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Julia Heijligers
The Three Gatekeepers

2022

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The Solemn Morris Dancer
By Yosl Bergner
Located in London, GB
Oil on board Image size: 5 3/4 x 7 inches (14.5 x 17.75 cm) As can be seen in this painting, Surrealism served as a source of inspiration for Bergner, though he did not consider himself a surrealist but a lover of stories, and indeed narrative elements appear frequently in his work. He uses the “displacement” element, as the Surrealists did, and that is detaching the figures, objects or landscapes from the logical context and into a poetical-magical climate. Nissim Aloni noted in 1983 He paints as though to install stabilizers against the turbulence of the dream, and perhaps these stabilizers serve him in time as a touchstone'. The Artist Yosl Bergner was born in Vienna, Austria, in 1920 and grew up in Warsaw, Poland. With rampant anti-Semitism in Europe, the Freeland League for Jewish Territorial Colonization was formed in the United States in July 1935, to search for a potential Jewish homeland. Soon afterwards a pastoral firm in Australia offered the League about 16,500 square kilometres (6,400 sq mi) in the Kimberleys, stretching from the north of Western Australia into the Northern Territory. As history showed, the plans went nowhere. But for a time, the Australian idea was at least worth considering. Bergner's father, Melech Ravitch, became involved in a serious investigation of the Kimberley Plan. In this way the Bergner family moved to Australia. Yosl emigrated to Australia in 1937 and studied in the National Gallery School in Melbourne. During World War II he served for four and a half years in the Australian Army, and later continued his studies at the Art School. In Melbourne from 1937–48, Bergner befriended many of the local artists who now epitomize modern Australian art: Sidney Nolan, Albert Tucker...
Category

Mid-20th Century Surrealist Figurative Paintings

Materials

Oil, Board

Reflections, American 20th Century Oil Painting
By Philip Campbell Curtis
Located in London, GB
Philip Campbell Curtis American 1907 - 2000 Reflections Oil on board, signed and dated 1960 Image size: 12 ½ x 5 ½ inches Original frame
Category

1960s Surrealist Figurative Paintings

Materials

Oil

Leda and the Swan, 20th Century Art Deco Signed Oil
By Arthur Moody
Located in London, GB
Arthur Moody Flourished 1920 - 1940 Leda and the Swan Oil on board Signed lower left and dated 1925 Image size: 15 × 8 inches (33.5 x 54 cm) Gilt frame
Category

20th Century Art Deco Figurative Paintings

Materials

Oil, Board

The Dance, 20th Century Oil Painting
By Francis Plummer
Located in London, GB
Oil on board Image size: 30 ¼ x 23 ½ inches Gilt frame Plummer specialised in the medium of egg tempera, a technique little used since the frescos of the Renaissance, he often work...
Category

Mid-20th Century English School Figurative Paintings

Materials

Oil, Board

Soldier in an Interior, Early 17th Century Dutch Oil
Located in London, GB
Pieter Symonsz Potter Dutch 1600 - 1652 Soldier in an Interior Oil on oak panel, red seal to reverse Image size: 15 x 10 3/4 inches Dutch Ebonised frame Bathed in a well lit roo...
Category

Early 17th Century Old Masters Portrait Paintings

Materials

Oil, Board

Three Ages of Man, 20th Century Oil on Board Figurative Painting
Located in London, GB
Oil on board Image size: 16 3/4 x 10 1/4 inches (42.5 x 26 cm) This work depicts the three stages of life: infancy, adulthood and old age.
Category

20th Century Modern Figurative Paintings

Materials

Oil, Board

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'Story Time', Paris, Salon d'Automne, New York, ASL, Corcoran, PAFA, Art Deco
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Signed lower left 'Nura' for Nura Woodson Ulreich (American, 1899–1950). Additionally signed, verso, dated March 1928 with artist's New York City ...
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Antoni Pitxot Battle of Constantine oil on board painting surrealist art
By Antoni Pitxot
Located in Barcelona, Barcelona
Title: Battle of Constantine Artist: Antoni Pitxot i Soler (1934–2015) Technique: Oil on board Dimensions (unframed): 9 x 12.6 in Dimensions (framed): 17.3 x 20.9 in Signature: Signed in the lower right corner Period: Second half of the 20th century Provenance: Galeria d’Art Àmbit, Barcelona Description Battle of Constantine is a symbolic and fragmented composition that showcases the dreamlike world so characteristic of Antoni Pitxot. Through an array of rock-like, anthropomorphic forms, the artist constructs a mythical and dramatic landscape that suggests an epic confrontation. The vivid pink sky and tactile textures reinforce the visual tension, evoking ruins, bodies, and reliefs that seem to emerge directly from the earth. In this piece, Pitxot applies his meticulous technique and unmistakable visual language, where ambiguity is a tool for the viewer's imagination. The boundary between figure and landscape blurs, creating a poetic vision that feels both ancient and surreal. About the Artist Antoni Pitxot i Soler (1934–2015) was a prominent Catalan painter born in Figueres, Girona, into a family with a long artistic tradition. He spent much of his life in Cadaqués, where he developed a highly personal style centered on compositions of stone-like forms that resemble human and animal figures, blending nature with mythology and memory. Pitxot was a close friend and collaborator of Salvador Dalí. Their artistic connection led to Pitxot playing a key role in the creation of the Dalí Theatre-Museum in Figueres, where he later served as the museum's lifelong director. After Dalí’s death...
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"A View From the Colorado National Monument", Oil Painting by Daniel Sprick
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