Kai Carpenter

Icarus

2018

Kent Williams’ work melds the rigor of technical prowess with the iconoclast’s impulse to disrupt. Juxtaposing beautifully rendered classical forms with elements of abstraction and surrealism, Williams coaxes a sense of cohesion from essential contradictions. Although a virtuosic draftsman, he is concerned less with fidelity to the form than to the feeling. The result is an astonishing amalgamation of the sensual and the technical. Working in tactile surfaces and palpable brushstrokes, Williams doesn’t attempt to conceal the seams that form when joining contradictory concepts; carnal and cosmic, order and chaos, the sacred and the profane. Rather he allows us to witness the violence that occurs when two bodies collide and the beauty that can so often follow. Entanglement was commissioned as the cover art for the Criterion Collection DVD of "Women in Love".

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Original oil painting by Kevin Llewellyn.

Original oil painting by Kevin Llewellyn.

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

SALE ONE WEEK ONLY In “My Best Friend” Girard has captured a tender symbiotic relationship between the woman and her sweet pet. The entire piece swirls with the soft beauty and magical exchange shared by the two individuals. The frame does not enclose so much as enfolds the scene and its decorations are an integral part of the work. Upon close inspection tiny animal figures cavort in the air adding to the spell - almost like fairy characters from Shakespeare’s “A Midsummer’s Night Dream.” The jewelry is beautifully render as are the loving expressions of the faces of both the animal and the woman. The composition is filled with objects and figures but captured softly and in rich detail. The figures appear to be completely self-absorbed and the decorative elements about their heads could suggest the intensity of their thoughts and feelings. Girard was a Detroit figurative painter and teacher at College for Creative Studies, Detroit, Michigan where he taught for 30 years. Other College for Creative Studies (formerly Center for Creative Studies) faculty and graduates include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, Philip Pearlstein, Charles McGee (nationally recognized African American sculptor of animal and dancing spirits), Philip Pearlstein (2000 Honorary Doctorate, Modern Realism style), and John Louis Krieger...

Adolphus M. Madot Circa 1833 - 1861 Oil on canvas Image size: 36 x 24 inches (91.4 x 61 cm) Arched Pre-Raphaelite style frame The subject of the present picture is the dialogue between the court jester Touchstone and the shepherd Corin in the Forest of Arden ( As You Like It, Act III, scene 2). The work of William Shakespeare 'As You Like It' was a popular literary source in Pre-Raphaelite circles, inspiring such artists as John Everett Millais, Walter Howell Deverell and Arthur Hughes. The present picture is comparable in style to the work of Edward W. Rainford and Henry Stacy Marks...

The Knight Errant English School, circa 1900 after the painting by John Everett Millais (1829-1896) oil painting on board, framed board: 13 x 10 i...