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Fine 18th Century British Old Master Oil The Young Shepherdess with Lamb

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Huge 17th Century Italian Old Master painting The Return of the Ark of Covenant
Located in Cirencester, Gloucestershire
Late 17th Century Italian School. The Return of the Ark on the Covenant, Oil on Canvas, in a Fine 17th Century Italian Frame, canvas: 40.25" x 49.75" (102.3 x 126cm) Fine quality and rare 17th century Italian Old Master...
Category

17th Century Old Masters Figurative Paintings

Materials

Canvas, Oil

Military Encampment Soldiers on Horseback Dusk Landscape 1700's Oil Painting
Located in Cirencester, Gloucestershire
The Military Encampment Circle of Carel van Falens (1683-1733, Flemish) oil on canvas, unframed canvas: 8 x 10.5 inches provenance: private collection, UK condition: very good and so...
Category

Early 18th Century Old Masters Figurative Paintings

Materials

Oil, Canvas

Romantic Light 18th Century Dutch Oil Pastoral Scene Bergers Cattle by River
Located in Cirencester, Gloucestershire
Pastoral Landscape Dutch painter, 18th century oil on canvas, framed in antique frame framed: 22 x 25 inches canvas: 18.5 x 22 inches Provenance: Private collection, France Condition...
Category

18th Century Old Masters Figurative Paintings

Materials

Oil

17th Century Flemish Old Master Oil on Panel Cavalry Skirmish Soldiers & Horses
Located in Cirencester, Gloucestershire
The Cavalry Skirmish Flemish School, mid 17th century circle of Lambert de Hondt (Flemish, 1620-1665) oil on panel, framed Framed: 21 x 27 inches Board: 16 x 22 inches Provenance: private collection, France Condition: very good condition, with old repairs and thinning in places. This painting, attributed to the circle of Lambert de Hondt (Flemish, 17th century), depicts an intense battle scene, typical of Flemish military compositions of the time. Lambert de Hondt was known for his battle scenes, landscapes, and hunting scenes, often filled with dynamic action and fine detail, and this work clearly reflects his influence. The artwork portrays a cavalry skirmish with soldiers in traditional 17th-century military dress, including red tunics...
Category

Mid-17th Century Old Masters Animal Paintings

Materials

Oil

Large 17th Century Dutch Old Master Oil Painting Figures Animals Landscape
Located in Cirencester, Gloucestershire
Follower of Dirck van Berghen (Dutch School, 17th Century) Pastoral Landscape with a Shepherdess and Livestock Oil on canvas, framed in a French Empire period gilt frame canvas dimen...
Category

17th Century Old Masters Figurative Paintings

Materials

Oil

Early 1800's English Oil Painting The Country Stable Groom Horse & Figures
Located in Cirencester, Gloucestershire
Artist/ School: Englsh School, early 19th century, circle of George Morland Title: The Country Stable Medium: oil on canvas, framed actual canvas size: 25. x 30 inches framed: 34....
Category

Early 19th Century Victorian Figurative Paintings

Materials

Oil

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The Inappetent Owl - Grotesque Scene with Owl and Swan - Late 17th Century
Located in Roma, IT
Two masterpieces by the Master of the Fertility of the Egg, nearly impossible to find in homogeneous pairs on the private market, both in terms of style and dimensions. They represen...
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18th century Dutch, with figures goats and sheep outside in a barn yard or farm
Located in Woodbury, CT
Unknown Artist (Dutch School, late 18th century) Pastoral Scene with Goatherds, ca. 1780–1800 Oil on canvas In this lively pastoral composition, a group of figures reclines in rusti...
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Study of a dog
Located in Amsterdam, NL
Study of a dog Oil on paper laid down on panel, 17.5 x 25.5 cm Provenance Private collection, the Netherlands Note: We are grateful to Mr Fred Meijer for his attribution to Ludolf de Jongh Ludolf de Jongh was the son of a shoemaker. When his father moved to Rotterdam, the young Ludolf decided to learn art rather than shoemaking and became a pupil of Cornelis Saftleven. Later he studied under Anthony Palamedes in Delft and still later with Jan van Bijlert in Utrecht. In 1635 he travelled to France with Francis Bacon. Seven years later, in 1642, he returned to the Netherlands when he heard that his mother had fallen ill. He set up a shop in Rotterdam, and his earliest signed paintings date from that year. According to Houbraken, his travels had caused him to speak French so fluently, that his parents had to learn French in order to speak with him. De Jongh’s work shows a strong influence from the Utrecht school of Caravaggio admirers, especially Jacob Duck...
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Study of a dog
Price Upon Request
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17th century Italian Horse Battle scene between Crusaders and their enemy
By Jacques Courtois
Located in Woodbury, CT
Fine huge 17th Century Italian/French Old Master Battle Scene of the Crusades, oil on canvas. Grand scale extensive landscape view of a battle from the 1670-80 period, with cavalry f...
Category

Late 17th Century Old Masters Figurative Paintings

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19th Century Landscape Oil Painting - Deer by the Banks of a Lake
By Jacob Thompson
Located in London, GB
Jacob THOMPSON (1806 – 1879) Deer by the Banks of a Lake 1842 oil on canvas 18.9 x 27.6 inches; 22.5 x 31 inches Inc. frame Jacob Thompson (1806–1879) was an English landscape-pa...
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1840s Old Masters Figurative Paintings

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18th Oil Painting Horses Feeding at the Stables
By James Seymour
Located in London, GB
James Seymour (1702–1752) Feeding Time in the Stables Oil on canvas 32 x 38 inches inc. frame Provenance: Private Collection, Lambourn James Seymour (1702–1752) was an English painter, widely recognized for his equestrian art. Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period. Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset...
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