Items Similar to "The Guitarist" Louis Betts, 1920s Portrait American Impressionist Painting
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Louis Betts"The Guitarist" Louis Betts, 1920s Portrait American Impressionist Paintingcirca 1920s
circa 1920s
About the Item
Louis Betts
The Guitarist, circa 1920
Signed upper left
Oil on canvas
27 x 18 inches
Louis L. Betts was a painter active in the first half of the twentieth century in the United States, especially noted for his portraits. His handling of paint and the subjects he chose gave his work a grand and conservative quality, recalling Old Master paintings from the Baroque era as well as styles popular in late nineteenth-century European art centers.
Louis Betts was born in Little Rock (Pulaski County) on October 5, 1873, the son of Edwin Daniel Betts Sr., a landscape painter and his son’s first teacher. Young Louis’s mother died soon after his birth, and his father married one of her sisters. They did not remain in Little Rock long, however, for Betts’s three younger siblings (who all also had careers as painters) were born elsewhere: Edwin Daniel Jr. in St. Louis in 1879, Harold in Chicago in 1881, and Grace in New York City in 1885. A painting of a man holding a violin, Professor Armellini, now in the collection of the Arkansas Museum of Fine Arts, is said to date from Betts’s sixteenth year, when the work was done in exchange for violin lessons.
Betts entered the Pennsylvania Academy of Fine Arts in 1894, studying with William Merritt Chase, an important artist of the era, known for his portraits and pleasant scenes in an Impressionist style. A still-life of Betts’s entitled Oranges, in the collection of the Arkansas Museum of Fine Arts, is dated to 1889 and was perhaps a studio exercise. A portrait of the young Betts that was probably a classroom demonstration by Chase shows a studious figure wearing rimless glasses. Betts’s preference for portraits and genre subjects, as well as his loose painterly style, shows the effectiveness of his training with Chase. In 1902, he received a Cresson Traveling Scholarship, which allowed him an extended period of study in Europe, especially the Netherlands and Spain, where he learned much from studying the portraits of the seventeenth-century painters Frans Hals and Diego Velázquez. That study was undoubtedly at the suggestion of Chase, as they were models for his own work. Both artists are noted for their expressive brushwork and abilities to suggest a sense of vitality in their sitters.
Following his European studies, Betts returned to Chicago in 1906 but was living in the New York City area by 1910. In 1926, he was listed as living on 19th Street in New York City. He first exhibited at the National Academy of Design in 1902, and was elected an associate in 1912 and a full academician in 1915. He was an active member of this important national organization, winning prizes at a number of annual exhibitions (1902, 1918, 1931, 1932, 1933, and 1937) and serving on the organization’s governing Council from 1919 to 1922 and from 1930 to 1933. Betts’s success is also seen in his regularly exhibiting at the Salmagundi Club and the Century Association, both in New York, and also with the Allied Artists of America, an exhibition cooperative formed in 1914 in New York. Betts won a gold medal at the latter’s 1931 exhibition. He also won important prizes at the St. Louis Exposition (1904), Pittsburgh’s Carnegie Institute (1910), and the Art Institute of Chicago (1920).
Some of Betts’s subjects were prominent figures of the first half of the twentieth century in the United States, including author Booth Tarkington, art critic Royal Cortissoz, Drs. William and Charles Mayo, and William O. Goodman, founder of the Goodman Theater in Chicago. His portrait of the Illinois senator James Hamilton Louis was placed in the U.S. Capitol in 1940. The Art Institute of Chicago has an impressive pair of full-length portraits of Martin Ryerson and his wife (1912–13) that—in their emphasis on dark colors, plain backgrounds, and sense of presence—owe much to the Spanish Baroque artist Velázquez. The Ryersons were important collectors who gave much to the Art Institute. Also in Chicago is Betts’s 1905 portrait of the Art Institute’s director from 1879 to 1914, William Merchant Richardson French.
Betts’s Portrait of a Young Woman in a Bonnet (in the collection of the Arkansas Museum of Fine Arts) is probably an early work that reflects his study in Europe of eighteenth-century British portraits. An example of Betts’s impressionistic work is The Yellow Parasol (circa 1925, held at the Morris Museum in Augusta, Georgia), which uses the bright colors, loose style, and cheerful subject matter associated with the movement begun in France about the time of the artist’s birth. The full-length Rose Gown (circa 1939, held at the Richmond Art Museum in Indiana) may be a portrait of the artist’s first wife, Giovanna M. Kerzenknabe, whom he married in 1899. She died in 1935, and Betts married a friend’s widow, Zara Trevorrow Symons, two years later; their marriage lasted until Betts’s death.
Betts was listed as living in Bronxville, New York, at the time of his death on August 13, 1961. In addition to many other institutions, his work can be found in the museums of Toledo, Ohio, and Montclair, New Jersey, as well as at the Corcoran Gallery in Washington DC.
- Creator:Louis Betts (1873 - 1961, American)
- Creation Year:circa 1920s
- Dimensions:Height: 35 in (88.9 cm)Width: 25.5 in (64.77 cm)
- More Editions & Sizes:Unique WorkPrice: $6,500
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841215846712
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2022
1stDibs seller since 2022
104 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All"Portrait of Louis Prang" William Merritt Chase, Impressionist Portrait
By William Merritt Chase
Located in New York, NY
William Merritt Chase
Portrait of Louis Prang, 1884
Signed center right "WM M Chase"
Oil on canvas
41 1/2 x 30 1/2 inches
Provenance
The artist
Louis Prang
Gift from the sitter to R...
Category
1880s American Impressionist Figurative Paintings
Materials
Canvas, Oil
"Study of a Girl" Julian Alden Weir, American Impressionist Painting Study
By Julian Alden Weir
Located in New York, NY
Julian Alden Weir
Study of a Girl
Oil on canvas
7 x 6 inches
The youngest of sixteen children of Robert W. Weir, artist and art instructor at West Point Military Academy, J. Alden ...
Category
Late 19th Century American Impressionist Figurative Paintings
Materials
Canvas, Oil
"Portrait of a Lady (Study for Harriet Blake)" Lilian Westcott Hale, Painting
By Lilian Westcott Hale
Located in New York, NY
Lilian Westcott Hale
Portrait of a Lady (Study for Harriet Blake)
Oil on canvas
40 ¼ x 30 ¼ inches
A leading American Impressionist working at t...
Category
1920s Impressionist Figurative Paintings
Materials
Canvas, Oil
"John Van Schaick Lansing Pruyn" Eastman Johnson, Prominent Gentleman Portrait
By Eastman Johnson
Located in New York, NY
Eastman Johnson
John Van Schaick Lansing Pruyn, 1883
Initialed and dated lower left
Oil on canvas
28 x 18 inches
For many years the foremost genre painter in the United States, Eas...
Category
1880s Academic Figurative Paintings
Materials
Canvas, Oil
"Anyone for Croquet" Herbert Gustave Schmalz, Portrait by Pre-Raphaelite Artist
Located in New York, NY
Herbert Gustave Schmalz
Anyone for Croquet, circa 1898
Signed lower right
Oil on canvas
47 5/8 x 31 3/4 inches
Provenance
Anthony Mitchell, Nottingham
Burlington Gallery Ltd., Londo...
Category
1890s English School Figurative Paintings
Materials
Canvas, Oil
"Marion Jones Farquhar" Frederick William Macmonnies, Tennis Olympian Portrait
By Frederick William MacMonnies
Located in New York, NY
Frederick William Macmonnies
Marion Jones Farquhar, 1905-11
Oil on canvas
24 x 20 inches
Provenance:
William Clerk
Private Collection, New York
Literature:
Mary Smart, A Flight with Fame: The Life and Art of Frederick MacMonnies, with a Catalogue Raisonne of Sculpture and a Checklist of Paintings by E. Adina Gordon, Madison, Connecticut, 1996, no. 90.
The work depicts Marion Jones Farquhar who, was an American tennis player who competed during the late 19th century and early 20th century. She won the singles titles at the 1899 and 1902 U.S championships and was the first American woman to medal at the Olympics placing Bronze in singles. Additionally, she was the artist's sister-in-law who often played and competed with MacMonnies in golf and tennis. MacMonnies would often study the movements of her form referenced in his sculpture. When MacMonnies won a doubles golf tournament he said "Marion dragged my dead weight thro' and won us the tournament, showing what great Generalship can do."
A sculptor of classical figures, American-born Frederick MacMonnies had fame in the United States and Europe in the later half of the 19th century and early 20th century. He occasionally returned to America but lived most of his life as in expatriate in France. He was especially known for his lithe bronze figures, especially ones titled Diana. The classical names of these figures allowed him the appearance of propriety but gave him the opportunity to model svelte nudes.
Frederick MacMonnies was one of the first American sculptors to recognize the potential market of the middle class. He copyrighted his works and then contracted with foundries to mass produce some of his figures such as Diana in smaller sizes.
MacMonnies was born in Brooklyn, New York, and was a child prodigy at carving stone. At age 18, he worked in the studio of Augustus Saint-Gaudens, and then persuaded him to become his assistant, keeping models damp and covered, running errands, and cleaning the studio. Evenings he studied at the Art Students League, Cooper Union, and the National Academy of Design.
In Saint-Gaudens' studio, he met many of the wealthy people who shared Saint-Gaudens Beaux-Arts based ideas that art and architecture should be unified in order to create public art in America equal to that of classical antiquity or Renaissance Europe. Among the men that MacMonnies met through Saint-Gaudens who later furthered his career were architects Stanford White and Charles McKim...
Category
Early 1900s American Impressionist Portrait Paintings
Materials
Canvas, Oil
You May Also Like
Mid Century Portrait of a Clown #5
By Marjorie May Blake
Located in Soquel, CA
Mid century portrait of a clown by Marjorie Blake (American, 1920-1994). Signed "Blake" in the lower left corner. Unframed.
Marjorie May Gulley Blake w...
Category
1960s American Impressionist Figurative Paintings
Materials
Oil, Canvas
Portrait of Man in Blue
By Lee T. Dalton
Located in Soquel, CA
An alluring portrait of a man (the artists son David) in a blue button up shirt by Lee T. Dalton (American, b.1925). Signed "Lee Dalton '72" upper left....
Category
1970s American Impressionist Figurative Paintings
Materials
Canvas, Oil
Tea Time Figurative in Original Oil on Canvas
By Patricia Gillfillan
Located in Soquel, CA
Tea Time Figurative in Original Oil on Canvas
Charming portrait of a young woman enjoying tea time by Patricia Gillfillan (American, 1924-2016). From a collection of her works. Unsig...
Category
1980s American Impressionist Figurative Paintings
Materials
Canvas, Oil
Portrait of a Woman with Gold Earring
By Patricia Emrich Gillfillan
Located in Soquel, CA
Beautiful portrait of woman with gold earring by Patricia E. Gillfillan (American, 1924-2016), c.1980s. From a collection of her works. Unsigned. Unframed. Image, 20"H x 16"W.
Patri...
Category
1980s American Impressionist Figurative Paintings
Materials
Canvas, Oil
Pair of Mid Century Blocking Portrait Study, Mid Century Portrait of a Woman
By Gordon Cook
Located in Soquel, CA
Blocking Study pair #1 and #2, portrait of a blonde woman, by Gordon Cook (American, 1927-1985). Circa 1960. Signed on verso "G. Cook (3) #1. unframed. Image size: 24"H x 20"W each. Bay area estate sale find.
Gordon Cook was born in 1927 in Chicago, Illinois. He attended Illinois Wesleyan University in Bloomington where he received his B.F.A in 1950. Cook then went on to study fundamentals and life drawing at The American Academy of Art* in Chicago. The same year he studied intaglio* printmaking with Vera Berdich at The School of the Art Institute of Chicago*. He took graduate courses and continued studying intaglio printmaking under artist Mauricio Lasansky at the State University of Iowa.
In 1951, Cook moved to San Francisco. Soon after his works received the journeyman's card in International Typographical Union, Local 21. He began exhibiting his prints, drawings, and paintings at the Porpoise Gallery in San Francisco. Four years later, Cook became a charter member of the Bay Printmakers Society and exhibited in their annual exhibitions at the Oakland Art Museum for the next five years. His etchings portrayed mainly San Francisco landscapes such as the Golden Gate Park, Diamond Heights, and Lake Merced as well as flowers, especially roses.
He participated in his first weekly drawing group with artist Alvin Light, Manuel Neri, Joan Brown, and William H. Brown. Cook also taught at the San Francisco Art Institute*. His etchings where exhibited in a one-man exhibition at the Fine Arts Museums of San Francisco, in the Achenbach Foundation for Graphic Arts. At this point Cook returned to painting. Moving to Rio Vista...
Category
1960s American Impressionist Figurative Paintings
Materials
Canvas, Oil
Take Me Home
By Lu Haskew
Located in Loveland, CO
"Take me Home" by Lu Haskew
Oil 19x16" framed, 12x8" image size
Signed lower left
A young child very apparently ready to go home from their intense yet cute look. The child is weari...
Category
Early 2000s American Impressionist Figurative Paintings
Materials
Canvas, Oil
$450 Sale Price
43% Off
Recently Viewed
View AllMore Ways To Browse
Antique Art Exchange
1933 Chicago
Gold Frame Painting Pair
Eighteenth Paintings
Early 19th Century American Portraits
1940s British Painting
Martin Rose
Antique Roses Oil Painting Paintings
Merchant Portrait
19th Century Portrait American Oil On Canvas
Early 19th Century American Portrait Paintings
Antique Rose Painting On Canvas
Pair Framed Oil Paintings Portrait
Baroque French Portrait
Antique Georgian Portrait
Antique Violins
1940s Woman Portrait
Portrait Of Old Man And An Old Woman