Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Judith Berry
Crowd with Straw Ramparts (Triptych)

2023

About the Item

The artist thinks of their paintings primarily as landscapes. Lately, these landscapes have taken on a more manufactured feel rather than organic. At first glance, the subjects may appear to be monumental forms like prairies and mountains, but upon closer inspection, they could actually be smaller, more manageable things like objects on a blanket or figures on a rug. The subjects have a tactile quality and their scale is ambiguous. The paintings are arranged in a shallow, semi-aerial perspective, and the forms within them are often depicted in three dimensions. Each artwork incorporates an element of illusion, similar to what we see in traditional paintings. However, upon closer examination, the forms depicted seem to be made up of nothing other than paint itself or possibly a related material like modeling clay. These are abstract compositions that have risen slightly above the two-dimensional plane in order to represent a variety of things. Even though the artist considers these paintings to be landscapes, they rarely consist of objects that resemble grass, trees, or water. The ground of the painting is simply paint that twists and transforms, taking on the appearance of buildings, targets, ropes, sticks, worms, cones, clouds, bubbles, and areas of flat color. The ground is an unreliable element caught in the act of self-transformation. There is a sense of movement in the paintings that challenges the weight and solidity of the objects depicted. These works use the language of abstract painting to question the nature of representation.
  • Creator:
    Judith Berry (1961, Canadian)
  • Creation Year:
    2023
  • Dimensions:
    Height: 12 in (30.48 cm)Width: 108 in (274.32 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Montreal, CA
  • Reference Number:
    1stDibs: LU47612648122
More From This SellerView All
  • Random Stone of Oblivion
    By Adam Gunn
    Located in Montreal, Quebec
    I made these paintings in response to a prediction for a change in the colour of the sky and oceans as a consequence of man-made climate change. This idea described by Peter Ward in his book Under a Pale Green Sky is based on his study of the great mass extinction events of the past. For many of these extinction events the earth’s chemistry changed the sky to green and the oceans purple. My personal memories are often tied to colour – my first recollection is of an orange cup being handed to me, and I can vividly remember the very first time I was able to wield colour with a red crayon. As a painter, I acutely feel the significance of this change in colour of the world’s landscapes...
    Category

    2010s Contemporary Figurative Paintings

    Materials

    Oil, Wood Panel

  • A Place Where Nothing Ever Happens
    By Adam Gunn
    Located in Montreal, Quebec
    Adam Gunn’s painting practice began with a desire to subvert the traditional still life genre, creating an absurd experience that would evoke a sense of uncertainty in the viewer. In...
    Category

    2010s Contemporary Figurative Paintings

    Materials

    Oil, Wood Panel

  • Au Revoir
    By Adam Gunn
    Located in Montreal, Quebec
    I made these paintings in response to a prediction for a change in the colour of the sky and oceans as a consequence of man-made climate change. This idea described by Peter Ward in his book Under a Pale Green Sky is based on his study of the great mass extinction events of the past. For many of these extinction events the earth’s chemistry changed the sky to green and the oceans purple. My personal memories are often tied to colour – my first recollection is of an orange cup...
    Category

    2010s Contemporary Figurative Paintings

    Materials

    Oil, Wood Panel

  • Great Expectations
    By Adam Gunn
    Located in Montreal, Quebec
    I made these paintings in response to a prediction for a change in the colour of the sky and oceans as a consequence of man-made climate change. This idea described by Peter Ward in his book Under a Pale Green Sky is based on his study of the great mass extinction events of the past. For many of these extinction events the earth’s chemistry changed the sky to green and the oceans purple. My personal memories are often tied to colour – my first recollection is of an orange cup being handed to me, and I can vividly remember the very first time I was able to wield colour with a red crayon. As a painter, I acutely feel the significance of this change in colour of the world’s landscapes...
    Category

    2010s Contemporary Figurative Paintings

    Materials

    Oil, Wood Panel

  • The Altar
    By Adam Gunn
    Located in Montreal, Quebec
    Adam Gunn’s painting practice began with a desire to subvert the traditional still life genre, creating an absurd experience that would evoke a sense of uncertainty in the viewer. In...
    Category

    2010s Contemporary Figurative Paintings

    Materials

    Oil, Wood Panel

  • Overview
    By Adam Gunn
    Located in Montreal, Quebec
    I made these paintings in response to a prediction for a change in the colour of the sky and oceans as a consequence of man-made climate change. This idea described by Peter Ward in his book Under a Pale Green Sky is based on his study of the great mass extinction events of the past. For many of these extinction events the earth’s chemistry changed the sky to green and the oceans purple. My personal memories are often tied to colour – my first recollection is of an orange cup...
    Category

    2010s Contemporary Figurative Paintings

    Materials

    Oil, Wood Panel

You May Also Like

Recently Viewed

View All