Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

Judith Berry
Encounter

2020

$11,000
£8,332.45
€9,613.33
CA$15,423.29
A$17,192.88
CHF 9,049.22
MX$208,425.76
NOK 115,213.57
SEK 107,120.72
DKK 71,751.88

About the Item

The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings and produce larger versions of them. This is to understand when something works, why it works. It is easier to commit to experimentation and innovation on a small scale. Enlarging the pieces forces me to make more blatant versions of my own ideas, and to change them when necessary. This experiment also worked occasionally in reverse, when I painted the centre panel of the Small Ragged Gloves Triptych after finishing the large one. Although I consider them to be landscapes, the paintings also function as portraits and still lives. There are elements from all three of these genres. Recognizing them is a matter of interpretation, and that interpretation rests on an ambiguity of scale. A vegetal form might represent a tree, a plant, a gesture in paint, or a small part of someone’s face. This preoccupation with shifting scale is parallel to the experience of life, in which the tasks of our daily lives may be relatively simple, but they cannot be disentangled from the larger picture of climate crisis, inequality, and disintegrating social structure. The paintings are not a direct social commentary, but they contain a contemplation of the period in which I paint. It is my hope that, when looking at the paintings, the viewer retains a sense of both scales, of our intimate lives against the macrocosm of our times.
  • Creator:
    Judith Berry (1961, Canadian)
  • Creation Year:
    2020
  • Dimensions:
    Height: 84 in (213.36 cm)Width: 60 in (152.4 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Montreal, CA
  • Reference Number:
    1stDibs: LU47610910622

More From This Seller

View All
Encounter
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Figurative Paintings

Materials

Canvas, Oil

The Other
By Judith Berry
Located in Montreal, Quebec
The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...
Category

2010s Abstract Figurative Paintings

Materials

Canvas, Oil

Small Other
By Judith Berry
Located in Montreal, Quebec
The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...
Category

2010s Abstract Figurative Paintings

Materials

Oil, Wood Panel

Mesmerized
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Figurative Paintings

Materials

Oil, Wood Panel

It’s Really Very Easy
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Figurative Paintings

Materials

Oil, Wood Panel

Some Thoughts
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Figurative Paintings

Materials

Oil, Wood Panel

You May Also Like

No Title
By Anita Kapraljevic
Located in New York, NY
Anita Kapraljevic No TItle 2010 Oil on canvas 150 x 119 cm signed, titled and dated on verso Anita Kapraljevic is born in Mostar and lives in Berlin. She studied in Nürtingen Univer...
Category

2010s Contemporary Figurative Paintings

Materials

Canvas, Oil

Pom
By Melinda Hackett
Located in New Orleans, LA
Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer Sonia Delaunay and Hilma af Klimt...
Category

2010s Abstract Abstract Paintings

Materials

Oil, Archival Paper

Pom
Price Upon Request
Touched
By Andy Golub
Located in Santa Monica, CA
Acrylic on canvas.
Category

2010s Surrealist Abstract Paintings

Materials

Canvas, Acrylic

Touched
Price Upon Request
HARBINGER
By Jim Waid
Located in Phoenix, AZ
b. 1942, Elgin, OK Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. His canvases barely contain ...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Acrylic

Cool
By Melinda Hackett
Located in New Orleans, LA
Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer...
Category

2010s Abstract Abstract Paintings

Materials

Oil, Archival Paper

Cool
Price Upon Request
Enigma
By Valerie Beller
Located in Three Oaks, MI
Valerie Beller’s abstract paintings encourage visual exploration. Organic forms are both revealed and concealed amidst layers of paint. The streaked and stained surfaces of the canva...
Category

Early 2000s Abstract Abstract Paintings

Materials

Canvas, Oil

Enigma
$6,400 Sale Price
20% Off