Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Lee Wells
Philip K Dick

2018

$5,500
£4,223.47
€4,844.99
CA$7,728.15
A$8,655.04
CHF 4,516.06
MX$105,717.53
NOK 57,457.37
SEK 54,160.45
DKK 36,157.54

About the Item

Phillip K. Dick, 2018 Hand embellished monoprint on canvas 21 7/10 × 17 7/10 in 55 × 45 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov, as well as other pulp science fiction in general is a compelling response to recent societal events and draws attention to the accelerated technological progress in the world today. As our civilization approaches singularity as defined by Ray Kurzweil, which, inevitably will guide humanity ever closer to an unabridged understanding of biology, consciousness and the universe, its the paradoxical situation of existence that intelligent lifeforms will need to come to terms with together. Lee Wells (b.1971) is a conceptual artist and writer whose work ranges from painting, drawing and photography, to video and new media, His work primarily focuses on systems of power and control in society and has been presented internationally for over 20 years. Venues include the Guggenheim Museum, PS1 MoMA, NCCA Moscow, 51st Venice Biennale, in addition to numerous universities, festivals, art fairs, and galleries. Wells was a co-founder of The Perpetual Art Machine, the video art community portal project (2006-2011), and founder of the alternative curatorial platform IFAC Arts which began in 1996. Wells splits his time between New York City, Athens and most recently London through an ongoing collaboration with Darling Pearls & Co.
  • Creator:
    Lee Wells (August 25, 1971, American)
  • Creation Year:
    2018
  • Dimensions:
    Height: 21.66 in (55 cm)Width: 17.72 in (45 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU3263819062

More From This Seller

View All
No Title
By Anita Kapraljevic
Located in New York, NY
Anita Kapraljevic No TItle 2010 Oil on canvas 150 x 119 cm signed, titled and dated on verso Anita Kapraljevic is born in Mostar and lives in Berlin. She studied in Nürtingen Univer...
Category

2010s Contemporary Figurative Paintings

Materials

Canvas, Oil

Regardless the Object Described Minutely
By Carla Gannis
Located in New York, NY
Carla Gannis is an artist who lives and works in Brooklyn, New York. Her work examines the narrativity of 21st century representational technologies and questions the hybrid nature o...
Category

New Media Prints and Multiples

One
By Patrick Lichty
Located in New York, NY
One, 2014 Unique Jacquard-Woven Tapestry 60 x 80 inches
Category

21st Century and Contemporary Contemporary Mixed Media

Materials

Tapestry

CCCP
By Doug Groupp
Located in New York, NY
Doug Groupp CCCP 2022 Mixed media on canvas 54 x 42 inches Doug Group aka Clown Soldier was born in Queens, NY, and graduated with a BFA from SUNY Purchase in 1993. Working in man...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

Erica #`1
By Lee Wells
Located in New York, NY
Erica #1, 2018 Hand embellished monoprint on canvas 25 3/5 × 21 7/10 in 65 × 55 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a ...
Category

2010s Contemporary Figurative Paintings

Materials

Monoprint

Matthew the Fervid
By Lina Pigadioti
Located in New York, NY
Matthew the Fervid, 2017 Printmaking and mixed media on paper and re-board 165x121x68cm Lina Pigadioti-Tzima (b. Athens 1967) studied at Parsons School of Art & Design in Paris (BFA...
Category

2010s Contemporary Mixed Media

Materials

Mixed Media, Archival Paper, Screen

You May Also Like

I'll guess you'll go for nothing if you really wanna go that far
By Mike Maxwell
Located in Santa Monica, CA
Acrylic and spray paint
Category

2010s Outsider Art Portrait Paintings

Materials

Spray Paint, Acrylic

Untitled
By Alexander Ross
Located in New York, NY
Alexander Ross Untitled, 2022 Oil on canvas 46 x 40 inches 116.8 x 101.6 cm Signed and dated (verso) -- Best known for his mysterious biomorphic paintings...
Category

2010s Paintings

Materials

Oil

B.B. In Mannedorf
Located in Bozeman, MT
Jeff Nachtigall is a Canadian Postwar & Contemporary artist who was born in 1970. Numerous key galleries and museums such as Mayberry Fine Art, Winnipe...
Category

2010s Contemporary Paintings

Materials

Spray Paint, Acrylic, Gel Pen

Not Quite Here
Located in West Hollywood, CA
The painting depicts a muscular, middle-aged man with short white hair, seated sideways at a wooden table, gazing forward. His extended right arm holds a sculpted head, conveying a c...
Category

2010s Figurative Paintings

Materials

Oil

The future of man
By Mike Maxwell
Located in Santa Monica, CA
Acyrlic
Category

2010s Outsider Art Figurative Paintings

Materials

Acrylic

Reimago
By Nora See
Located in New Orleans, LA
“Good artists borrow. Great artists steal.” A quote oft attributed to various sources that was never actually uttered by any of them. Though Mark Twain elaborated on the sentiment: “Ninety-nine parts of all things that proceed from the intellect are plagiarisms.” In the Framed Series, I use my 1% contribution to combine issues of consumption with my autobiography. I paint copies of copies of paintings within paintings to reference the appropriation, commodification, and altered continuum of art. My paintings of paintings are based on photographs of originals to perpetuate the continual distillation of form, given the ease with which images are presently exchanged and modified. Further, by reducing historically significant paintings to framed objects hanging on walls, I augment art as a commodity and reconcile the conflict between the artificially assigned monetary value of artworks with the reality that they are simply swirls of paint. In this way, I am also acknowledging the literality of my own work. I have also altered each copied painting to personalize the context of the pieces and address specific autobiographical ideas. These ideas relate to a range of both recent and distant experiences, both funny and sad. Although my initial renderings are digital image composites, my medium of choice is oil paint, applied in transparent layers, using the image on the computer screen as a reference. In addition to its lush visual properties, I enjoy the flexibility of oil paint in making acute renderings as well as the evolution of the imagery from paint to digital and back to paint in further protracting both the distillation and evolution of form. statement on piece "The character Jame Gumb, from the 1991 film and 1988 book, The Silence of the Lambs...
Category

2010s Contemporary Figurative Paintings

Materials

Oil, Panel