Leonid Balaklav

Large Jerusalem Landscape Judaica Oil on Canvas Russian Israeli Artist Balaklav

2003

Judaic oil painting by Krakow, Poland born artist Mark Siegband. Signature on top left. Framed w title plaque on frame. He is one of many great Jewish Polish artists that included Leopold Gottlieb...

Jacques Zucker was born in 1900 in Radom, Poland. He was a notably famous Jewish American artist mostly known for his expressionist figure paintings. In his young years he traveled ...

Rabbi Portrait, Oil Painting Framed: 37.5 x 26. Canvas: 31.5 X 20 Bears original label verso from Safrai Gallery Lovely Israeli Chassidic Rabbi portrait oil painting, vibrant colorful painting. Hand signed in Hebrew and English. Done in a style similar and influenced by Marc Chagall. Svi Raphaely (also known as Tzvi Raphaeli...

Dimensions w/Frame: 16" x 8" x 1 1/2" Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolf Gottlieb...

Frank Tenney Johnson 1874–1939 American The Lawless Frontier Signed, lower left: F Tenney Johnson A.N.A 1930 Oil on canvas Frank Tenney Johnson’s The Lawless Frontier exemplifies...

French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...

The Old Village English School, circa 1931 signed oil on board, framed dated 1931 framed: 15 x 12.5 inches board: 12.5 x 10 inches Provenance: private collection, England Condition: ...

Woman in Apron, Knitting French artist, signed & dated oil on canvas, unframed dated 1943 canvas: 32 x 25.5 inches Provenance: private collection, France Condition: sound and good c...