Items Similar to Jules Rene HERVE, Maternity, Oil on Panel, 1935-1940
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Jules René HervéJules Rene HERVE, Maternity, Oil on Panel, 1935-19401935-1940
1935-1940
About the Item
Oil on panel by Jules René HERVE, France, 1935-1940. "Maternity". Panel mounted on chassis. with frame: 39,5x34.2x5 cm - 15.6x13.4x2 inches - without frame: 27x22 cm - 10.6x8.7 inches. Signed lower left "Jules R Hervé". Countersigned on the back of the panel. In its period Montparnasse frame.Post-impressionist scene of a woman carrying her newborn surrounded by amazed woman and child. Perhaps a scene around the baptism. The impressionist touch brings all the poetry that suits the situation perfectly.
Jules René Hervé (1887-1981) is a French impressionist painter. He is best known for his paintings depicting scenes of Parisian life bathed in light.
Born in 1887 in Langres, Jules René Hervé began his artistic studies in an evening school in his hometown. For as long as he can remember, Jules René Hervé has always wanted to become a talented artist in order to be able to express through color the beauty of everything he sees.
In Paris, he continued his artistic studies at the School of Decorative Arts then at the School of Fine Arts. He exhibited his works for the first time at the Salon des Artistes Français in 1910. He was one of the most important members of this group. From 1911 to 1943, he taught painting to several generations of young artists. In 1914, he received a first silver medal from the Association of French Artists.
He is the very type of artist who works alone, indifferent to fashions and external trends. He continues to deepen the technical secrets of his art, and after 50 years of artistic experience, he manages to perfectly master the science of this art which absorbs him.
Jules René Hervé was both a painter of everyday life: his paintings represent characters going about their daily activities, and a painter of Parisian scenes. He performs his scenes with great sensitivity, putting all his heart into his work. All his artistic sensitivity was ensured by incredible strokes of light and color. Paris seen by Hervé was a poetic city, full of light. However, he did not paint an ideal Paris but the real city. His private life, his feelings and his character also influence his painting.
Not only was Hervé a painter of great talent, but he represented the purest tradition of French art. He painted like the great impressionists of yesteryear and played with his colors like a musician on his musical instrument. In each of his works, he achieves a marvelous harmony of colors and light. His paintings are today kept in numerous museums in France, at the Petit Palais in Paris, Langres, Dijon, Saint-Etienne, Tourcoing, Annecy and abroad, at the Chicago Museum and in Casablanca.
His paintings are today sought after by many amateurs in France and abroad where he met with great success during his lifetime. Everyone is seduced by its light and its colors as well as its charming Parisian scenes.
- Creator:Jules René Hervé (1887-1981, French)
- Creation Year:1935-1940
- Dimensions:Height: 13.47 in (34.2 cm)Width: 15.56 in (39.5 cm)Depth: 1.97 in (5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Amans des cots, FR
- Reference Number:1stDibs: LU1088213053222
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2018
34 sales on 1stDibs
- ShippingRetrieving quote...Ships From: Saint Amans des cots, France
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- Roger Halbique, Oil on Canvas, Still Life with Roses, 1950sLocated in Saint Amans des cots, FROil on canvas by Roger Charles Halbique (1900-1977), France, 1950s. Still Life With Roses. With frame: 85x98 cm - without frame: 60x73cm. 20F format. Signed lower left "R. Halbique"....Category
1950s Post-Impressionist Still-life Paintings
MaterialsCanvas, Oil
- Oil on Canvas by Jallais, Boats in Port, 1960sLocated in Saint Amans des cots, FROil on canvas by Jallais, France, 1960s. Boats in port. In its pretty dark brown wooden frame. With frame: 68x58 cm - 26.8x22.8 inches, without frame: 61x50 cm - 24x19.7 inches. 12F ...Category
1960s Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- Henri-André Martin, Les Baux de Provence, Oil on Canvas, 1961By Henri-André MartinLocated in Saint Amans des cots, FROil on canvas by Henri-André Martin (1918-2004), France, ca.1980s. Les Baux de Provence. With frame: 71x98 cm - 28x38.6 inches. Without frame: 65x92cm - 25.6x36.2 inches. 30P format. Signed lower right "Henri A Martin" (see photo). Located and dated 1961 on the back (see photo). Can be matched to make a pair with another painting by Henri-André Martin that we offer on 1stdibs whose title is "Henri-André Martin Olive Tree Field in the Alpilles, Provence, Oil on Canvas". Born in Lyon in 1918, the child and the adolescent Henri-André Martin spent his youth in Saint-Étienne, his father, Edme Martin, first installed as a practicing doctor in Lyon, having been appointed doctor of the anti-tuberculosis dispensaries of the Loire. During his first years of studying medicine in Lyon, he nevertheless enrolled in the Beaux-Arts. Appointed hospital intern upon his return from captivity in 1942, he ended his medical career as director of the otolaryngology university clinic at Édouard-Herriot hospital. But painting was his passion. Painting was for Henri-André Martin the way of expressing his feelings. By nature very reserved and of an extreme modesty that many took for coldness, it was what allowed him to express his strong artistic sensitivity and, his pictorial periods are as many reflects of his anxieties, of his hopes, of his joys. At every period of his life, wherever he goes and whenever he has a moment, he paints gouaches, often of small size, but sometimes of larger size. He also paints beaches that have been compared to those of Boudin. Their invoice shows, however, that this figure is only appearance and that in fact, these beaches made of water, sky and sand, readily dispense with the motif, the work of the material seeming to have more importance. as the subject. Despite the fact that until the 1970s he painted "on the ground", his canvases remain far removed from the anecdote. Often harsh like the landscapes of Provence, the Parisian walls which express concern, or the railways, the switch tracks which suggest, in ocher and black, all the embarrassment of choice. We find the same nostalgic gravity in the canvases of the carcasses of boats which, as his friend Louis Pons later wrote, "seem to die of immobility" or in the canvases of Venice, or the landscapes of Eygalières. In the following years, his painting became simpler, more synthetic, such as these landscapes with tortured almond trees, black and gnarled olive trees, plane trees standing out against the ocher sky of the dawn of Provence, in winter. These are also the canvases of Hamburg in the dough becomes heavier, the colors darken, marking all the gravity of the port landscapes. Workshop work gradually takes precedence over motif painting. The pivotal period coincides with that of his work on the olive tree, during which he leads the realization of the "Trunks", a collection of six lithographic plates, of the book L'olivier comprising many lithographs and serigraphs, but also texts. poetic and numerous paintings. He then became passionate about everything related to the olive tree (literature, painting, traditions, history), but also to the tree itself, its thousand-year-old history, its poetry, its symbols, but also its culture, its size. oil production...Category
1960s Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- Henri-André Martin Road in Eygalieres, Alpilles, Provence, Oil on Canvas, 1999By Henri-André MartinLocated in Saint Amans des cots, FROil on canvas by Henri-André Martin (1918-2004), France, 1999. Road in Eygalieres, Alpilles, Provence. With frame: 52x67 cm - 20.5x26.4 inches. Without frame: 46x61cm - 18.1x24 inches. Format 12P. Signed and dated lower left "Henri-André Martin 99" (see photo). Located on the back (see photo). Can be matched to make a pair with another painting by Henri-André Martin that we offer on 1stdibs whose title is "Henri-André Martin Road in the Alpilles, Provence, Oil on Canvas, 1980s". Born in Lyon in 1918, the child and the adolescent Henri-André Martin spent his youth in Saint-Étienne, his father, Edme Martin, first installed as a practicing doctor in Lyon, having been appointed doctor of the anti-tuberculosis dispensaries of the Loire. During his first years of studying medicine in Lyon, he nevertheless enrolled in the Beaux-Arts. Appointed hospital intern upon his return from captivity in 1942, he ended his medical career as director of the otolaryngology university clinic at Édouard-Herriot hospital. But painting was his passion. Painting was for Henri-André Martin the way of expressing his feelings. By nature very reserved and of an extreme modesty that many took for coldness, it was what allowed him to express his strong artistic sensitivity and, his pictorial periods are as many reflects of his anxieties, of his hopes, of his joys. At every period of his life, wherever he goes and whenever he has a moment, he paints gouaches, often of small size, but sometimes of larger size. He also paints beaches that have been compared to those of Boudin. Their invoice shows, however, that this figure is only appearance and that in fact, these beaches made of water, sky and sand, readily dispense with the motif, the work of the material seeming to have more importance. as the subject. Despite the fact that until the 1970s he painted "on the ground", his canvases remain far removed from the anecdote. Often harsh like the landscapes of Provence, the Parisian walls which express concern, or the railways, the switch tracks which suggest, in ocher and black, all the embarrassment of choice. We find the same nostalgic gravity in the canvases of the carcasses of boats which, as his friend Louis Pons later wrote, "seem to die of immobility" or in the canvases of Venice, or the landscapes of Eygalières. In the following years, his painting became simpler, more synthetic, such as these landscapes with tortured almond trees, black and gnarled olive trees, plane trees standing out against the ocher sky of the dawn of Provence, in winter. These are also the canvases of Hamburg in the dough becomes heavier, the colors darken, marking all the gravity of the port landscapes. Workshop work gradually takes precedence over motif painting. The pivotal period coincides with that of his work on the olive tree, during which he leads the realization of the "Trunks", a collection of six lithographic plates, of the book L'olivier comprising many lithographs and serigraphs, but also texts. poetic and numerous paintings. He then became passionate about everything related to the olive tree (literature, painting, traditions, history), but also to the tree itself, its thousand-year-old history, its poetry, its symbols, but also its culture, its size. oil production...Category
1990s Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- Fernande Horovitz-Edwards, Bathers, Large Oil on Canvas, 1930sLocated in Saint Amans des cots, FRLarge oil on canvas by Fernande Horovitz-Edwards, France, 1930s. "Bathers". With frame: 117,5x90x4 cm - 46.3x35.4x1.6 inches. Without frame: 114x87 cm - 44.9x34.25 inches. Signed low...Category
1930s Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- The Italian, Oil on Canvas, 1924By Charles Picart le DouxLocated in Saint Amans des cots, FROil on canvas by Charles PICART LE DOUX (1881-1959), France, 1924. The Italian. Very beautiful work where post-impressionism embellished with a few cubist touches form a harmonious w...Category
1920s Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
You May Also Like
- Dimanche - Post Impressionist Figurative Interior Oil Painting Paul Elie GernezBy Paul-Élie GernezLocated in Marlow, BuckinghamshirePost impressionist signed and dated oil on paper laid on panel by French painter Paul Elie Gernez. The work depicts a woman wearing a black dress with...Category
1920s Post-Impressionist Figurative Paintings
MaterialsLaid Paper, Paper, Oil, Panel
- "Young Boy with Toy Airplane" Post-Impressionist French Oil Painting on CanvasBy Jacques ZuckerLocated in New York, NYThis painting depicts a whimsical portrait of a young boy with light brown hair against a viridian green background. The piece is done in a highly impressionistic manner and is a won...Category
20th Century Post-Impressionist Figurative Paintings
MaterialsOil, Wood Panel, Canvas
- "Interior Scene with Figure and Flowers" Post-Impressionist Oil Painting FramedBy Jacques ZuckerLocated in New York, NYAn intimate interior scene of a woman reclining in her living room with a bouquet of flowers on a sunny afternoon. We are charmed by the rich choice of color and intimate details thr...Category
20th Century Post-Impressionist Interior Paintings
MaterialsPanel, Oil
- "Interior Scene with Figure and Mantel" Post-Impressionism Oil Painting on PanelBy Jacques ZuckerLocated in New York, NYA cozy little jewel, we are charmed by the rich choice of color and intimate details throughout this miniature work. This painting depicts a woman in her bedroom near the Mantel with...Category
20th Century Post-Impressionist Interior Paintings
MaterialsPanel, Oil
- "Laying Figure Reading" Post-Impressionist Colorful Oil Painting on Panel FramedBy Jacques ZuckerLocated in New York, NYThis painting depicts a whimsical scene of a figure reclining and reading. The figure is done in a quick way, where the scene almost is abstracted. The bright colors and quick brush ...Category
20th Century Post-Impressionist Figurative Paintings
MaterialsOil, Panel
- Museum Piece #2 Art Lover in Museum ExhibitionBy Arnold FriedmanLocated in Miami, FLArnold Friedman studied with Robert Henri and Kenneth Hayes Miller at the Art Students League in 1905 . Yet as he developed his style he abandoned the academic influence of his teacher. He started experimenting with materials and techniques. Friedmans intimate style recalls a variety of post-impressionist artists such as Pointillism of Pisarro, Vuillard and Nabis, and perhaps even Seurat. His thick application of paint has definitive textual impasto that was influenced by his trip to Paris in 1909. In "Museum Piece...Category
1920s Post-Impressionist Figurative Paintings
MaterialsWood Panel, Oil