialized in oil portraits and watercolors, and many of her works showed the influence from Chinese and Japanese painters, as well as contemporary masters such as Édouard Manet. She frequently depicted flowers in her works. Among her best-known works are The Seasons, April Morning, Place de la Concorde, Among the Flowers, Winter, and portraits of actress Jeanne Samary, Emperor Dom Pedro...