Estelle Getty

Carlo Pittore was born on May 14, 1943, at Queens. Carlo Pittore was an internationally renowned artist and community activist who lived and worked in New York City, Italy and Maine. Over the course of his 30-year career as a painter, Pittore created a prodigious body of portraits and nudes, contributing a unique vision to the American figurative tradition. Pittore was trained at the School of the Museum of Fine Arts in Boston from 1963–66 and subsequently studied at the Maine College of Art in Portland and the Chelsea College of Arts in London. The artist, née Charles Stanley, changed his name to Carlo Pittore meaning ‘Charles the Painter’ while residing in Italy in the early 1970s, where he practiced figurative art in Monticello and at the Accademia di Belle Arte in Rome. As a recipient of the 1977–78 Max Beckmann Scholarship, Pittore continued his studies under the tutelage of American modernist Joan Semmel at the Brooklyn Museum Art School in New York. Following this, he worked for two years as an artist and teacher at the New York Cultural Foundation. In 1987, he established The Academy of Carlo Pittore in Bowdoinham in Maine, where his passion for painting and teaching inspired dozens of emerging artists. He was awarded an honorary Doctorate of fine arts by the Maine College of Art in 2005. He died on July 17, 2005.

A resurgence of interest in Expressionism, Pop art, Surrealism, Abstract Expressionism and other movements gained steam among artists of the 1970s and ’80s, in part as a reaction to the austerity of the prevailing minimalism and Conceptual art of the era. A decadent, bold and brash art style called Neo-Expressionism saw painters returning to figural representation, creating highly textured works that were imbued with intensely personal narratives.

Neo-Expressionist paintings are sensuous in nature and highly subjective in meaning. Expressive brushwork, highly pigmented colors and layered forms and materials lent sculptural attributes to the work and were used to depict symbolic narratives from history, mythology and the artist’s personal experience. 

Prominent figures such as Jean-Michel Basquiat led the Neo-Expressionist movement in the United States with paintings and prints that were raw, emotional and often violent in nature. In Germany, Die Neuen Wilden (the “New Fauves”) was the name given to a group of postwar artists that included the likes of sculptor Georg Baselitz and Gerhard Richter, a painter and photographer who explored the possibilities of both abstraction and realism, sometimes in a single piece. The work of the New Fauves — labeled as such for its return to Fauvism’s textured brushwork and use of vibrant colors — shares commonalities with Neo-Expressionism, and Baselitz was a pioneer of the movement in Europe. In addition, Willem de Kooning’s pulsating action paintings and Julian Schnabel’s experimentation with the materiality of paintings also took shape during this period.

“I was trying to make paintings different from the paintings that I saw a lot of at the time, which were mostly minimal, and they were highbrow and alienating, and I wanted to make very direct paintings that most people would feel the emotion behind when they saw them,” said Basquiat. 

Neo-Expressionism generated some polarizing opinions, with some celebrating the revival of personal subjectivity in art while others criticizing the movement for being too commercially driven and nostalgic. But most experts agree that Neo-Expressionism was a huge commercial success and culturally impactful, paving the way for the postmodern work of artists like Richter and Sigmar Polke. 

Find original Neo-Expressionist paintings, prints, mixed-media works and other art on 1stDibs.

Figurative art, as opposed to abstract art, retains features from the observable world in its representational depictions of subject matter. Most commonly, figurative paintings reference and explore the human body, but they can also include landscapes, architecture, plants and animals — all portrayed with realism.

While the oldest figurative art dates back tens of thousands of years to cave wall paintings, figurative works made from observation became especially prominent in the early Renaissance. Artists like Michelangelo, Leonardo da Vinci and other Renaissance masters created naturalistic representations of their subjects.

Pablo Picasso is lauded for laying the foundation for modern figurative art in the 1920s. Although abstracted, this work held a strong connection to representing people and other subjects. Other famous figurative artists include Francis Bacon and Lucian Freud. Figurative art in the 20th century would span such diverse genres as Expressionism, Pop art and Surrealism.

Today, a number of figural artists — such as Sedrick Huckaby, Daisy Patton and Eileen Cooper — are making art that uses the human body as its subject.

Because figurative art represents subjects from the real world, natural colors are common in these paintings. A piece of figurative art can be an exciting starting point for setting a tone and creating a color palette in a room.

Browse an extensive collection of figurative paintings on 1stDibs.