Julita Malinowska

Girls Playing - Modern Figurative Oil Painting, Beach View, Realism, Joyful

2011

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with contrasting light, create a landscape in which, like a counterpoint, we come across a figure – sometimes one, perhaps two or more. The synthetic construction of form, clean contours, and strong divisions are elements which at first sight are the defining characteristics of the artist's style. It is impossible to pass one by and remain indifferent to the subdued harmony flooding these spaces which not totally defined. The drawings, however, are somewhat different. Although they contain the same motifs, at times even the same compositions – the value strategems employed by Julita create a sense of foreboding in a world already balancing on the edge. The painterly and graphic form constructed by the artist is itself thought- provoking . The heightened tones, the light which at times goes off the scale and the almost classic contours lead us to look at Malinowska's work through the prism of classicism and the great art theories of the 17th century. Such references are quite rare in the painting of today and beyond – in art. The search for a language allowing the artist to deal with universal issues and fundamental questions in order to understand the sense of not only art, but also life, has not been too popular a phenomenom in art over the last century. The artist has, however, for the last few years quite consciously defined the sphere of her search. It could first be seen in the diploma cycle of paintings, the summary of her years of study. “The role of the painting defined then and the concious selection of formal sources became the starting point for further artistic exploration, which I have been following carefully ever since.” Julita Malinowska Born in Otwock in 1979. Studied in the Art Department of the University of Maria Curie-Sklodowska in Lublin from 1999-2000, and then from 2000-2005 in the Painting Department of the Academy of Fine Arts in Cracow. Received a Sokrates/Erasmus scholarship in 2003 for Wolverhampton University in the UK. Graduated (MA degree) from the Painting Department in 2005 with distinction. From 2008 till 2011 was making Doctoral studies (PhD degree) at the Academy of Fine Arts in Cracow. In December 2012 defended PhD degree. In 2005 won Second Prize at The Samsung Art...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with contrasting light, create a landscape in which, like a counterpoint, we come across a figure – sometimes one, perhaps two or more. The synthetic construction of form, clean contours, and strong divisions are elements which at first sight are the defining characteristics of the artist's style. It is impossible to pass one by and remain indifferent to the subdued harmony flooding these spaces which not totally defined. The drawings, however, are somewhat different. Although they contain the same motifs, at times even the same compositions – the value strategems employed by Julita create a sense of foreboding in a world already balancing on the edge. The painterly and graphic form constructed by the artist is itself thought- provoking . The heightened tones, the light which at times goes off the scale and the almost classic contours lead us to look at Malinowska's work through the prism of classicism and the great art theories of the 17th century. Such references are quite rare in the painting of today and beyond – in art. The search for a language allowing the artist to deal with universal issues and fundamental questions in order to understand the sense of not only art, but also life, has not been too popular a phenomenom in art over the last century. The artist has, however, for the last few years quite consciously defined the sphere of her search. It could first be seen in the diploma cycle of paintings, the summary of her years of study. “The role of the painting defined then and the concious selection of formal sources became the starting point for further artistic exploration, which I have been following carefully ever since.” Julita Malinowska Born in Otwock in 1979. Studied in the Art Department of the University of Maria Curie-Sklodowska in Lublin from 1999-2000, and then from 2000-2005 in the Painting Department of the Academy of Fine Arts in Cracow. Received a Sokrates/Erasmus scholarship in 2003 for Wolverhampton University in the UK. Graduated (MA degree) from the Painting Department in 2005 with distinction. From 2008 till 2011 was making Doctoral studies (PhD degree) at the Academy of Fine Arts in Cracow. In December 2012 defended PhD degree. In 2005 won Second Prize at The Samsung Art...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with contrasting light, create a landscape in which, like a counterpoint, we come across a figure – sometimes one, perhaps two or more. The synthetic construction of form, clean contours, and strong divisions are elements which at first sight are the defining characteristics of the artist's style. It is impossible to pass one by and remain indifferent to the subdued harmony flooding these spaces which not totally defined. The drawings, however, are somewhat different. Although they contain the same motifs, at times even the same compositions – the value strategems employed by Julita create a sense of foreboding in a world already balancing on the edge. The painterly and graphic form constructed by the artist is itself thought- provoking . The heightened tones, the light which at times goes off the scale and the almost classic contours lead us to look at Malinowska's work through the prism of classicism and the great art theories of the 17th century. Such references are quite rare in the painting of today and beyond – in art. The search for a language allowing the artist to deal with universal issues and fundamental questions in order to understand the sense of not only art, but also life, has not been too popular a phenomenom in art over the last century. The artist has, however, for the last few years quite consciously defined the sphere of her search. It could first be seen in the diploma cycle of paintings, the summary of her years of study. “The role of the painting defined then and the concious selection of formal sources became the starting point for further artistic exploration, which I have been following carefully ever since.” Julita Malinowska Born in Otwock in 1979. Studied in the Art Department of the University of Maria Curie-Sklodowska in Lublin from 1999-2000, and then from 2000-2005 in the Painting Department of the Academy of Fine Arts in Cracow. Received a Sokrates/Erasmus scholarship in 2003 for Wolverhampton University in the UK. Graduated (MA degree) from the Painting Department in 2005 with distinction. From 2008 till 2011 was making Doctoral studies (PhD degree) at the Academy of Fine Arts in Cracow. In December 2012 defended PhD degree. In 2005 won Second Prize at The Samsung Art...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Unknown Girl in Venice Beach (California Blue Screen) Edition of 10, 44x59 cm. Archival hand-printed by the artist, based on the Polaroid, Certificate and Signature label. Artis...

ABOUT Born in 1967, Piussi was raised in Florence where he studied at the Istituto d’arte, majoring in sculpture and painting and completing his artistic education at Milano’s Brera ...

This acrylic and oil original artwork Girl Combing her Hair is painted in Expressionism style by New York artist Tanya Grabkova. The painting depicted the girl combing her long blac...

Signed lower right dated 1944 Signed verso William Malherbe "The Thetford Hill Vermont" Provenance: Palm Beach Galleries Framed in a gold frame

Playful graphic image depicting a boy and a girl made in bright vibrating colors. Figure of children on a red background with a confident black outline. Will fit both in the children...

Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30"Editions of 3 + 2 Artist Proofs 30" x 40" Editions of 3 + 2...

One of two sizable portraits of girlhood we are offering by notable Illinois artist Christine Ilewski-Huelsmann, not only a fixture in the arts establishment widely represented in ga...

Medium: Oil on Board Signature: Signed Lower Right Sight Size 22.00" x 16.00", Framed 31.00" x 25.00" Two Little Girls. It looks as though they are walking to school with their books in one hand and holding hands with the other. Good Housekeeping Magazine cover, September 1924 Smith, Jessie Willcox:Smith is known mostly for her whimsical illustrations of children. She illustrated "A Child's Garden of Verses" by Robert Louis Stevenson and numerous magazine covers.. American painter and illustrator, 1863-1935 Jessie Wilcox Smith...

English School Mid 16th Century Portrait of Captain John Hyfield Oil on oak panel Image size: 16 ½ x 11 inches Early Frame Provenance: Sothe...

Clouds on Sitges original impressionist oil canvas painting. Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the col...

'The smell of new beginning'' Oil Painting 70" x 51" inch by Igor Dobrowolski ARTIST BIO: Born in Jelenia Góra, Poland, Dobrowolski has long drawn from the aesthetics of his childhood hometown for inspiration. In monochrome hues, delicately shaded big-scale paintings are frequently layered with overlapping body parts or dream-like imagery. Since childhood, Dobrowolski has been influenced by Dalí and Escher, spending hours indoors sketching. Drawing from his family’s collection of art books that had a profound influence on his practice. In 2014, after a short hiatus designing footwear, Dobrowolski decided to dedicate himself entirely to his craft. Spending every day for a month and a half on an intricate artwork of a homeless girl he had seen on the news. “At that time, I was reading about what was going on in the world, and I was struck by the trauma, the pain, the suffering – I wanted to do something. It was my way of expressing myself, and I felt it in my heart. I was only painting and sleeping. Just painting and sleeping, nothing else. I was trying to make a difference.” Dobrowolski’s work has been exhibited in Warsaw, Wroclaw, Berlin, Rzeszów, and London. His work can be found in the private collections of numerous celebrities, including Channing Tatum...

Lucid 2019 Oil on canvas 43" × 33" inch * * * ABOUT THE ARTIST * * * Shane Everybody (Mr.Everybody) is an Irish born self taught artist, where he is currently painting and living w...

''All tears poured out'' (L)' Oil Painting 70" x 95" inch by Igor Dobrowolski ARTIST BIO: Born in Jelenia Góra, Poland, Dobrowolski has long drawn from the aesthetics of his childhood hometown for inspiration. In monochrome hues, delicately shaded big-scale paintings are frequently layered with overlapping body parts or dream-like imagery. Since childhood, Dobrowolski has been influenced by Dalí and Escher, spending hours indoors sketching. Drawing from his family’s collection of art books that had a profound influence on his practice. In 2014, after a short hiatus designing footwear, Dobrowolski decided to dedicate himself entirely to his craft. Spending every day for a month and a half on an intricate artwork of a homeless girl he had seen on the news. “At that time, I was reading about what was going on in the world, and I was struck by the trauma, the pain, the suffering – I wanted to do something. It was my way of expressing myself, and I felt it in my heart. I was only painting and sleeping. Just painting and sleeping, nothing else. I was trying to make a difference.” Dobrowolski’s work has been exhibited in Warsaw, Wroclaw, Berlin, Rzeszów, and London. His work can be found in the private collections of numerous celebrities, including Channing Tatum...

"Static" Oil painting 43' x 34' inch by Mr. Everybody 2019 Oil on canvas 43" × 33" inch * * * ABOUT THE ARTIST * * * Shane Everybody (Mr.Everybody) is an Irish born self taught ...

"Delayed" Oil painting 47' x 34' inch by Mr. Everybody 2019 Oil on canvas 46 9/10 × 34 3/5 inch 119 × 88 cm * * * ABOUT THE ARTIST * * * Shane Everybody (Mr.Everybody) is an Irish...

Negation (Three backs on the background of the clockwork) - abstract painting, made in black, grey, green, red, blue colors. The painting “Negation” is a certain form of the game, when you don’t like something, you don’t just ignore it, you don’t see it. People living in big cities, in the constant stress of constant barriers to their hopes, desires and plans, should be able to rest and relax, whenever necessary. The game has a simple rule: if I do not see what scares me, then there is no fear. Three backs on the background of the clockwork, symbolize fear, laziness and illness, they are connected by red thread, the greatest obstacles of a person on the way to happiness. Clockwork is life. In the modern world, the artist is a peculiar explorer of the time that he lives In. The “main character” of this world is a man whose gaze is turned inward. This view projects its existential reality, where the figurative language of painting is a method of transmitting abstract images of the experiences of the main characters and the time in which they exist on an equal footing with the viewer. Pictures of Daria Kotlyarova have no plot, at first glance, they have no action, but there is a moment. The moment before the second “before” ... and the viewer stops and freezes in tension, this is almost a psychological “cinema reception” that refers us to David Hockney’s paintings...