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Kai Carpenter
Icarus

2018

Price:$3,500
$4,600List Price

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Hebe with Zeus mythological nude by Eduard Buchler 19th Century
Located in Gavere, BE
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Hebe with Zeus mythological nude by Eduard Buchler 19th Century
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The painting (oil on canvas 97 x 63 cm, with gilded wooden frame 104 x 71 cm) depicts one of the most dramatic and salient moments in the Christian Catholic religion, namely the cruc...
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Large Antique German Oil Canvas Hermann Frobenius Pre-Raphaelite Painting 1900
Located in Portland, OR
A Large and impressive antique oil on canvas Pre-Raphaelite painting by the German artist, Hermann Frobenius (1871-1954), signed and dated 1900. Frobenius had classical training and studied both in Rome and Florence, he later was in the circle of Arnold Bocklin and Hans von Marees, he settle in Munich but also in Dresden briefly and latterly in Berlin. He, like many other European painters was fascinated with North Africa and painted many oriental scenes of Algiers, Tunis and Cairo, he was represented at many exhibitions, including the "Great German Art Exhibition" in Munich 1941. This painting (an early example of the artist's work) is very finely painted in the Pre Raphaelite style, depicting a medieval costumed...
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Portrait of an Enchanting Young Girl Wearing a Garland of Morning Glory Flowers
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Located in West Sussex, GB
Attributed to James Holland (1799 -1870) and William Henry Hunt (1790-1864) A Portrait of a Young Girl Wearing a Garland of Morning Glory Flowers Oil on canvas: 17 ½ x 18 in. Frame: 23 ½ x 24 in. Circa 1820 An enchanting head and shoulders portrait of a young girl wearing a white shift...
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A Pre-Raphaelite Beauty. A Portrait of a lady by Josef Arnhold. Oil on canvas
Located in St. Albans, GB
A wonderful painting of a beautiful woman in the style of the Pre-Raphaelites. It is signed Arnhold. It is in very condition and in the original frame. Picture Size: 21 x 21" (51 ...
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Touchstone and Corin, British Pre-Raphaelite 19th Century Oil on Canvas
Located in London, GB
Adolphus M. Madot Circa 1833 - 1861 Oil on canvas Image size: 36 x 24 inches (91.4 x 61 cm) Arched Pre-Raphaelite style frame The subject of the present picture is the dialogue between the court jester Touchstone and the shepherd Corin in the Forest of Arden ( As You Like It, Act III, scene 2). The work of William Shakespeare 'As You Like It' was a popular literary source in Pre-Raphaelite circles, inspiring such artists as John Everett Millais, Walter Howell Deverell and Arthur Hughes. The present picture is comparable in style to the work of Edward W. Rainford and Henry Stacy Marks...
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Exiled, Early 20th-Century Pre-Raphaelite Oil on board
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Located in London, GB
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Christ in the House of His Parents The Carpenters Workshop Antique English Oil
Located in Cirencester, Gloucestershire
The Carpenters Workshop British School, late 19th century based on the Pre-Raphaelite painting by Millais oil on canvas, framed framed: 27.5 x 39 inches canvas: 24 x 36 inches proven...
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Antique English Pre-Raphaelite Oil Portrait of a Young Woman in Pensive Thought
Located in Cirencester, Gloucestershire
Artist/ School: English School Circa 1900 Title: Portrait of a young woman, head and shoulders Medium: oil on board, framed within an antique 'Florentine' gilt frame. actual pain...
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The Convent Boat - British Victorian Pre-Raphaelite art religious oil painting
Located in Hagley, England
This stunning British Victorian Pre-Raphaelite oil painting is by noted artist Arthur Hughes. It was painted circa 1874 and has extensive provenance. The composition is of a novice n...
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"Entanglement" Mixed media painting w/earth and plant matter.
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Kent Williams’ work melds the rigor of technical prowess with the iconoclast’s impulse to disrupt. Juxtaposing beautifully rendered classical forms with elements of abstraction and surrealism, Williams coaxes a sense of cohesion from essential contradictions. Although a virtuosic draftsman, he is concerned less with fidelity to the form than to the feeling. The result is an astonishing amalgamation of the sensual and the technical. Working in tactile surfaces and palpable brushstrokes, Williams doesn’t attempt to conceal the seams that form when joining contradictory concepts; carnal and cosmic, order and chaos, the sacred and the profane. Rather he allows us to witness the violence that occurs when two bodies collide and the beauty that can so often follow. Entanglement was commissioned as the cover art for the Criterion Collection DVD of "Women in Love".
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